nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
A foreign affair
|
Loiperdinger, Martin |
|
2005 |
|
1 |
p. 77-94 |
artikel |
2 |
A medium is always born twice …
|
Gaudreault, Andre |
|
2005 |
|
1 |
p. 3-15 |
artikel |
3 |
ARCHIVE FEATURE
|
|
|
2006 |
|
1 |
p. 65-68 |
artikel |
4 |
Blogging the silents
|
McKernan, Luke |
|
2008 |
|
1 |
p. 75-77 |
artikel |
5 |
BOOK REVIEWS
|
|
|
2006 |
|
1 |
p. 69-81 |
artikel |
6 |
Contextualising the peep-box in Tokugawa Japan
|
Fukuoka, Maki |
|
2005 |
|
1 |
p. 17-42 |
artikel |
7 |
Correspondence
|
|
|
2005 |
|
1 |
p. 109-111 |
artikel |
8 |
DESIGNING THE POSTER IN ENGLAND, 1890-1914
|
Hewitt, John |
|
2007 |
|
1 |
p. 57-70 |
artikel |
9 |
Editorial
|
Popple, Simon |
|
2005 |
|
1 |
p. 1 |
artikel |
10 |
FORGING THE 'LINK'
|
Roberts, Graham |
|
2006 |
|
1 |
p. 53-63 |
artikel |
11 |
Francis H. Nichols, 'A Marionette Theater in New York', Century Magazine (March 1902): 677-682
|
Bottomore, Stephen |
|
2008 |
|
1 |
p. 67-74 |
artikel |
12 |
From 'the horse in motion' to 'man in motion'
|
Askari, Kaveh |
|
2005 |
|
1 |
p. 59-76 |
artikel |
13 |
IDEOLOGICAL CONTRADICTIONS: The film topicals of the British and Colonial Kinematograph Company
|
Turvey, Gerry |
|
2007 |
|
1 |
p. 41-56 |
artikel |
14 |
Magical Ephemera
|
Toulmin, Vanessa |
|
2007 |
|
1 |
p. 91-96 |
artikel |
15 |
MAGICIAN AS CONJUROR
|
Lamont, Peter |
|
2006 |
|
1 |
p. 21-33 |
artikel |
16 |
Media as modern magic: Early x-ray imaging and cinematography in Sweden
|
Julich, Solveig |
|
2008 |
|
1 |
p. 19-33 |
artikel |
17 |
MEN AND HORSES IN MOTION: Thomas Eakins and motion photography
|
Hillier, Paul Myron |
|
2007 |
|
1 |
p. 25-40 |
artikel |
18 |
MOVABLES, MOVIES, MOBILITY: Nineteenth-century looking and reading
|
Faden, Eric |
|
2007 |
|
1 |
p. 71-89 |
artikel |
19 |
Photography, crime and social control
|
Popple, Simon |
|
2005 |
|
1 |
p. 95-106 |
artikel |
20 |
REVIEWS
|
Herbert, Stephen |
|
2008 |
|
1 |
p. 81-96 |
artikel |
21 |
REVIEWS
|
Barnes, John |
|
2007 |
|
1 |
p. 97-105 |
artikel |
22 |
'Showing at one view': Ferdinand Boberg's 'statistical machinery' and the visionary pedagogy of early twentieth-century statistical display
|
Ekstrom, Anders |
|
2008 |
|
1 |
p. 35-49 |
artikel |
23 |
The adventures of the human fly, 1830-1930
|
Smith, Jacob |
|
2008 |
|
1 |
p. 51-66 |
artikel |
24 |
THE FUNCTIONS OF SHOWMANSHIP IN FREAK SHOW AND EARLY FILM
|
Kember, Joe |
|
2007 |
|
1 |
p. 1-23 |
artikel |
25 |
THE GHOST STAMP, THE DETECTIVE AND THE HOSPITAL FOR BOOTS
|
Matheson, Neil |
|
2006 |
|
1 |
p. 35-51 |
artikel |
26 |
The imperialist lens: Du Camp, Salzmann and early French photography
|
Berg, Keri A. |
|
2008 |
|
1 |
p. 1-17 |
artikel |
27 |
'There is a peep-show in the market'
|
Featherstone, Ann |
|
2005 |
|
1 |
p. 43-57 |
artikel |
28 |
The search for early British scenarios and screenplays
|
Macdonald, Ian W. |
|
2008 |
|
1 |
p. 79 |
artikel |
29 |
WHEN BRITAIN TRIED TO JOIN EUROPE
|
Burrows, Jon |
|
2006 |
|
1 |
p. 1-19 |
artikel |
30 |
Who's who of victorian cinema
|
Herbert, Stephen |
|
2005 |
|
1 |
p. 107 |
artikel |