nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
A Beautiful Corpse
|
Leiboff, Marett |
|
2005 |
19 |
2 |
p. 221-237 |
artikel |
2 |
Editorial
|
|
|
2005 |
19 |
2 |
p. 157-158 |
artikel |
3 |
From Darkness to Light: the Story of Conversion in the Reverend George Brown's Photographs
|
Ahrens, Prue |
|
2005 |
19 |
2 |
p. 279-284 |
artikel |
4 |
Healthy, Wealthy and Globalized? Reader Letters to Australian Men's Health Magazine
|
Newman, Christy |
|
2005 |
19 |
2 |
p. 299-313 |
artikel |
5 |
Introduction—Popular Cultures and the Law
|
Collis, Christy |
|
2005 |
19 |
2 |
p. 159-164 |
artikel |
6 |
Law and the Leaky Woman: the Saloon, the Liquor Licence, and Narratives of Containment
|
Johnson, Rebecca |
|
2005 |
19 |
2 |
p. 181-199 |
artikel |
7 |
Law as Popular Culture: Cross-disciplinary Encounters
|
Gies, Lieve |
|
2005 |
19 |
2 |
p. 165-180 |
artikel |
8 |
Precrime Never Pays! 'Law and Economics' in Minority Report
|
MacNeil, William P. |
|
2005 |
19 |
2 |
p. 201-219 |
artikel |
9 |
Public Art, Public Law
|
Parsley, Connal |
|
2005 |
19 |
2 |
p. 239-253 |
artikel |
10 |
REVIEW ARTICLE: Revisiting 'the Popular': New Work in Cultural Studies
|
Burgess, Jean |
|
2005 |
19 |
2 |
p. 315-319 |
artikel |
11 |
Tourist Performers at the Crazy House, Dalat, Vietnam
|
Bell, Claudia |
|
2005 |
19 |
2 |
p. 285-297 |
artikel |
12 |
Why 'Law-and-Film' and What Does it Actually Mean? A Perspective
|
Kamir, Orit |
|
2005 |
19 |
2 |
p. 255-278 |
artikel |