| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
An open letter to the national arts community
|
Gomez-Pena, Guillermo
|
|
2004
|
14 |
2 |
p. 88-93
|
artikel
|
| 2 |
'A process of perception': a conversation with Bill Viola
|
Svich, Caridad
|
|
2004
|
14 |
2 |
p. 72-81
|
artikel
|
| 3 |
'Dancing in the Streets': The Aurillac Festival of Street Theatre
|
Harris, Sue
|
|
2004
|
14 |
2 |
p. 57-71
|
artikel
|
| 4 |
Editorial - border crossings
|
Bradby, David
|
|
2004
|
14 |
2 |
p. 1-3
|
artikel
|
| 5 |
'I have never pursued a particular program policy' - Ingmar Bergman in the theatre
|
Steene, Birgitta
|
|
2004
|
14 |
2 |
p. 41-56
|
artikel
|
| 6 |
Jatinder Verma: encounters with the epic - an interview
|
Plastow, Jane
|
|
2004
|
14 |
2 |
p. 82-87
|
artikel
|
| 7 |
Notes on contributors
|
|
|
2004
|
14 |
2 |
p. 103
|
artikel
|
| 8 |
Ravenhill and Durringer, or the Entente Cordiale misunderstood
|
Pavis, Patrice
|
|
2004
|
14 |
2 |
p. 4-16
|
artikel
|
| 9 |
Reviews
|
|
|
2004
|
14 |
2 |
p. 94-102
|
artikel
|
| 10 |
The simulation of a reception. Or: Rainer Werner Fassbinder's Der Mull, die Stadt und der Tod in Germany, Holland, and Israel
|
Barnett, David
|
|
2004
|
14 |
2 |
p. 29-40
|
artikel
|
| 11 |
'The spectacle is everywhere': tracing the situationist legacy in British playwriting since 1968
|
Megson, Chris
|
|
2004
|
14 |
2 |
p. 17-28
|
artikel
|
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