| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Book reviews
|
|
|
1996
|
16 |
4 |
p. 587-594
|
artikel
|
| 2 |
Memory, evidence and film
|
Bet-El, Ilana
|
|
1996
|
16 |
4 |
p. 577-580
|
artikel
|
| 3 |
Nazi documentaries of intimidation: 'Feldzug in Polen' (1940), 'Feuertaufe' (1940) and 'Sieg im Westen' (1941)
|
Sakmyster, Thomas
|
|
1996
|
16 |
4 |
p. 485-514
|
artikel
|
| 4 |
'On her side': female images in Italian cinema and the popular press, 1945-1955
|
Cigognetti, Luisa
|
|
1996
|
16 |
4 |
p. 555-563
|
artikel
|
| 5 |
The Aileen and Michael Balcon special collection: an introduction to British cinema history, 1929-1960
|
Moat, Janet
|
|
1996
|
16 |
4 |
p. 565-575
|
artikel
|
| 6 |
The documentary view: a computerized catalogue of French documentaries
|
Lagny, Michele
|
|
1996
|
16 |
4 |
p. 581-585
|
artikel
|
| 7 |
'The Yanks Are Shown to Such Advantage': Anglo-American rivalry in the production of 'The True Glory' (1945)
|
Chapman, James
|
|
1996
|
16 |
4 |
p. 533-554
|
artikel
|
| 8 |
Veit Harlan and the origins of 'Jud Suss', 1938-1939: opportunism in the creation of Nazi anti-Semitic film propaganda
|
Tegel, Susan
|
|
1996
|
16 |
4 |
p. 515-531
|
artikel
|
| 9 |
XVII Iamhist Congress, Salisbury, MD, 26-31 July, 1997
|
|
|
1996
|
16 |
4 |
p. 595-597
|
artikel
|
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