| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
A Bicentennial History: The Australian television miniseries
|
Bertrand, Ina
|
|
1990
|
|
3 |
p. 293-303
|
artikel
|
| 2 |
Addressing the Eye in Ireland: Thaddeus O'Sullivan's On a Paving Stone Mounted (1978)
|
Herr, Cheryl Temple
|
|
2000
|
|
3 |
p. 367-374
|
artikel
|
| 3 |
'A Drama Unites Them in a Fight to the Death': some remarks on the flourishing of a cinema of scientific vernacularization in France, 1909-1914
|
Gaycken, Oliver
|
|
2002
|
|
3 |
p. 353-374
|
artikel
|
| 4 |
Advertising for Peace: the state and political advertising in Northern Ireland, 1988-1998
|
Finlayson, Alan
|
|
2000
|
|
3 |
p. 397-412
|
artikel
|
| 5 |
Airing The Exotic: Colonial Landscapes On French Interwar Metropolitan Radio
|
Neulander, Joelle
|
|
2007
|
|
3 |
p. 313-332
|
artikel
|
| 6 |
Albert E. Hemsing (1921-1997)
|
Culbert, David
|
|
1997
|
|
3 |
p. 401-402
|
artikel
|
| 7 |
America's press-radio war of the 1930s: a case study in battles between old and new media
|
Jackaway, Gwenyth
|
|
1994
|
|
3 |
p. 299-314
|
artikel
|
| 8 |
An archival acquisition strategy for the broadcast records of the Canadian broadcasting corporation
|
Dick, Ernest J.
|
|
1991
|
|
3 |
p. 253-268
|
artikel
|
| 9 |
1922 and All That: the inner war in feature films of independence
|
Cole, Robert
|
|
2000
|
|
3 |
p. 445-451
|
artikel
|
| 10 |
A note concerning John Grierson and the National Gallery of Canada, 1939-1943
|
Macmillan, Robert
|
|
1989
|
|
3 |
p. 283-290
|
artikel
|
| 11 |
A note on Allied currency reform in West Germany (1948) as presented by 'Welt im Film'
|
Loiperdinger, Martin
|
|
1988
|
|
3 |
p. 299-309
|
artikel
|
| 12 |
A note on early broadcasting developments in Belgium
|
Putseys, Johan
|
|
1987
|
|
3 |
p. 311-317
|
artikel
|
| 13 |
“Any resemblance to persons living or dead”: film and the challenge of authenticity
|
Davis, Natalie Zemon
|
|
1988
|
|
3 |
p. 269-283
|
artikel
|
| 14 |
Apartheid, Sharpeville and 'Impartiality': the reporting of South Africa on BBC television 1948-1961
|
Smith, Howard
|
|
1993
|
|
3 |
p. 251-298
|
artikel
|
| 15 |
A program structure analysis of East German television, 1968-1974
|
Schubert, Markus
|
|
2004
|
|
3 |
p. 345-353
|
artikel
|
| 16 |
Assessing the film board, crediting Grierson
|
Jones, D. B.
|
|
1989
|
|
3 |
p. 301-308
|
artikel
|
| 17 |
Australia's 'Come in Spinner': feminist ideology as best-seller (1946) and television mini-series (1990)
|
Bertrand, Ina
|
|
1992
|
|
3 |
p. 231-244
|
artikel
|
| 18 |
Awara and the post-colonial origins of the hindi law drama
|
Hoffheimer, Michael H.
|
|
2006
|
|
3 |
p. 341-359
|
artikel
|
| 19 |
Back to the Future? Integrating the press and media into the history of international relations
|
Taylor, Philip M.
|
|
1994
|
|
3 |
p. 321-329
|
artikel
|
| 20 |
Bela Balazs: fairytales, film, and The Blue Light
|
Tegel, Susan
|
|
2004
|
|
3 |
p. 497-502
|
artikel
|
| 21 |
Between Word, Image, and the Machine: visual education and films of industrial process
|
Wiatr, Elizabeth
|
|
2002
|
|
3 |
p. 333-351
|
artikel
|
| 22 |
Beyond Words: reviewing moving pictures
|
Carnes, Mark C.
|
|
1996
|
|
3 |
p. 379-380
|
artikel
|
| 23 |
'Blocked' currency, runaway production in britain and captain horatio hornblower (1951)
|
Stubbs, Jonathan
|
|
2008
|
|
3 |
p. 335-351
|
artikel
|
| 24 |
Book reviews
|
|
|
1992
|
|
3 |
p. 279-287
|
artikel
|
| 25 |
Book reviews
|
|
|
1993
|
|
3 |
p. 367-375
|
artikel
|
| 26 |
Book reviews
|
|
|
1995
|
|
3 |
p. 439-452
|
artikel
|
| 27 |
Book Reviews
|
|
|
1999
|
|
3 |
p. 407-415
|
artikel
|
| 28 |
Book Reviews
|
|
|
2001
|
|
3 |
p. 327-328
|
artikel
|
| 29 |
Book Reviews
|
|
|
2002
|
|
3 |
p. 381-387
|
artikel
|
| 30 |
Book reviews
|
|
|
2005
|
|
3 |
p. 497-521
|
artikel
|
| 31 |
Book Reviews
|
Cheung, Ruby
|
|
2008
|
|
3 |
p. 415-439
|
artikel
|
| 32 |
Book reviews
|
|
|
1994
|
|
3 |
p. 333-348
|
artikel
|
| 33 |
Book reviews
|
|
|
1996
|
|
3 |
p. 445-476
|
artikel
|
| 34 |
Book reviews
|
|
|
1990
|
|
3 |
p. 321-335
|
artikel
|
| 35 |
Book reviews
|
|
|
1991
|
|
3 |
p. 293
|
artikel
|
| 36 |
Book reviews
|
|
|
1997
|
|
3 |
p. 405-429
|
artikel
|
| 37 |
Book reviews
|
|
|
1998
|
|
3 |
p. 445-492
|
artikel
|
| 38 |
Book Reviews
|
|
|
2000
|
|
3 |
p. 453-463
|
artikel
|
| 39 |
Book reviews
|
|
|
2006
|
|
3 |
p. 421-460
|
artikel
|
| 40 |
Book reviews
|
Doherty, Thomas
|
|
2007
|
|
3 |
p. 413-453
|
artikel
|
| 41 |
Book reviews
|
|
|
1987
|
|
3 |
p. 335-341
|
artikel
|
| 42 |
Book reviews
|
|
|
1988
|
|
3 |
p. 325-331
|
artikel
|
| 43 |
Canada's Moose River Mine Disaster (1936): radio-newspaper competition in the business of news
|
Webb, Jeff A.
|
|
1996
|
|
3 |
p. 365-376
|
artikel
|
| 44 |
Changes in Editorial Board
|
|
|
1997
|
|
3 |
p. 403
|
artikel
|
| 45 |
Changes in Editorial Board and IAMHIST Newsletter
|
|
|
1996
|
|
3 |
p. 425
|
artikel
|
| 46 |
Children's television in the GDR
|
Wiedemann, Dieter
|
|
2004
|
|
3 |
p. 427-440
|
artikel
|
| 47 |
Cinema as an attraction: representations of bridgend's cinema exhibition history in the Glamorgan Gazette, Wales, 1900-1939
|
Richards, Helen
|
|
2005
|
|
3 |
p. 427-453
|
artikel
|
| 48 |
Comment/news/notices
|
|
|
1990
|
|
3 |
p. 317-319
|
artikel
|
| 49 |
Comment/news/notices
|
|
|
1987
|
|
3 |
p. 323-334
|
artikel
|
| 50 |
Comment/news/notices
|
|
|
1988
|
|
3 |
p. 317-322
|
artikel
|
| 51 |
Comment/news/notices
|
|
|
1989
|
|
3 |
p. 327-330
|
artikel
|
| 52 |
Comments/news/notices
|
|
|
1991
|
|
3 |
p. 269-291
|
artikel
|
| 53 |
Comments/news/notices>
|
|
|
1992
|
|
3 |
p. 275-278
|
artikel
|
| 54 |
Commercial radio, public affairs discourse and the manipulation of sound scholarship Isolationism, wartime civil rights and the collapse of the attractiveness of communism in America, 1933-1945
|
Slotten, Hugh Richard
|
|
2005
|
|
3 |
p. 371-398
|
artikel
|
| 55 |
Darryl F. Zanuck and the failure of 'One World', 1943-1945
|
Wiseman, John B.
|
|
1987
|
|
3 |
p. 279-287
|
artikel
|
| 56 |
Depictions of America in GDR television films and plays, 1955-1965
|
Hoff, Peter
|
|
2004
|
|
3 |
p. 403-410
|
artikel
|
| 57 |
'Designed specially for television purposes and technique': the development of the television cinema programme in Britain in the 1950s
|
Holmes, Su
|
|
2005
|
|
3 |
p. 455-474
|
artikel
|
| 58 |
Developmental possibilities of television, 1939
|
Wagenfuhr, Kurt
|
|
1990
|
|
3 |
p. 305-309
|
artikel
|
| 59 |
Digital Dialectics: the paradox of cinema in a studio without walls
|
McQuire, Scott
|
|
1999
|
|
3 |
p. 379-397
|
artikel
|
| 60 |
Disappearing reality: the end of East German television
|
Stiehler, Hans-Jorg
|
|
2004
|
|
3 |
p. 483-489
|
artikel
|
| 61 |
Documentary, Positivism, and Interpretivism
|
Rolinson, Dave
|
|
2001
|
|
3 |
p. 323-325
|
artikel
|
| 62 |
Dual Nationality Film Productions in Europe after 1945
|
Ja¨ckel, Anne
|
|
2003
|
|
3 |
p. 231-243
|
artikel
|
| 63 |
Early Children's Broadcasting in Britain: programming for a liberal democracy
|
Oswell, David
|
|
1998
|
|
3 |
p. 375-393
|
artikel
|
| 64 |
Early Swedish (Non-fiction) Cinema and Cartography
|
Snickars, Pelle
|
|
2002
|
|
3 |
p. 275-290
|
artikel
|
| 65 |
Elsa martinelli: Italy's audrey hepburn
|
Buckley, Reka
|
|
2006
|
|
3 |
p. 327-340
|
artikel
|
| 66 |
Film 'hits' and 'misses' in mid-1930s Britain
|
Sedgwick, John
|
|
1998
|
|
3 |
p. 333-351
|
artikel
|
| 67 |
Fragmentation and Crisis: 1940s admissions figures at the regent cinema, Portsmouth, UK
|
Harper, Sue
|
|
2006
|
|
3 |
p. 361-394
|
artikel
|
| 68 |
Frieda Hennock: FCC activist and the campaign for educational television, 1948-1951
|
Brinson, Susan L.
|
|
1998
|
|
3 |
p. 411-429
|
artikel
|
| 69 |
From Shaw to Shantaram: the Film Advisory Board and the making of British propaganda films in India, 1940-1943
|
Woods, Philip
|
|
2001
|
|
3 |
p. 293-308
|
artikel
|
| 70 |
GDR television in competition with West German programming
|
Dittmar, Claudia
|
|
2004
|
|
3 |
p. 327-343
|
artikel
|
| 71 |
General De Gaulle Under Sniper Fire In Notre Dame Cathedral, 26 August 1944: Robert Reid's Bbc Commentary
|
Crang, Jeremy A.
|
|
2007
|
|
3 |
p. 391-406
|
artikel
|
| 72 |
Genre and gender in world war II Japanese feature film: 'China Night' (1940)
|
Freiberg, Freda
|
|
1992
|
|
3 |
p. 245-252
|
artikel
|
| 73 |
German Documentary Film In 2007 Pages
|
Culbert, David
|
|
2007
|
|
3 |
p. 407-411
|
artikel
|
| 74 |
German wartime newsreels (deutsche wochenschau): the problem of 'authenticity'
|
Stamm, Karl
|
|
1987
|
|
3 |
p. 239-245
|
artikel
|
| 75 |
'Gibberish' On The Air: Foreign Language Radio And American Broadcasting, 1920-1940
|
Krysko, Michael A.
|
|
2007
|
|
3 |
p. 333-355
|
artikel
|
| 76 |
Glamour and the italian female film stars of the 1950S
|
Buckley, Reka
|
|
2008
|
|
3 |
p. 267-289
|
artikel
|
| 77 |
'Have Gun, Will Travel': Swedish television and American westerns, 1959-1969
|
Bjork, Ulf Jonas
|
|
2001
|
|
3 |
p. 309-321
|
artikel
|
| 78 |
'Have You Seen the Gaekwar Bob?': filming the 1911 Delhi Durbar
|
Bottomore, Stephen
|
|
1997
|
|
3 |
p. 309-345
|
artikel
|
| 79 |
Henry Duckett, 1953-1994
|
Edwards, Griffith
|
|
1994
|
|
3 |
p. 331
|
artikel
|
| 80 |
Henry V, the Quai d'Orsay, and the well-being of the Franco-British Alliance, 1947
|
Young, John W.
|
|
1987
|
|
3 |
p. 319-321
|
artikel
|
| 81 |
Heynowski & Scheumann: the GDR's leading documentary film team
|
Steinmetz, Rudiger
|
|
2004
|
|
3 |
p. 366-378
|
artikel
|
| 82 |
High-definition Television, Big Screen Television and Television-guided Missiles, 1945
|
Uricchio, William
|
|
1990
|
|
3 |
p. 311-315
|
artikel
|
| 83 |
Historiography and film: the Historical Association and the British Film Institute, 1934-1946
|
Harper, Sue
|
|
1987
|
|
3 |
p. 247-277
|
artikel
|
| 84 |
History-Makers
|
Cook, John R.
|
|
2002
|
|
3 |
p. 375-380
|
artikel
|
| 85 |
History on television: the making of 'Cold War', 1998
|
Downing, Taylor
|
|
1998
|
|
3 |
p. 325-332
|
artikel
|
| 86 |
Hollywood in Berlin, 1945: a note on Billy Wilder and the origins of 'A Foreign Affair'
|
Culbert, David
|
|
1988
|
|
3 |
p. 311-316
|
artikel
|
| 87 |
Horror in Our Time: images of the concentration camps in the British media, 1945
|
Caven, Hannah
|
|
2001
|
|
3 |
p. 205-253
|
artikel
|
| 88 |
How British Television Inserted the Holocaust into Britain's War Memory in 1995
|
Petersen, Judith
|
|
2001
|
|
3 |
p. 255-272
|
artikel
|
| 89 |
Images of Regeneration: film propaganda and the British slum clearance campaign, 1933-1938
|
Crothall, Geoffrey
|
|
1999
|
|
3 |
p. 339-358
|
artikel
|
| 90 |
Imagined contemporaries: Cinematic and televised dramas about the Edwardians in Great Britain and the United States, 1967-1985
|
LeMahieu, D. L.
|
|
1990
|
|
3 |
p. 243-256
|
artikel
|
| 91 |
International Television Coverage of the Bombing of the Baghdad 'Bunker', 13 February 1991
|
MacGregor, Brent
|
|
1994
|
|
3 |
p. 241-268
|
artikel
|
| 92 |
'In the Name of the Emperor': war guilt and the medium of film
|
Leab, Daniel J.
|
|
1995
|
|
3 |
p. 435-437
|
artikel
|
| 93 |
Introduction
|
Brunetta, Gian Piero
|
|
1995
|
|
3 |
p. 339-341
|
artikel
|
| 94 |
Introduction
|
Steinmetz, Rudiger
|
|
2004
|
|
3 |
p. 315-316
|
artikel
|
| 95 |
Introduction
|
Cull, Nicholas J.
|
|
2000
|
|
3 |
p. 277-282
|
artikel
|
| 96 |
Italian cinema and the hard road towards democracy, 1945
|
Brunetta, Gian Piero
|
|
1995
|
|
3 |
p. 343-348
|
artikel
|
| 97 |
Italian Cinema, since 1945: the social costs of industrialization
|
Melanco, Mirco
|
|
1995
|
|
3 |
p. 387-392
|
artikel
|
| 98 |
Italian public television in the 1970s: a predictable confusion
|
Anania, Francesca
|
|
1995
|
|
3 |
p. 401-406
|
artikel
|
| 99 |
Italian Radio: history and historiography
|
Isola, Gianni
|
|
1995
|
|
3 |
p. 393-399
|
artikel
|
| 100 |
Japan's hollywood boycott movement of 1924
|
Itatsu, Yuko
|
|
2008
|
|
3 |
p. 353-369
|
artikel
|
| 101 |
John Grierson and the documentary—60 years on
|
Pronay, Nicholas
|
|
1989
|
|
3 |
p. 227-246
|
artikel
|
| 102 |
John Grierson, his 'documentary boys' and the british ministry of information, 1939-1942
|
Fox, Jo
|
|
2005
|
|
3 |
p. 345-369
|
artikel
|
| 103 |
John Grierson, idealism and the inter-war period
|
Aitken, Ian
|
|
1989
|
|
3 |
p. 247-258
|
artikel
|
| 104 |
John Grierson on Hollywood's success, 1927
|
Jarvie, Ian
|
|
1989
|
|
3 |
p. 309-326
|
artikel
|
| 105 |
John Grierson's final advice to the National Film Board of Canada, 1966-1971
|
Evans, Gary
|
|
1989
|
|
3 |
p. 291-300
|
artikel
|
| 106 |
John Magee's documentary footage of the Massacre in Nanjing, China, 1937-1938
|
Shao, Tzuping
|
|
1995
|
|
3 |
p. 425-429
|
artikel
|
| 107 |
'Just for Kids?': Saturday morning cinema and Britain's children's film foundation in the 1960s
|
Agajanian, Rowana
|
|
1998
|
|
3 |
p. 395-409
|
artikel
|
| 108 |
Leni Riefenstahl's Career Reassessed
|
Tegel, Susan
|
|
2003
|
|
3 |
p. 279-283
|
artikel
|
| 109 |
Local Views: a blind spot in the historiography of Early German Cinema
|
Jung, Uli
|
|
2002
|
|
3 |
p. 253-273
|
artikel
|
| 110 |
Locating Early Film Audiences: voluntary associations and colonial film
|
Fuhrmann, Wolfgang
|
|
2002
|
|
3 |
p. 291-304
|
artikel
|
| 111 |
Marshal j and cap'n ken: The lost history of live local television in fifties america
|
Hutchison, Phillip J.
|
|
2008
|
|
3 |
p. 371-390
|
artikel
|
| 112 |
MCcarthyism revisited
|
Ceplair, Larry
|
|
2008
|
|
3 |
p. 405-414
|
artikel
|
| 113 |
'Memphis Tennessee' in Borstendorf: boundaries set and transcended in East German television entertainment
|
Breitenborn, Uwe
|
|
2004
|
|
3 |
p. 391-402
|
artikel
|
| 114 |
Michael Balcon's Close Encounter with the American Market, 1934-1936
|
Sedgwick, John
|
|
1996
|
|
3 |
p. 333-348
|
artikel
|
| 115 |
Mikhail Kalatozov's the red tent: a case study in international coproduction across the iron curtain
|
Michaels, Paula A.
|
|
2006
|
|
3 |
p. 311-325
|
artikel
|
| 116 |
Mishegoss: 'Schindler's List', Holocaust representation and film history
|
Manchel, Frank
|
|
1998
|
|
3 |
p. 431-436
|
artikel
|
| 117 |
'Modern Warfare in China in 1924-1925': Soviet film propaganda to support Chinese Militarist Zhang Zuolin
|
Waldron, Arthur
|
|
1995
|
|
3 |
p. 407-424
|
artikel
|
| 118 |
Mountbatten goes to the movies: Promoting the heroic myth through cinema
|
Smith, Adrian
|
|
2006
|
|
3 |
p. 395-416
|
artikel
|
| 119 |
Music Hall Dope and British Propaganda? Cultural identity and early broadcasting in Ireland
|
McLoone, Martin
|
|
2000
|
|
3 |
p. 301-315
|
artikel
|
| 120 |
Nazi film aesthetics
|
Tegel, Susan
|
|
2006
|
|
3 |
p. 417-420
|
artikel
|
| 121 |
NBC's 'Project XX': television and American history at the end of ideology
|
Marcus, Daniel
|
|
1997
|
|
3 |
p. 347-366
|
artikel
|
| 122 |
No Laughing Matter: Vaughn Meader, the Kennedy administration, and presidential impersonations on radio
|
Cull, Nicholas J.
|
|
1997
|
|
3 |
p. 383-399
|
artikel
|
| 123 |
Nostalgia and Non-fiction in Edison's 1917 Conquest Program
|
Horne, Jennifer
|
|
2002
|
|
3 |
p. 315-331
|
artikel
|
| 124 |
Official Italian Newsreels of the 1950s: Europeanism and international politics
|
Frabotta, Maria Adelaide
|
|
1995
|
|
3 |
p. 361-365
|
artikel
|
| 125 |
Oskar Hugo Zuversichtlich II: a Berlin listener's assessment of the BBC's German Service, 1941-1942
|
Slattery, J. F.
|
|
1993
|
|
3 |
p. 333-362
|
artikel
|
| 126 |
Patrolling the Boundaries of Race: motion picture censorship and Jim Crow in Virginia, 1922-1932
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Smith, J. Douglas
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2001
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PBS and the politics of quality: Mobil oil's 'Masterpiece Theatre'
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Philip Donnellan, Ireland and Dissident Documentary
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Placing the Spectator on the Scene of History: the battle re-enactment at the turn of the century, from Buffalo Bill's Wild West to the Early Cinema
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Whissel, Kristen
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2002
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| 130 |
Playing cowboys and Africans: Hollywood and the cultural politics of African identity
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Reynolds, Glenn
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2005
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Popular films or industrial byproduct? The Italian melodramas of the 1950s
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Sorlin, Pierre
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1995
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'Praxis into process': John Grierson and the National Film Board of Canada
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Morris, Peter
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Presenting the 'window on the world' to the world. Competing narratives of the presentation of television at the world's fairs in paris (1937) and new york (1939)
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Fickers, Andreas
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2008
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Projecting the Past: historical documentary in Ireland
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Protecting the Family and the Nation: the official censorship of American cinema in Ireland, 1923-1954
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Rockett, Kevin
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2000
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Pseudonyms, Sapphire and Salt: 'un-American' contributions to television costume adventure series in the 1950s
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Neale, Steve
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2003
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Psyops, Saigon '68: a BBC television correspondent's memoir
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Elphick, Robert
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2003
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Punk on Celluloid: John Davis' Shell Shock Rock (1979)
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Maillot, Agnes
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2000
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| 139 |
'Purely Sinn Fein Propaganda': the banning of Ourselves Alone (1936)
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Hill, John
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2000
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Radio advertising to women in Twenties America: “A latchkey to every home”
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Smulyan, Susan
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'Range and diversity' in the GDR?: television drama in the early 1970s
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Beutelschmidt, Thomas
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2004
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Remembering the Nanjing Massacre: 'In the Name of the Emperor' (1995)
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Mackinnon, Stephen
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1995
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Remembering to forget?—the bbc abolition season and media memory of britain's transatlantic slave trade
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Wilson, Ross
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2008
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Revising labor history for the cold war: The ilgwu and the film, with these hands
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Godfried, Nathan
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2008
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Rhetoric of Space: cityscape/landscape
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Verhoeff, Nanna
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2002
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| 146 |
'Schindler's List' in novel and film: exponential conversion
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Fogel, Daniel Mark
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1994
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| 147 |
Shanghai Document—'Shankhaiskii Dokument' (1928): Soviet film propaganda and the Shanghai rising of 1927
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Cull, Nicholas J.
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1996
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Short notices
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1993
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Some factors contributing to the formation of the National Film Board of Canada
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Rodger, Andrew
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Sophia Loren, Italian Icon
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Gundle, Stephen
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1995
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Southern Rhodesian propaganda and education films for peasant farmers, 1948-1955
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Hungwe, Kedmon
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1991
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Soviet films, censorship and the British government: A matter of the public interest
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Willcox, Temple
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Soviet movies for the masses and for historians
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Stites, Richard
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Spanish newsreels 1943-1975: the image of the Franco regime
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Ellwood, Sheelagh M.
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Sports coverage on GDR television
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Stiehler, Hans-Jorg
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Statement by Janet Bergstrom, UCLA, on Behalf of the Society for Cinema Studies
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Bergstrom, Janet
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Statement by John T. Caldwell, California State University, Long Beach
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Caldwell, John T.
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1996
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p. 387-390
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Statement by Lynn Spigel, University of Southern California
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Spigel, Lynn
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1996
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| 159 |
Statement by Michael Curtin, Indiana University
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Curtin, Michael
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1996
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Statement by Thomas Cripps, Morgan State University, Baltimore
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Cripps, Thomas
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1996
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Statement by Thomas Doherty, Brandeis University
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Doherty, Thomas
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1996
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Statement by William Boddy, Baruch College and Graduate Center, City University of New York
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Boddy, William
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1996
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Taming Russia's Wild East: the Central Asian historical-revolutionary film as Soviet Orientalism
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Prusin, Alexander V.
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2003
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'Television is a Funny Business' (1946): a collection of cartoons assembled by Dr Allen B. DuMont and privately printed for his friends
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Donnelly, David F.
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1996
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Television Preservation: current status and public policy by Douglas Gomery, University of Maryland
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Gomery, Douglas
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1996
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Television's Vietnam and historical revisionism in the United States
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Television theater in East Germany, 1965-1989: an interim report
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Schultzke, Steffi
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2004
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| 168 |
Testimony by David Culbert, Louisiana State University on Behalf of the International Association for Media and History
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Culbert, David
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1996
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The American radio industry and international communications conferences, 1919-1927
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The Auxiliary Cruiser Thor's Death and Transfiguration: a case study in Nazi newsreel propaganda in the Second World War
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Winkel, Roel Vande
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2003
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The Ballykissangelization of Ireland
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Barton, Ruth
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2000
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The Banning of Titanic: a study of British postwar film censorship in Germany
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Peck, Robert E.
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The BBC and the Birth of 'The Wednesday Play', 1962-66: institutional containment versus 'agitational contemporaneity'
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MacMurraugh-Kavanagh, M. K.
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The BBC Hungarian service and the final solution in Hungary
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Milland, Gabriel
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The BBC television newsreel and the Korean War
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Smith, Howard
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The Beginnings of German Film Propaganda: the Navy League as traveling exhibitor, 1901-1907
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Loiperdinger, Martin
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2002
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The Blue Division in Russia, 1941-1944: the filmic recycling of Fascism as anticommunism in Franco's Spain
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Alegre, Sergio
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1996
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The British Colonial Film Unit and sub-Saharan Africa, 1939-1945
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Smyth, Rosaleen
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The Case for Preserving our Contemporary Communications Heritage
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Taylor, Philip M.
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The commercial development of short wave radio in the United States, 1920-1926
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Phipps, Steven P.
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1991
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The emancipated woman: Stalinist propaganda in soviet feature film 1930-1950
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Navailh, Francoise
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The First Theresienstadt Film (1942)
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Margry, Karel
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1999
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The forties: sexual politics in film and television
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The Great War on DD Video
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2003
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The historical significance of 'Der ewige Jude' (1940)
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Avisar, Ilan
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The Korean War Film as Family Melodrama: 'The Bridges at Toko-Ri' (1954)
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Worland, Rick
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'The land of milk and honey': anti-nazi refugees in Hollywood
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The Marshall Plan's European Film Unit, 1948-1955: a memoir and filmography
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The Midnight Express (1978) phenomenon and the image of Turkey
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The Mythical method: eliot's 'the waste land' and a canterbury tale (1944)
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The opening of the Berlin wall on 9 November 1989, and East-West television cooperation
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The origins of CMQ: pre-Castro Cuba's leading radio network
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The Policing of Cinema: troubled film exhibition in Northern Ireland
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The Preservation of American Television and Video: introduction
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The program history of genres of entertainment on GDR television
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'There is hope for the future': Retrospective visions of the bomb in 1950s hollywood
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The representation of women in British feature film, 1945-1950
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The Universal Studios Archives and Collections Department
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The USIS-Trieste collection at the Archivio centrale dello Stato, Rome
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The viewers: television and everyday life in East Germany
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The White Rose In Film And History
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Variations on a Theme of Elgar: Ken Russell, the Great War, and the television 'life' of a composer
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Visible Evidence--But of Whatfireassessing early non-fiction cinema
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“We talk a different language”. The impact of US broadcasting in Britain, 1922-1927
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Winston S. Churchill: film fan
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