| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
A brief topography of Australian sound art and experimental broadcasting
|
McLennan, Andrew
|
|
1994
|
8 |
1 |
p. 302-317
|
artikel
|
| 2 |
A.I.P.: An installation publication
|
Harley, James
|
|
1994
|
8 |
1 |
p. 216-221
|
artikel
|
| 3 |
Bad futures: Performing the obsolete body
|
Marsh, Anne
|
|
1994
|
8 |
1 |
p. 280-291
|
artikel
|
| 4 |
Bashir Baraki and Pat Hoffie- extending the vernacular of prints
|
Kirker, Anne
|
|
1994
|
8 |
1 |
p. 240-247
|
artikel
|
| 5 |
'Between the glaze and the surface' - five uneasy fragments
|
Hobba, Leigh
|
|
1994
|
8 |
1 |
p. 222-225
|
artikel
|
| 6 |
Chronology of the Australian international video festival 1986-1992
|
Langer, Brian
|
|
1994
|
8 |
1 |
p. 267-279
|
artikel
|
| 7 |
Collaborating with Amanda Stewart: Warren Burt interviewed by Nicholas Zurbrugg
|
Burt, Warren
|
|
1994
|
8 |
1 |
p. 83-90
|
artikel
|
| 8 |
Computer communications for visual designers
|
Gidney, Eric
|
|
1994
|
8 |
1 |
p. 192-200
|
artikel
|
| 9 |
Concerning Chris Mann
|
Chopin, Henri
|
|
1994
|
8 |
1 |
p. 129-131
|
artikel
|
| 10 |
Contributors
|
|
|
1994
|
8 |
1 |
p. 1-2
|
artikel
|
| 11 |
Does the outback represent the centre? Tracing electronic art tracks across Australia
|
Tafler, David
|
|
1994
|
8 |
1 |
p. 406-417
|
artikel
|
| 12 |
Editorial board
|
|
|
1994
|
8 |
1 |
p. 1
|
artikel
|
| 13 |
Exploring the technological other: Robyn Stacey and Rosemary Laing
|
Coulter-Smith, Graham
|
|
1994
|
8 |
1 |
p. 140-151
|
artikel
|
| 14 |
Extract from tales of Typhoid Mary: Strip #4
|
Dement, Linda
|
|
1994
|
8 |
1 |
p. 178-180
|
artikel
|
| 15 |
Hold back the dawn: Notes on the position of experimental film in Australia 1993
|
Martin, Adrian
|
|
1994
|
8 |
1 |
p. 292-301
|
artikel
|
| 16 |
Installation at experimenta: Fighting the “so-what” factor in electronic art
|
Burt, Warren
|
|
1994
|
8 |
1 |
p. 58-68
|
artikel
|
| 17 |
Interviewed by Bernadette Flynn
|
Matrix, VNS
|
|
1994
|
8 |
1 |
p. 419-432
|
artikel
|
| 18 |
Interviewed by Glenda Nalder
|
Dement, Linda
|
|
1994
|
8 |
1 |
p. 166-177
|
artikel
|
| 19 |
Interviewed by Martin Thomas: “Just beaut to have three hands”
|
|
|
1994
|
8 |
1 |
p. 377-394
|
artikel
|
| 20 |
Interviewed by Nicholas Zurbrugg
|
Callas, Peter
|
|
1994
|
8 |
1 |
p. 91-120
|
artikel
|
| 21 |
Interviewed by Nicholas Zurbrugg
|
Gillies, John
|
|
1994
|
8 |
1 |
p. 201-215
|
artikel
|
| 22 |
Interviewed by Nicholas Zurbrugg
|
Arf, Arf
|
|
1994
|
8 |
1 |
p. 34-43
|
artikel
|
| 23 |
Interviewed by Nicholas Zurbrugg
|
Waller, John
|
|
1994
|
8 |
1 |
p. 437-444
|
artikel
|
| 24 |
Introduction: Contemplating electronic arts
|
Zurbrugg, Nicholas
|
|
1994
|
8 |
1 |
p. 10-21
|
artikel
|
| 25 |
Of course - a grammatical tech check
|
Gallacher, Lyn
|
|
1994
|
8 |
1 |
p. 181-191
|
artikel
|
| 26 |
Paradise tossed
|
Scott, Jill
|
|
1994
|
8 |
1 |
p. 349-351
|
artikel
|
| 27 |
Portrait of the artist as photocopier: Jane Richens
|
Ross, Toni
|
|
1994
|
8 |
1 |
p. 339-345
|
artikel
|
| 28 |
Rethinking Australian video in the nineties
|
Conomos, John
|
|
1994
|
8 |
1 |
p. 132-139
|
artikel
|
| 29 |
Rose Farrell and George Parkin: Art history and “primitivism” in contemporary Australian performance photography
|
Szulakowska, Urszula
|
|
1994
|
8 |
1 |
p. 395-405
|
artikel
|
| 30 |
Self-inscription in the work of Doppio Teatro, Tracey Moffatt and Linda dement: An interpretation of feminist use of technology according to Deleuze's writings on machochism
|
Jackson, Beth
|
|
1994
|
8 |
1 |
p. 226-239
|
artikel
|
| 31 |
Sentient percussion: Ernie Althoff's music machines
|
Wendt, Larry
|
|
1994
|
8 |
1 |
p. 445-456
|
artikel
|
| 32 |
Six degrees of freedom: Apres Orlan
|
Charlton, Susan
|
|
1994
|
8 |
1 |
p. 121-128
|
artikel
|
| 33 |
“So you want to be a computer artist?”
|
Wolter, Adam
|
|
1994
|
8 |
1 |
p. 457-481
|
artikel
|
| 34 |
Technology in Australian sound installations: Three recent approaches
|
Bandt, Ros
|
|
1994
|
8 |
1 |
p. 44-57
|
artikel
|
| 35 |
Technoscientific poeisis: Joan Brassil, Joyce Hinterding, Sarah Waterson
|
Sofia, Zoë
|
|
1994
|
8 |
1 |
p. 364-376
|
artikel
|
| 36 |
Text - texture - gesture
|
de Bruyn, Dirk
|
|
1994
|
8 |
1 |
p. 152-165
|
artikel
|
| 37 |
The electronic paws of Jill Scott
|
Schoenbaum, Sam
|
|
1994
|
8 |
1 |
p. 346-348
|
artikel
|
| 38 |
The emergence of new electronic forms in Australian art: Rodney Berry, John Colette, Linda Dement, Phillip George, Joyce Hinterding, Jon McCormack, Stelarc, VNS Matrix
|
Seaman, Bill
|
|
1994
|
8 |
1 |
p. 352-363
|
artikel
|
| 39 |
The snuff-jazz conspiracy
|
Krank, Felonius
|
|
1994
|
8 |
1 |
p. 248-258
|
artikel
|
| 40 |
Thoughts on physicality and interaction in current electronic music
|
Burt, Warren
|
|
1994
|
8 |
1 |
p. 69-82
|
artikel
|
| 41 |
2000 Thunderstorms: Joyce Hinterding
|
Wallace, Linda
|
|
1994
|
8 |
1 |
p. 433-436
|
artikel
|
| 42 |
Tim Gruchy: Electronic media art, popular culture and the experimental avant-garde
|
Anderson, Peter
|
|
1994
|
8 |
1 |
p. 22-33
|
artikel
|
| 43 |
Video as art and the Australian international video festival
|
Langer, Brian
|
|
1994
|
8 |
1 |
p. 259-266
|
artikel
|
| 44 |
Visible spaces, electronic records: John Conomos and Tracey Moffatt
|
Payne, Cathie
|
|
1994
|
8 |
1 |
p. 318-327
|
artikel
|
| 45 |
Working in electronic media
|
Penny, Simon
|
|
1994
|
8 |
1 |
p. 328-338
|
artikel
|
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