| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
About the Contributors
|
|
|
2007
|
|
2 |
p. 283
|
artikel
|
| 2 |
Acknowledgements
|
|
|
1999
|
|
2 |
p. 2
|
artikel
|
| 3 |
Acoustics, psychoacoustics and spectral music
|
Pressnitzer, Daniel
|
|
2000
|
|
2 |
p. 33-59
|
artikel
|
| 4 |
A discussion of Practices used in learning complex music with specific Reference to Roger Redgate's Ausgangspunkte
|
Redgate, Christopher
|
|
2007
|
|
2 |
p. 141-149
|
artikel
|
| 5 |
Aesthetics in computer music: A bibliography
|
Davis, Deta
|
|
1996
|
|
2 |
p. 147-157
|
artikel
|
| 6 |
A mytho-poetic moment with Edgard Varese
|
El-Dabh, Halim
|
|
2004
|
|
2 |
p. 55-57
|
artikel
|
| 7 |
An extract from Bruno Maderna by Raymond Fearn, pp. 21-27
|
|
|
1999
|
|
2 |
p. 165-166
|
artikel
|
| 8 |
An extract from Bruno Maderna by Raymond Fearn, pp. 298-306
|
|
|
1999
|
|
2 |
p. 151-163
|
artikel
|
| 9 |
An interview with Arvo Part
|
McCarthy, Jamie
|
|
1995
|
|
2 |
p. 55-64
|
artikel
|
| 10 |
An interview with David Del Tredici
|
Moravec, Paul
|
|
1992
|
|
2 |
p. 11-22
|
artikel
|
| 11 |
An interview with YOKOYAMA Katsuya
|
Tokumaru, Yosihiko
|
|
1994
|
|
2 |
p. 53-76
|
artikel
|
| 12 |
An introduction to musical thought in ancient China — sound, order, emotion
|
Hidemi, Ishida
|
|
1987
|
|
2 |
p. 75-84
|
artikel
|
| 13 |
A provisional history of spectral music
|
Anderson, Julian
|
|
2000
|
|
2 |
p. 7-22
|
artikel
|
| 14 |
Arvo Part, God and Gospel: Passio domini nostri iesu Christi secundum iohannem (1982)
|
Mellers, Wilfrid
|
|
1995
|
|
2 |
p. 35-48
|
artikel
|
| 15 |
A taxonomy of computer music
|
Pope, Stephen Travis
|
|
1996
|
|
2 |
p. 137-145
|
artikel
|
| 16 |
Berio's Sequenza IV: Approaches to performance and interpretation
|
Thomas, Philip
|
|
2007
|
|
2 |
p. 189-205
|
artikel
|
| 17 |
Between categories
|
Feldman, Morton
|
|
1988
|
|
2 |
p. 1-5
|
artikel
|
| 18 |
Bibliography
|
Fineberg, Joshua
|
|
2000
|
|
2 |
p. 135-143
|
artikel
|
| 19 |
Book review: Schenker's Argument and the Claims of Music Theory
|
Monelle, Raymond
|
|
1998
|
|
2 |
p. 115-118
|
artikel
|
| 20 |
Church singing: The fathers and beyond
|
Venable, Bruce
|
|
1995
|
|
2 |
p. 77-92
|
artikel
|
| 21 |
Citation, metaphor, and listening time
|
Childs, Barney
|
|
1993
|
|
2 |
p. 59-78
|
artikel
|
| 22 |
Cognitive constraints on compositional systems
|
Lerdahl, Fred
|
|
1992
|
|
2 |
p. 97-121
|
artikel
|
| 23 |
Configuring hospitable space — Fantasy and fantastic media
|
Harris, Craig
|
|
1996
|
|
2 |
p. 109-135
|
artikel
|
| 24 |
Controlling parameterized compositional data in stella and common music
|
Taube, Heinrich
|
|
1994
|
|
2 |
p. 191-199
|
artikel
|
| 25 |
Conversation between SJ and JS on the New Tonality
|
Jaffe, Stephen
|
|
1992
|
|
2 |
p. 27-38
|
artikel
|
| 26 |
Defining timbre — Refining timbre
|
Smalley, Denis
|
|
1994
|
|
2 |
p. 35-48
|
artikel
|
| 27 |
Details of accompanying audio cassette tape
|
|
|
1994
|
|
2 |
p. 233-236
|
artikel
|
| 28 |
Determining the indeterminate
|
Thomas, Philip
|
|
2007
|
|
2 |
p. 129-140
|
artikel
|
| 29 |
Determinism and the false collective about models of time in early computer-aided composition
|
Vaggione, Horacio
|
|
1993
|
|
2 |
p. 91-104
|
artikel
|
| 30 |
Edgard Varese and his relationships with Latin American musicians and intellectuals of his time
|
Paraskevaidis, Graciela
|
|
2004
|
|
2 |
p. 3-17
|
artikel
|
| 31 |
Editorial
|
Benitez, Joaquim M.
|
|
1987
|
|
2 |
p. 1-2
|
artikel
|
| 32 |
Editorial
|
Benftez, Joaquim M.
|
|
1988
|
|
2 |
p. 1
|
artikel
|
| 33 |
Emancipation of tonal sonorities
|
Ince, Kamran
|
|
1992
|
|
2 |
p. 49-50
|
artikel
|
| 34 |
Entune
|
Harrison, Lou
|
|
1992
|
|
2 |
p. 9-10
|
artikel
|
| 35 |
“Everything old is new again”
|
Hagen, Daron
|
|
1992
|
|
2 |
p. 51-52
|
artikel
|
| 36 |
Evolution of timbres through the use of Tabula Vigilans on the MIDAS system
|
Kirk, Ross
|
|
1994
|
|
2 |
p. 201-209
|
artikel
|
| 37 |
Extract from “Silence”, now, sculpture musicale
|
Cage, John
|
|
1987
|
|
2 |
p. 1-8
|
artikel
|
| 38 |
Farey systems of musical intonation
|
Rasch, Rudolf A.
|
|
1988
|
|
2 |
p. 31-67
|
artikel
|
| 39 |
Foreword
|
Davismoon, Stephen
|
|
2004
|
|
2 |
p. 1-2
|
artikel
|
| 40 |
Foreword
|
Benitez, Joaquim M.
|
|
1994
|
|
2 |
p. 1
|
artikel
|
| 41 |
Form and expression in the vocal works of Edgard Varese
|
Mitchell, Freya
|
|
2004
|
|
2 |
p. 71-103
|
artikel
|
| 42 |
From symbols to sound: AI-based investigation of sound synthesis
|
Miranda, Eduardo Reck
|
|
1994
|
|
2 |
p. 211-232
|
artikel
|
| 43 |
From the elements to the continuum: Timbre composition in early electronic music
|
Ungeheuer, Elena
|
|
1994
|
|
2 |
p. 25-33
|
artikel
|
| 44 |
Gender as style: Feminist aesthetics and postmodernism
|
Bailey, Joanna
|
|
1998
|
|
2 |
p. 105-113
|
artikel
|
| 45 |
Guide to the basic concepts and techniques of spectral music
|
Fineberg, Joshua
|
|
2000
|
|
2 |
p. 81-113
|
artikel
|
| 46 |
Guston and me: Digression and return
|
Rochberg, George
|
|
1992
|
|
2 |
p. 5-8
|
artikel
|
| 47 |
Incrementally improving interactive music systems
|
Rowe, Robert
|
|
1996
|
|
2 |
p. 47-62
|
artikel
|
| 48 |
Interview with Mort Subotnick
|
Subotnick, Mort
|
|
1996
|
|
2 |
p. 3-11
|
artikel
|
| 49 |
Introduction
|
Webb, Barrie
|
|
2007
|
|
2 |
p. 127
|
artikel
|
| 50 |
Introduction
|
Harris, Craig
|
|
1996
|
|
2 |
p. 1-2
|
artikel
|
| 51 |
Issue editors' introduction
|
Moravec, Paul
|
|
1992
|
|
2 |
p. 3
|
artikel
|
| 52 |
Issues in timbre and perception
|
Hoopen, Christiane Ten
|
|
1994
|
|
2 |
p. 61-71
|
artikel
|
| 53 |
'Live' versus 'real-time'
|
Emmerson, Simon
|
|
1994
|
|
2 |
p. 95-101
|
artikel
|
| 54 |
Long live tonality!
|
Schwertsik, Kurt
|
|
1992
|
|
2 |
p. 53-57
|
artikel
|
| 55 |
Luigi Nono and the Darmstadt School: Form and meaning in the early works (1950-1959)
|
Fox, Christopher
|
|
1999
|
|
2 |
p. 111-130
|
artikel
|
| 56 |
Luigi Nono's Canti di vita e d'amore: new phases of development 1960-62
|
Irvine, John
|
|
1999
|
|
2 |
p. 87-109
|
artikel
|
| 57 |
…many possibilities…
|
Davismoon, Stephen
|
|
1999
|
|
2 |
p. 3-9
|
artikel
|
| 58 |
Metabolae, arborescences and the reconstruction of time in Iannis Xenakis' Psappha
|
Flint, Ellen Rennie
|
|
1993
|
|
2 |
p. 221-248
|
artikel
|
| 59 |
Micro-time sonic design and timbre formation
|
Scipio, Agostino Di
|
|
1994
|
|
2 |
p. 135-148
|
artikel
|
| 60 |
Modalities of signification in contemporary music
|
Giomi, Francesco
|
|
1998
|
|
2 |
p. 47-58
|
artikel
|
| 61 |
Musical examples
|
Fineberg, Joshua
|
|
2000
|
|
2 |
p. 115-134
|
artikel
|
| 62 |
Musical experience as interpersonal process: revisited
|
Knobloch, Ferdinand
|
|
1998
|
|
2 |
p. 59-72
|
artikel
|
| 63 |
Musical rules and musical signification: hermeneutic problems
|
Baroni, Mario
|
|
1998
|
|
2 |
p. 11-26
|
artikel
|
| 64 |
Music as a sacred art
|
Moody, Ivan
|
|
1995
|
|
2 |
p. 23-34
|
artikel
|
| 65 |
My life with technology
|
Reich, Steve
|
|
1996
|
|
2 |
p. 13-21
|
artikel
|
| 66 |
My perception of time in traditional Japanese music
|
Tōru, Takemitsu
|
|
1987
|
|
2 |
p. 9-13
|
artikel
|
| 67 |
New and rediscovered Zeitgebers in recent music
|
Mayr, Albert
|
|
1993
|
|
2 |
p. 79-89
|
artikel
|
| 68 |
Nono in the studio — Nono in concert — Nono and the interpreters
|
Haller, Hans Peter
|
|
1999
|
|
2 |
p. 11-18
|
artikel
|
| 69 |
Note from the USA regional editor
|
Lerdahl, Fred
|
|
1992
|
|
2 |
p. 1
|
artikel
|
| 70 |
Notes on contributors
|
|
|
2000
|
|
2 |
p. 145-146
|
artikel
|
| 71 |
Notes on contributors
|
|
|
1999
|
|
2 |
p. 131-134
|
artikel
|
| 72 |
Notes on contributors
|
|
|
1992
|
|
2 |
p. 123-124
|
artikel
|
| 73 |
Nuclei and dispersal in Luigi Nono's 'A Carlo Scarpa architetto, ai suoi infiniti possibili' per orchestra a microintervalli
|
Huber, Nicolaus A.
|
|
1999
|
|
2 |
p. 19-35
|
artikel
|
| 74 |
On a taste for the infinite
|
Rautavaara, Einojuhani
|
|
1995
|
|
2 |
p. 109-115
|
artikel
|
| 75 |
On writing for Shakuhachi: A western perspective
|
Cronin, Tania
|
|
1994
|
|
2 |
p. 77-81
|
artikel
|
| 76 |
Partners in creation
|
Webb, Barrie
|
|
2007
|
|
2 |
p. 255-281
|
artikel
|
| 77 |
Performing Berio's Sequenza V
|
Webb, Barrie
|
|
2007
|
|
2 |
p. 207-218
|
artikel
|
| 78 |
Performing Sequenza VII
|
Redgate, Christopher
|
|
2007
|
|
2 |
p. 219-230
|
artikel
|
| 79 |
Pierre Schaeffer and the significance of radiophonic art
|
Dack, John
|
|
1994
|
|
2 |
p. 3-11
|
artikel
|
| 80 |
Postmodernism, narrativity, and the art of memory
|
Pasler, Jann
|
|
1993
|
|
2 |
p. 3-32
|
artikel
|
| 81 |
Preface
|
Moody, Ivan
|
|
1995
|
|
2 |
p. 1
|
artikel
|
| 82 |
Preface
|
Emmerson, Simon
|
|
1994
|
|
2 |
p. 1-2
|
artikel
|
| 83 |
Preface
|
Davismoon, Stephen
|
|
1999
|
|
2 |
p. 1
|
artikel
|
| 84 |
Prescriptive notation: Limits and challenges
|
Kanno, Mieko
|
|
2007
|
|
2 |
p. 231-254
|
artikel
|
| 85 |
Real-time granular sampling using the IRCAM signal processing workstation
|
Lippe, Cort
|
|
1994
|
|
2 |
p. 149-155
|
artikel
|
| 86 |
Real-time timbral transformation: FFT-based resynthesis
|
Settel, Zack
|
|
1994
|
|
2 |
p. 171-179
|
artikel
|
| 87 |
Re-inventing the oboe
|
Redgate, Christopher
|
|
2007
|
|
2 |
p. 179-188
|
artikel
|
| 88 |
Relations between musical and scientific properties of time
|
Pressing, Jeff
|
|
1993
|
|
2 |
p. 105-122
|
artikel
|
| 89 |
Religious music: Its time and reality
|
Govers, Klaas
|
|
1995
|
|
2 |
p. 117-123
|
artikel
|
| 90 |
Repetition
|
Rahn, John
|
|
1993
|
|
2 |
p. 49-57
|
artikel
|
| 91 |
Richard Barrett's 'imaginary trombone'
|
Webb, Barrie
|
|
2007
|
|
2 |
p. 151-177
|
artikel
|
| 92 |
Romanian spectral music or another expression freed
|
Surianu, Horia
|
|
2000
|
|
2 |
p. 23-32
|
artikel
|
| 93 |
Sensing time
|
Michio, Mamiya
|
|
1987
|
|
2 |
p. 45-52
|
artikel
|
| 94 |
Shakuhachi and the American composer
|
Samuelson, Ralph
|
|
1994
|
|
2 |
p. 83-93
|
artikel
|
| 95 |
Signification in computer-generated classical music
|
Jacoboni, Carlo
|
|
1998
|
|
2 |
p. 27-34
|
artikel
|
| 96 |
Signification in the minimal units of musical discourse
|
Dalmonte, Rossana
|
|
1998
|
|
2 |
p. 1-10
|
artikel
|
| 97 |
Silence, braying and singing
|
East, John Michael
|
|
1995
|
|
2 |
p. 3-8
|
artikel
|
| 98 |
“Some more lemon?…” A conversation with Steve Reich
|
Hillier, Paul
|
|
1995
|
|
2 |
p. 65-75
|
artikel
|
| 99 |
Some remarks on the new tonality
|
Bell, Larry
|
|
1992
|
|
2 |
p. 43-47
|
artikel
|
| 100 |
Sound and sign: some notes and reflections on the modalities of signification in music
|
Ligabue, Marco
|
|
1998
|
|
2 |
p. 35-46
|
artikel
|
| 101 |
Sound processing in los dados eternos
|
Fischman, Rajmil
|
|
1994
|
|
2 |
p. 181-189
|
artikel
|
| 102 |
Spectral music
|
Fineberg, Joshua
|
|
2000
|
|
2 |
p. 1-5
|
artikel
|
| 103 |
Spiritual-temporal imagery in music of Olivier Messiaen and Toru Takemitsu
|
Koozin, Timothy
|
|
1993
|
|
2 |
p. 185-202
|
artikel
|
| 104 |
Sudden music: Improvising across the electronic abyss
|
Rothenberg, David
|
|
1996
|
|
2 |
p. 23-46
|
artikel
|
| 105 |
Syamisen and sawari
|
Yoshihiko, Tokumaru
|
|
1987
|
|
2 |
p. 15-17
|
artikel
|
| 106 |
Symmetries and the “New Tonality”
|
Harbison, John
|
|
1992
|
|
2 |
p. 71-79
|
artikel
|
| 107 |
Symmetry, the twelve-tone scale, and tonality
|
Perle, George
|
|
1992
|
|
2 |
p. 81-96
|
artikel
|
| 108 |
Technology and creation — The creative evolution
|
Daubresse, Eric
|
|
2000
|
|
2 |
p. 61-80
|
artikel
|
| 109 |
Telling tales
|
Norman, Katharine
|
|
1994
|
|
2 |
p. 103-109
|
artikel
|
| 110 |
Tempo curves considered harmful
|
Desain, Peter
|
|
1993
|
|
2 |
p. 123-138
|
artikel
|
| 111 |
Temporal processes of form: Sessions's third Piano Sonata
|
Lochhead, Judy
|
|
1993
|
|
2 |
p. 163-183
|
artikel
|
| 112 |
The art of being ambiguous: From listening to composing
|
Jo, Kondo
|
|
1988
|
|
2 |
p. 7-29
|
artikel
|
| 113 |
The Daedalian factor: Tonality, atonality, or musicality?
|
Lennon, John Anthony
|
|
1992
|
|
2 |
p. 23-25
|
artikel
|
| 114 |
The difference in the cerebral processing mechanism for musical sounds between Japanese and non-Japanese and its relation to mother tongue
|
Tadanobu, Tsunoda
|
|
1987
|
|
2 |
p. 95-117
|
artikel
|
| 115 |
The human-machine interface in electroacoustic music composition
|
Vaughan, Mike
|
|
1994
|
|
2 |
p. 111-127
|
artikel
|
| 116 |
The interpersonal analysis of music
|
Doubravova, Jarmila
|
|
1998
|
|
2 |
p. 73-85
|
artikel
|
| 117 |
The lamentations of the prophet Jeremiah: The use of the Officium structure for an extended composition
|
Crowl, Harry Lamott
|
|
1995
|
|
2 |
p. 93-108
|
artikel
|
| 118 |
The liberation of sound, art-science and the digital domain: contacts with Edgard Varese
|
Risset, Jean-Claude
|
|
2004
|
|
2 |
p. 27-54
|
artikel
|
| 119 |
The linear change of waveform segments causing non-linear changes of timbral presence
|
Chandra, Arun
|
|
1994
|
|
2 |
p. 157-149
|
artikel
|
| 120 |
The listening imagination: Listening in the electroacoustic era
|
Smalley, Denis
|
|
1996
|
|
2 |
p. 77-107
|
artikel
|
| 121 |
The literary sources for Kurtag's fragment form
|
Williams, Alan E.
|
|
1999
|
|
2 |
p. 141-150
|
artikel
|
| 122 |
The musical sense of the Japanese
|
Eishi, Kikkawa
|
|
1987
|
|
2 |
p. 85-94
|
artikel
|
| 123 |
The past as a presence in part one of Louis Andressen's De Materie
|
Andriessen, Louis
|
|
1992
|
|
2 |
p. 59-70
|
artikel
|
| 124 |
The platform
|
|
|
1999
|
|
2 |
p. 139
|
artikel
|
| 125 |
The Platform
|
|
|
1998
|
|
2 |
p. 103
|
artikel
|
| 126 |
The potential of the Shakuhachi in contemporary music
|
Iwamoto, Yoshikazu
|
|
1994
|
|
2 |
p. 5-44
|
artikel
|
| 127 |
The role of listening in GAGAKU
|
Susumu, Shōno
|
|
1987
|
|
2 |
p. 19-43
|
artikel
|
| 128 |
The sacred in art
|
Tavener, John
|
|
1995
|
|
2 |
p. 49-54
|
artikel
|
| 129 |
The semiotics of expression in musical performance
|
Clarke, Eric F.
|
|
1998
|
|
2 |
p. 87-102
|
artikel
|
| 130 |
The shadow of tape music on instrumental music
|
Jōji, Yuasa
|
|
1987
|
|
2 |
p. 53-74
|
artikel
|
| 131 |
The Shakuhachi: The instrument and its music, change and diversification
|
Tukitani, Tuneko
|
|
1994
|
|
2 |
p. 103-129
|
artikel
|
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The “something to hold on to factor” in timbral composition
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Landy, Leigh
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1994
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The stylistic perception of a musical work: an experimental and anthropological approach
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Imberty, Michel
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1993
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Timbre as syntax: A spectral modeling approach
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Vaggione, Horacio
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1994
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Timbre composition: Ideology, metaphor and social process
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Waters, Simon
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1994
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| 136 |
Timbre diversification in serial tape music and its consequence on form
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Decroupet, Pascal
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1994
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| 137 |
Time and Light
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Kohl, Jerome
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1993
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| 138 |
Time transfigured: Erik Satie's Parade
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DeLio, Thomas
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1993
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| 139 |
To be God with God: Catholic composers and the mystical experience
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Harley, Maria Anna
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1995
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Tonality and transcendence
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Moravec, Paul
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1992
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Towards dialectic listening: Quotation and montage in the work of Luigi Nono
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de Carvalho, Mario Vieira
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1999
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p. 37-85
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| 142 |
Using auditory information for events in electroacoustic music
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Windsor, W. Luke
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1994
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p. 85-93
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| 143 |
Varese: looking for the new
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Lanza, Alcides
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2004
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p. 59-69
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| 144 |
Varese the visionary
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Pape, Gerard
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2004
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p. 19-25
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| 145 |
Ways of the Shakuhachi: Exploitation or creation?
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Nakamata, Nobukio
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1994
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p. 95-101
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| 146 |
Within and beyond symbolism: An insight and a perspective of musical creation
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Adamis, Michael
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1995
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p. 9-21
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