| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
ADDRESSING THE GLOBAL PHENOMENON OF A DOLL'S HOUSE: AN INTERCULTURAL INTERVENTION
|
Holledge, Julie
|
|
2008
|
|
1 |
p. 13-28
|
artikel
|
| 2 |
Advocacy and Ambivalence in Ibsen's Drama
|
Templeton, Joan
|
|
2007
|
|
1 |
p. 43-60
|
artikel
|
| 3 |
'After the first death, there is no other': Ibsen's Brand and Kierkegaard's Fear and Trembling
|
Theoharis, Theoharis C.
|
|
2000
|
|
1 |
p. 9-29
|
artikel
|
| 4 |
A Jungian reading of Ibsen's the lady from the sea
|
Ozdemir, Erinc
|
|
2002
|
|
1 |
p. 34-53
|
artikel
|
| 5 |
Allegory, Capital, Modernity: Peer Gynt and Ibsen's Modern Breakthrough
|
Lisi, Leonardo F.
|
|
2008
|
|
1 |
p. 43-68
|
artikel
|
| 6 |
Arrival scenes. Henrik Ibsen's John Gabriel Borkman and the tradition of modern European drama.
|
Heitmann, Annegret
|
|
2006
|
|
1 |
p. 22-43
|
artikel
|
| 7 |
BEATE ROSMER AND BERTHA ROCHESTER
|
Smidt, Kristian
|
|
2008
|
|
1 |
p. 79-81
|
artikel
|
| 8 |
Between desire and ethics.
|
Nylander, Lars
|
|
2005
|
|
1 |
p. 105-110
|
artikel
|
| 9 |
Contemporary political relevance of Ibsen's Brand - the case of Islamic fundamentalism
|
Nilu, Kamaluddin
|
|
2007
|
|
1 |
p. 105-121
|
artikel
|
| 10 |
Contributors
|
|
|
2000
|
|
1 |
p. 111-112
|
artikel
|
| 11 |
Contributors
|
|
|
2002
|
|
1 |
p. 83-84
|
artikel
|
| 12 |
CREDIT AND CREDIBILITY: THE IMPACT OF MODERN BANKING INSTITUTIONS ON A DOLL'S HOUSE
|
Evans, Michael
|
|
2008
|
|
1 |
p. 29-42
|
artikel
|
| 13 |
Editorial board
|
|
|
2000
|
|
1 |
p. 1
|
artikel
|
| 14 |
Editorial board
|
|
|
2002
|
|
1 |
p. 1
|
artikel
|
| 15 |
Editors' introduction
|
Durbach, Errol
|
|
2004
|
|
1 |
p. 2-3
|
artikel
|
| 16 |
Editor's note
|
|
|
2000
|
|
1 |
p. 110
|
artikel
|
| 17 |
EPILOGICAL MELANCHOLY
|
Levy, Jette Lundbo
|
|
2003
|
|
1 |
p. 113-122
|
artikel
|
| 18 |
Exchange in A Doll's House and in The Lady from the Sea - Barter, Gift, and Sacrifice
|
Johansen, Jørgen Dines
|
|
2007
|
|
1 |
p. 22-42
|
artikel
|
| 19 |
Falling for the sphinx: The Heritage of the Oedipus Myth in Henrik Ibsen's The Master Builder
|
Delbruck, Hansgerd
|
|
2000
|
|
1 |
p. 30-53
|
artikel
|
| 20 |
Female interpreters of Ibsen on Broadway, 1896-1947: Minnie Maddern Fiske, Alla Nazimova & Eva Le Gallienne
|
Arthur, Thomas
|
|
2000
|
|
1 |
p. 54-67
|
artikel
|
| 21 |
Hedda and HjØrdis: Saga and scandal in Hedda Gabler and The Vikings at Helgeland
|
Kaplan, Merrill
|
|
2004
|
|
1 |
p. 18-29
|
artikel
|
| 22 |
Henrik Ibsen and Denmark
|
Wiingaard, Jytte
|
|
2002
|
|
1 |
p. 9-33
|
artikel
|
| 23 |
HOW IBSEN FOUND HIS HEDDA GABLER
|
Nilsen, Håvard
|
|
2003
|
|
1 |
p. 7-31
|
artikel
|
| 24 |
Ibsen and British Women's Drama
|
Cameron, Rebecca S.
|
|
2004
|
|
1 |
p. 92-102
|
artikel
|
| 25 |
IBSEN AND CHINESE 'PROBLEM DRAMA'
|
He, Chengzhou
|
|
2003
|
|
1 |
p. 54-70
|
artikel
|
| 26 |
Ibsen and the Nightmare of History
|
Eagleton, Terry
|
|
2008
|
|
1 |
p. 4-12
|
artikel
|
| 27 |
Ibsen interpreted as an Allegory of Systems Theory
|
Tjønneland, Eivind
|
|
2007
|
|
1 |
p. 122-128
|
artikel
|
| 28 |
Ibsen's Ghosts - A Play for All Theatre Concepts?
|
Fischer-Lichte, Erika
|
|
2007
|
|
1 |
p. 61-83
|
artikel
|
| 29 |
Ibsen's individualism in Japan: John Gabriel Borkman and Ogai Mori's Seinen (Youth, 1910)
|
Auestad, Reiko Abe
|
|
2006
|
|
1 |
p. 44-67
|
artikel
|
| 30 |
Ibsen's Motherless Women
|
Hartmann, Ellen
|
|
2004
|
|
1 |
p. 80-91
|
artikel
|
| 31 |
IBSEN: THE SIGNIFICANCE OF SWEAR-WORDS
|
Tysdahl, Bjørn
|
|
2008
|
|
1 |
p. 69-78
|
artikel
|
| 32 |
Maintenance proceedings against Henrik Ibsen 1846-1862
|
Dahl, Per Kristian Heggelund
|
|
2000
|
|
1 |
p. 81-96
|
artikel
|
| 33 |
Mother, wife and role model
|
Ørjasæter, Kristin
|
|
2005
|
|
1 |
p. 19-47
|
artikel
|
| 34 |
On a letter from Ibsen and one from Vinje
|
Dahl, Per Kristian Heggelund
|
|
2000
|
|
1 |
p. 97-103
|
artikel
|
| 35 |
Peer Gynt and the dialogic imagination
|
Jan, Sara
|
|
2004
|
|
1 |
p. 40-54
|
artikel
|
| 36 |
Power and Masculinity Atle Kittang: Ibsens Heroisme . Oslo: Gyldendal Norsk Forlag, 2002. 383 pp. ISBN 82-05-30633-8
|
Møller, Lis
|
|
2003
|
|
1 |
p. 123-128
|
artikel
|
| 37 |
Preface
|
Brynhildsvoll, Knut
|
|
2002
|
|
1 |
p. 7-8
|
artikel
|
| 38 |
Preface
|
Brynhildsvoll, Knut
|
|
2003
|
|
1 |
p. 3-6
|
artikel
|
| 39 |
Preface
|
|
|
2008
|
|
1 |
p. 2-3
|
artikel
|
| 40 |
Preface
|
|
|
2007
|
|
1 |
p. 2-3
|
artikel
|
| 41 |
Preface
|
Brynhildsvoll, Knut
|
|
2004
|
|
1 |
p. 1
|
artikel
|
| 42 |
Preface
|
Brynhildsvoll, Knut
|
|
2005
|
|
1 |
p. 1-3
|
artikel
|
| 43 |
Preface
|
Brynhildsvoll, Knut
|
|
2006
|
|
1 |
p. 1-5
|
artikel
|
| 44 |
Reading Ibsen's signs: ambivalence on page and stage (plenary address)
|
Ewbank, Inga-Stina
|
|
2004
|
|
1 |
p. 4-17
|
artikel
|
| 45 |
RECONSTRUCTING IBSEN AS AN ARTIST: A THEORETICAL REFLECTION ON THE RECEPTION OF IBSEN IN CHINA
|
Ning, Wang
|
|
2003
|
|
1 |
p. 71-85
|
artikel
|
| 46 |
Review
|
|
|
2006
|
|
1 |
p. 96-103
|
artikel
|
| 47 |
Review
|
|
|
2006
|
|
1 |
p. 90-95
|
artikel
|
| 48 |
REVIEW
|
|
|
2008
|
|
1 |
p. 82-86
|
artikel
|
| 49 |
Reviews
|
Moi, Toril
|
|
2000
|
|
1 |
p. 104-107
|
artikel
|
| 50 |
Reviews
|
Paul, Fritz
|
|
2002
|
|
1 |
p. 75-82
|
artikel
|
| 51 |
Robert Wilson Directs When We Dead Awaken, The Lady From the Sea and Peer Gynt
|
Shevtsova, Maria
|
|
2007
|
|
1 |
p. 84-104
|
artikel
|
| 52 |
“…since I cannot afford to lose or even risk anything”
|
Dietrichson, Jan W.
|
|
2006
|
|
1 |
p. 68-89
|
artikel
|
| 53 |
The Architecture of Forgetting
|
Sandberg, Mark
|
|
2007
|
|
1 |
p. 4-21
|
artikel
|
| 54 |
The Ethics of Aesthetics: Decadence in Henrik Ibsen's The Wild Duck
|
Veisland, Jørgen
|
|
2005
|
|
1 |
p. 48-63
|
artikel
|
| 55 |
The Greenhouse, the Zoo and the Aquarium: Allegories of inauthenticity in Ibsen's modern drama
|
Aarseth, Asbjørn
|
|
2004
|
|
1 |
p. 70-79
|
artikel
|
| 56 |
THE IBSEN PHENOMENON
|
Johnston, Brian
|
|
2006
|
|
1 |
p. 6-21
|
artikel
|
| 57 |
The international Ibsen bibliography
|
Nordbø, Gunhild
|
|
2000
|
|
1 |
p. 108-110
|
artikel
|
| 58 |
'THE REVELATION OF THINGS UNSEEN': A MYSTERY PLAY TRADITION IN IBSEN'S REALISTIC DRAMA, WITH PARTICULAR REFERENCE TO ROSMERSHOLM
|
Yuriev, Andrey
|
|
2003
|
|
1 |
p. 86-112
|
artikel
|
| 59 |
The role of women in Henrik Ibsen's the pretenders—An analysis of the forces of destruction and healing
|
Hoel, Ane
|
|
2000
|
|
1 |
p. 68-80
|
artikel
|
| 60 |
Three unpublished letters by Henrik Ibsen about the first-performances of 'Et dukkehjem' in Italy
|
Lokrantz, Margherita Giordano
|
|
2002
|
|
1 |
p. 59-74
|
artikel
|
| 61 |
TO BE ONESELF: SATAN'S RUSE
|
Dvergsdal, Alvhild
|
|
2003
|
|
1 |
p. 32-53
|
artikel
|
| 62 |
Tom Eide: Ibsens dialogkunst: Etikk og eksistens i Når vi døde vågner. Oslo: Universitetsforlaget, 2001. 299 pages. ISBN 82-15-00146-7
|
Tysdahl, Bjørn
|
|
2004
|
|
1 |
p. 112-117
|
artikel
|
| 63 |
"To waste one's life": biblical language in Ibsen's dramas of contemporary life
|
Jakobsen, Arnbjørn
|
|
2004
|
|
1 |
p. 30-39
|
artikel
|
| 64 |
"To waste one's life";: biblical language in Ibsen's dramas of contemporary life
|
Jakobsen, Arnbjørn
|
|
2004
|
|
1 |
p. 30-39
|
artikel
|
| 65 |
"Unser Ibsen": Ibsen on the contemporary German stage (plenary address)
|
Carlson, Marvin
|
|
2004
|
|
1 |
p. 55-69
|
artikel
|
| 66 |
"Unser Ibsen";: Ibsen on the contemporary German stage (plenary address)
|
Carlson, Marvin
|
|
2004
|
|
1 |
p. 55-69
|
artikel
|
| 67 |
Viewing the Nude: Body and Existence in Space and Time
|
Østerud, Erik
|
|
2005
|
|
1 |
p. 64-104
|
artikel
|
| 68 |
What Ibsen has meant (plenary address)
|
Bentley, Eric
|
|
2004
|
|
1 |
p. 103-111
|
artikel
|
| 69 |
Yet another honour: Ibsen and the British Scandinavian Society
|
Rem, Tore
|
|
2002
|
|
1 |
p. 54-58
|
artikel
|
Tijdschrift beschrijving