nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
Beethoven-in-a-box: Raymond Scott's electronium
|
Chusid, Irwin |
|
1999 |
18 |
3 |
p. 9-14 |
artikel |
2 |
CD contents
|
|
|
1999 |
18 |
3 |
p. 127-129 |
artikel |
3 |
Composing in real-time?
|
Risset, Jean-Claude |
|
1999 |
18 |
3 |
p. 31-39 |
artikel |
4 |
Interacting with latter-day musical automata
|
Lewis, George E. |
|
1999 |
18 |
3 |
p. 99-112 |
artikel |
5 |
Interplay(er) machines
|
Chafe, Chris |
|
1999 |
18 |
3 |
p. 89-97 |
artikel |
6 |
Introduction
|
Battier, Marc |
|
1999 |
18 |
3 |
p. 1-3 |
artikel |
7 |
Live electronics or…live music? Towards a critique of interaction
|
Stroppa, Marco |
|
1999 |
18 |
3 |
p. 41-77 |
artikel |
8 |
Notes on contributors
|
|
|
1999 |
18 |
3 |
p. 131-132 |
artikel |
9 |
Recollections
|
Theremin, Leon |
|
1999 |
18 |
3 |
p. 5-8 |
artikel |
10 |
Reflections of a former performer of electroacoustic music
|
Appleton, Jon |
|
1999 |
18 |
3 |
p. 15-19 |
artikel |
11 |
Riding the Sphinx — Lines about 'Live'
|
Waisvisz, Michel |
|
1999 |
18 |
3 |
p. 119-126 |
artikel |
12 |
The aesthetics of interactive music systems
|
Rowe, Robert |
|
1999 |
18 |
3 |
p. 83-87 |
artikel |
13 |
The metaphysics of live electronics
|
Harvey, Jonathan |
|
1999 |
18 |
3 |
p. 79-82 |
artikel |
14 |
The performer is us
|
Chadabe, Joel |
|
1999 |
18 |
3 |
p. 25-30 |
artikel |
15 |
The use of computer technology in an interactive or “Real time” performance environment
|
Subotnick, Morton |
|
1999 |
18 |
3 |
p. 113-117 |
artikel |
16 |
“This is an instrument!”
|
Eaton, John |
|
1999 |
18 |
3 |
p. 21-24 |
artikel |