| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
About the contributors
|
|
|
2006
|
|
4 |
p. 393-394
|
artikel
|
| 2 |
A review of Invisible Republic: Bob Dylan's basement tapes, by Greil Marcus
|
Hughes, Tim
|
|
2000
|
|
4 |
p. 159-169
|
artikel
|
| 3 |
A review of Rocking the classics: English progressive rock and the counterculture, by Edward Macan
|
Spicer, Mark S.
|
|
2000
|
|
4 |
p. 149-158
|
artikel
|
| 4 |
Aspects of some recent works by Matsudaira Yoritsune
|
Klein, Rolf
|
|
1998
|
|
4 |
p. 33-84
|
artikel
|
| 5 |
A two-part (Re)Invention: The harpsichord in a contemporary musical context
|
Vaughan, Mike
|
|
2000
|
|
4 |
p. 7-37
|
artikel
|
| 6 |
Bernard Rands's … Body and Shadow …: Modernist, postmodernist, or antimodernist?
|
Kramer, Jonathan D.
|
|
2001
|
|
4 |
p. 29-43
|
artikel
|
| 7 |
BWV 886 as allegory of listening
|
Monelle, Raymond
|
|
1997
|
|
4 |
p. 79-88
|
artikel
|
| 8 |
CD contents
|
|
|
2000
|
|
4 |
p. 139-146
|
artikel
|
| 9 |
CD Contents
|
|
|
2003
|
|
4 |
p. 109-110
|
artikel
|
| 10 |
Charles Wuorinen's Reliquary for Igor Stravinsky
|
Karchin, Louis
|
|
2001
|
|
4 |
p. 9-27
|
artikel
|
| 11 |
Christian Wolff: On tunes, politics and mystery
|
Carl, Robert
|
|
2001
|
|
4 |
p. 61-69
|
artikel
|
| 12 |
Contemporary harpsichord music in The Netherlands
|
de Man, Annelie
|
|
2000
|
|
4 |
p. 49-60
|
artikel
|
| 13 |
Contradictions of modernism: Reading matsudaira Yoritsune's articles
|
Ryosuke, Shiina
|
|
1998
|
|
4 |
p. 17-30
|
artikel
|
| 14 |
Copyright notices
|
|
|
2000
|
|
4 |
p. 131-132
|
artikel
|
| 15 |
Creating the double motet anew
|
Kyr, Robert
|
|
2001
|
|
4 |
p. 99-115
|
artikel
|
| 16 |
David young: producing uncertainty
|
Young, David
|
|
2006
|
|
4 |
p. 379-392
|
artikel
|
| 17 |
Deploration — In Memoriam Morton Feldman by Brian Cherney, and in conversation
|
Spiteri, Vivienne
|
|
2000
|
|
4 |
p. 73-103
|
artikel
|
| 18 |
Echolyn and American progressive rock
|
Covach, John
|
|
2000
|
|
4 |
p. 13-61
|
artikel
|
| 19 |
Facing rock reality (1988)
|
Harbison, John
|
|
2000
|
|
4 |
p. 5-11
|
artikel
|
| 20 |
Fictionalism: a neglected context for studies in musical signification
|
Grund, Cynthia M.
|
|
1997
|
|
4 |
p. 41-50
|
artikel
|
| 21 |
Generative Music and Laptop Performance
|
Collins, Nick
|
|
2003
|
|
4 |
p. 67-79
|
artikel
|
| 22 |
Grain, Sequence, System: Three Levels of Reception in the Performance of Laptop Music
|
Cascone, Kim
|
|
2003
|
|
4 |
p. 101-104
|
artikel
|
| 23 |
Hearing "Japanese", hearing Takemitsu
|
Nuss, Steven
|
|
2002
|
|
4 |
p. 35-71
|
artikel
|
| 24 |
Ice on the Circuits/Coldness as Crisis: The Re-subordination of Laptop Sound
|
Monroe, Alexei
|
|
2003
|
|
4 |
p. 35-43
|
artikel
|
| 25 |
In search of a musical subject in serial music: analytical examples from the oeuvre of the Finnish composer, Einojuhani Rautavaara
|
Sivuoja-Gunaratnam, Anne
|
|
1997
|
|
4 |
p. 65-77
|
artikel
|
| 26 |
Instrumentum magnum
|
Wilkins, Caroline
|
|
2000
|
|
4 |
p. 129-138
|
artikel
|
| 27 |
Interdisciplinarity and vocal performance in Australian Contemporary Music Theatre
|
Bonshek, Corrina
|
|
2006
|
|
4 |
p. 341-351
|
artikel
|
| 28 |
Intermedia collaboration for The Flood
|
Hannan, Michael
|
|
2006
|
|
4 |
p. 327-339
|
artikel
|
| 29 |
Introduction
|
Chapman, Jane
|
|
2000
|
|
4 |
p. 1-6
|
artikel
|
| 30 |
Introduction
|
Cascone, Kim
|
|
2003
|
|
4 |
p. 1-2
|
artikel
|
| 31 |
Introduction: Historicism in American music since 1980
|
Carl, Robert
|
|
2001
|
|
4 |
p. 1-7
|
artikel
|
| 32 |
Introduction: T o¯ru Takemitsu as I remember him
|
|
|
2002
|
|
4 |
p. 1-3
|
artikel
|
| 33 |
Karel Goeyvaerts' Litanie V for harpsichord and tape or several harpsichords
|
Wauters, Christine
|
|
2000
|
|
4 |
p. 115-127
|
artikel
|
| 34 |
Laptopia: The Spatial Poetics of Networked Laptop Performance
|
Reddell, Trace
|
|
2003
|
|
4 |
p. 11-23
|
artikel
|
| 35 |
Listening to Zappa
|
Bernard, Jonathan W.
|
|
2000
|
|
4 |
p. 63-103
|
artikel
|
| 36 |
Markedness and a theory of musical expressive meaning
|
Hatten, Robert S.
|
|
1997
|
|
4 |
p. 51-63
|
artikel
|
| 37 |
Matsudaira Yoritsune's path from neoclassical to aleatory music
|
Yori-Aki, Matsudaira
|
|
1998
|
|
4 |
p. 5-13
|
artikel
|
| 38 |
Message from Andre Boucourechliev
|
Boucourechliev, Andre
|
|
1998
|
|
4 |
p. 85
|
artikel
|
| 39 |
Message from Goffredo Petrassi
|
Petrassi, Goffredo
|
|
1998
|
|
4 |
p. 3-4
|
artikel
|
| 40 |
Message from John Cage
|
|
|
1998
|
|
4 |
p. 97
|
artikel
|
| 41 |
Message from Klaus Huber
|
Huber, Klaus
|
|
1998
|
|
4 |
p. 31
|
artikel
|
| 42 |
Message from Olivier Messiaen
|
Messiaen, Olivier
|
|
1998
|
|
4 |
p. 15
|
artikel
|
| 43 |
Musical hybrids—sonic intermediain Australia
|
|
|
2006
|
|
4 |
p. 297
|
artikel
|
| 44 |
Musical semeiotic: a Peircean perspective
|
Dougherty, William P.
|
|
1997
|
|
4 |
p. 29-39
|
artikel
|
| 45 |
Notes on contributors
|
|
|
2000
|
|
4 |
p. 133
|
artikel
|
| 46 |
Notes on contributors
|
|
|
2001
|
|
4 |
p. 137-138
|
artikel
|
| 47 |
Notes on Contributors
|
|
|
2002
|
|
4 |
p. 111
|
artikel
|
| 48 |
Notes on contributors
|
|
|
2000
|
|
4 |
p. 147-150
|
artikel
|
| 49 |
Notes on the film music of Takemitsu Tōru
|
Richie, Donald
|
|
2002
|
|
4 |
p. 5-16
|
artikel
|
| 50 |
On borrowed time
|
Creshevsky, Noah
|
|
2001
|
|
4 |
p. 91-98
|
artikel
|
| 51 |
One man's noise is another man's music: The demise of pitch in Kevin Malone's noise reduction
|
Nash, Pamela
|
|
2000
|
|
4 |
p. 105-113
|
artikel
|
| 52 |
Our time with the druids: What (and how) we can recuperate from our obsession with segmental hierarchies and other “tree structures”
|
Lidov, David
|
|
1997
|
|
4 |
p. 1-28
|
artikel
|
| 53 |
Phantoms at the opera: The Ghosts of Versailles by John Corigliano and William Hoffman
|
Shreffler, Anne
|
|
2001
|
|
4 |
p. 117-135
|
artikel
|
| 54 |
Points of Departure: An interview with Simon Emmerson
|
Chapman, Jane
|
|
2000
|
|
4 |
p. 39-47
|
artikel
|
| 55 |
Preface
|
Covach, John
|
|
2000
|
|
4 |
p. 1-3
|
artikel
|
| 56 |
Preface
|
Benitez, Joaquim M.
|
|
1998
|
|
4 |
p. 1
|
artikel
|
| 57 |
Same difference: Transdisciplinary concepts and skills in artistic practice to minimise communication breakdown in art practice when misusing a common language
|
Arthurs, Andy
|
|
2006
|
|
4 |
p. 367-378
|
artikel
|
| 58 |
Serialism in a Japanese Context: A Conversation with Matsudaira Yoritsune
|
Benitez, Joaquim M.
|
|
1998
|
|
4 |
p. 87-96
|
artikel
|
| 59 |
Sound installation: Blurring the boundaries of the Eye, the Ear, Space and Time
|
Bandt, Ros
|
|
2006
|
|
4 |
p. 353-365
|
artikel
|
| 60 |
Sound Particles and Microsonic Materialism
|
Whitelaw, Mitchell
|
|
2003
|
|
4 |
p. 93-101
|
artikel
|
| 61 |
Stylistic combination and methodical construction in William Duckworth's Southern Harmony
|
Silverman, Adam B.
|
|
2001
|
|
4 |
p. 45-59
|
artikel
|
| 62 |
Takemitsu and the Lydian Chromatic Concept of George Russell
|
Burt, Peter
|
|
2002
|
|
4 |
p. 73-109
|
artikel
|
| 63 |
Techniques of appropriation in music of John Cage
|
Bernstein, David W.
|
|
2001
|
|
4 |
p. 71-90
|
artikel
|
| 64 |
The (Anti-)Laptop Aesthetic
|
Jaeger, Timothy
|
|
2003
|
|
4 |
p. 53-57
|
artikel
|
| 65 |
The Extra-Digital Axis Mundi: Myth, Magic and Metaphor in Laptop Music
|
Bach, Glenn
|
|
2003
|
|
4 |
p. 3-9
|
artikel
|
| 66 |
The learned vs. the vernacular in the songs of Billy Joel
|
Everett, Walter
|
|
2000
|
|
4 |
p. 105-129
|
artikel
|
| 67 |
The mirage of real-time algorithmic synaesthesia: Some compositional mechanisms and research agendas in computer music and sonification
|
Dean, Roger T.
|
|
2006
|
|
4 |
p. 311-326
|
artikel
|
| 68 |
The Object of Performance: Aural Performativity in Contemporary Laptop Music
|
Stuart, Caleb
|
|
2003
|
|
4 |
p. 59-65
|
artikel
|
| 69 |
The Pariahs of Sound: On the Post-Duchampian Aesthetics of Electro-acoustic Improv
|
Ashline, William L.
|
|
2003
|
|
4 |
p. 23-33
|
artikel
|
| 70 |
The Platform
|
|
|
2000
|
|
4 |
p. 147
|
artikel
|
| 71 |
The Resonance of the Cubicle: Laptop Performance in Post-digital Musics
|
Turner, Tad
|
|
2003
|
|
4 |
p. 81-92
|
artikel
|
| 72 |
Thoughts before and after a sonata
|
Mowat-Brown, George
|
|
2000
|
|
4 |
p. 61-71
|
artikel
|
| 73 |
Traversing distances: pitch organization, gesture and imagery in the late works of T o¯ru Takemitsu
|
Koozin, Timothy
|
|
2002
|
|
4 |
p. 17-34
|
artikel
|
| 74 |
Videomusicvideo—composing across media
|
McCombe, Christine
|
|
2006
|
|
4 |
p. 299-310
|
artikel
|
| 75 |
Virtual Sound: Examining Glitch and Production
|
Vanhanen, Janne
|
|
2003
|
|
4 |
p. 45-52
|
artikel
|
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