| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
About the Contributors
|
|
|
2006
|
|
1-2 |
p. 199-203
|
artikel
|
| 2 |
A cognitive neuropsychological analysis of melody recall
|
Perry, David W.
|
|
1993
|
|
1-2 |
p. 97-111
|
artikel
|
| 3 |
A conceptual tool for improvisation
|
Sayer, Tim
|
|
2006
|
|
1-2 |
p. 163-172
|
artikel
|
| 4 |
A connectionist and a traditional AI quantizer, symbolic versus sub-symbolic models of rhythm perception
|
Desain, Peter
|
|
1993
|
|
1-2 |
p. 239-254
|
artikel
|
| 5 |
Alternative tunings, alternative tonalities
|
Wolf, Daniel James
|
|
2003
|
|
1-2 |
p. 3-14
|
artikel
|
| 6 |
American women in electronic music, 1984-94
|
Borchert, Gavin
|
|
1997
|
|
1-2 |
p. 89-97
|
artikel
|
| 7 |
An empirical study of quarter-tone intonation
|
Bousted, Donald
|
|
2003
|
|
1-2 |
p. 53-85
|
artikel
|
| 8 |
An interactive experimental method for the determination of musical scales in oral cultures
|
Arom, Simha
|
|
1993
|
|
1-2 |
p. 7-12
|
artikel
|
| 9 |
An interactive experimental method for the determination of musical scales in oral cultures
|
Dehoux, Vincent
|
|
1993
|
|
1-2 |
p. 13-19
|
artikel
|
| 10 |
A personal memoir of Philip Rawson
|
Lumsdaine, David
|
|
1996
|
|
1-2 |
p. 1
|
artikel
|
| 11 |
A semiotic approach to music
|
Meeus, Nicolas
|
|
1993
|
|
1-2 |
p. 305-310
|
artikel
|
| 12 |
Associationism and musical soundtrack phenomena
|
Cohen, Annabel J.
|
|
1993
|
|
1-2 |
p. 163-178
|
artikel
|
| 13 |
Autonomy, Mimesis and Mechanical Reproduction in Contemporary Music
|
Windsor, W. Luke
|
|
1996
|
|
1-2 |
p. 139-150
|
artikel
|
| 14 |
Bodily instruments and instrumental bodies: Critical views on the relation of body and instrument in technologically informed performance environments
|
Schroeder, Franziska
|
|
2006
|
|
1-2 |
p. 1-5
|
artikel
|
| 15 |
Brightness and octave position: are changes in spectral envelope and in tone height perceptually equivalent?
|
Robinson, Ken
|
|
1993
|
|
1-2 |
p. 83-95
|
artikel
|
| 16 |
Composers in academia: Women composers at American colleges and universities
|
Ellsworth, Therese
|
|
1997
|
|
1-2 |
p. 27-36
|
artikel
|
| 17 |
Computer-aided comparison of syntax systems in three piano pieces by Debussy
|
Meredith, David
|
|
1993
|
|
1-2 |
p. 285-304
|
artikel
|
| 18 |
Computer perception of phrase structure
|
Fraser, Robert
|
|
1993
|
|
1-2 |
p. 255-266
|
artikel
|
| 19 |
Contribution to the design of an expert system for the generation of tonal multiple counterpoint
|
Scipio, Agostino di
|
|
1993
|
|
1-2 |
p. 275-283
|
artikel
|
| 20 |
Creating options, creating music: An interview with Laurie Spiegel
|
Bosse, Joanna
|
|
1997
|
|
1-2 |
p. 81-87
|
artikel
|
| 21 |
Critical study of Sundberg's rules for expression in the performance of melodies
|
van Oosten, Peter
|
|
1993
|
|
1-2 |
p. 267-274
|
artikel
|
| 22 |
Echo's body: Play and representation in interactive music software
|
Dixon, Martin
|
|
2006
|
|
1-2 |
p. 17-25
|
artikel
|
| 23 |
Embodied sound: Aural architectures and the body
|
Ouzounian, Gascia
|
|
2006
|
|
1-2 |
p. 69-79
|
artikel
|
| 24 |
Embodiment: The body in algorithmic sound generation
|
Kim, Jin Hyun
|
|
2006
|
|
1-2 |
p. 139-149
|
artikel
|
| 25 |
Eyes on the composition prize
|
Randall, Annie Janeiro
|
|
1997
|
|
1-2 |
p. 105-111
|
artikel
|
| 26 |
For the theatre: Opera, dance, and theatre piece
|
Pendle, Karin
|
|
1997
|
|
1-2 |
p. 69-79
|
artikel
|
| 27 |
Frank Zappa as Dadaist: recording technology and the power to repeat
|
Watson, Ben
|
|
1996
|
|
1-2 |
p. 109-137
|
artikel
|
| 28 |
Generativity, mimesis and the human body in music performance
|
Clarke, Eric F.
|
|
1993
|
|
1-2 |
p. 207-219
|
artikel
|
| 29 |
How do we perceive atonal music? Suggestions for a theoretical approach
|
Imberty, Michel
|
|
1993
|
|
1-2 |
p. 325-337
|
artikel
|
| 30 |
Hybrid temperaments and structural harmony: a personal history
|
Fox, Christopher
|
|
2003
|
|
1-2 |
p. 123-139
|
artikel
|
| 31 |
Identification and blend of timbres as a basis for orchestration
|
Kendall, Roger A.
|
|
1993
|
|
1-2 |
p. 51-67
|
artikel
|
| 32 |
Imagining the Source: The Interplay of Realism and Abstraction in Electroacoustic Music
|
Young, John
|
|
1996
|
|
1-2 |
p. 73-93
|
artikel
|
| 33 |
Index
|
|
|
1996
|
|
1-2 |
p. 177-179
|
artikel
|
| 34 |
Introduction
|
Harvey, Jonathan
|
|
1996
|
|
1-2 |
p. 7-9
|
artikel
|
| 35 |
Introduction
|
Pendle, Karin
|
|
1997
|
|
1-2 |
p. 1-4
|
artikel
|
| 36 |
Introduction: Cognitive science and music—an overview
|
Cross, Ian
|
|
1993
|
|
1-2 |
p. 1-6
|
artikel
|
| 37 |
Issues on the representation of time and structure in music
|
Honing, Henkjan
|
|
1993
|
|
1-2 |
p. 221-238
|
artikel
|
| 38 |
Is the perception of melody governed by motivic arguments or by generative rules or by both?
|
Levey, Archie
|
|
1993
|
|
1-2 |
p. 139-150
|
artikel
|
| 39 |
I Was Running in So Many Different Directions
|
Ferrari, Luc
|
|
1996
|
|
1-2 |
p. 95-102
|
artikel
|
| 40 |
Jazzwomen compose
|
Harbison, Patrick Lewis
|
|
1997
|
|
1-2 |
p. 113-122
|
artikel
|
| 41 |
Kinaesonics: The intertwining relationship of body and sound
|
Wilson-Bokowiec, Julie
|
|
2006
|
|
1-2 |
p. 47-57
|
artikel
|
| 42 |
Latent body—plastic, malleable, inscribed: The human voice, the body and the sound of its transformation through technology
|
Young, Miriama
|
|
2006
|
|
1-2 |
p. 81-92
|
artikel
|
| 43 |
Mechanisms of cue extraction in memory for musical time
|
Deliege, Irene
|
|
1993
|
|
1-2 |
p. 191-205
|
artikel
|
| 44 |
Meredith Monk: An interview about her recent opera, Atlas
|
Lassetter, Leslie
|
|
1997
|
|
1-2 |
p. 59-67
|
artikel
|
| 45 |
Musical Storytelling
|
Appleton, Jon
|
|
1996
|
|
1-2 |
p. 67-71
|
artikel
|
| 46 |
Music as a model of the human psyche
|
Robertson, Paul
|
|
1996
|
|
1-2 |
p. 11-37
|
artikel
|
| 47 |
Music cognition and the bodily approach: Musical instruments as tools for musical semantics
|
Reybrouck, Mark
|
|
2006
|
|
1-2 |
p. 59-68
|
artikel
|
| 48 |
Music in the Chords of Eternity
|
Riddell, Alistair M.
|
|
1996
|
|
1-2 |
p. 151-171
|
artikel
|
| 49 |
New wine into old bottles: Traditional media and contemporary women composers
|
Prado, Sharon S.
|
|
1997
|
|
1-2 |
p. 45-57
|
artikel
|
| 50 |
Notes on contributors
|
|
|
1997
|
|
1-2 |
p. 123-124
|
artikel
|
| 51 |
Notes on contributors
|
|
|
1996
|
|
1-2 |
p. 173-175
|
artikel
|
| 52 |
Notes to accompany CD:
|
|
|
1996
|
|
1-2 |
p. 173-176
|
artikel
|
| 53 |
On her way: An interview with Augusta Read Thomas
|
Pendle, Karin
|
|
1997
|
|
1-2 |
p. 37-43
|
artikel
|
| 54 |
On the entropy circuit: Brian Ferneyhough's Time and Motion Study II
|
Iddon, Martin
|
|
2006
|
|
1-2 |
p. 93-105
|
artikel
|
| 55 |
Pitch properties of chords of octave-spaced tones
|
Parncutt, Richard
|
|
1993
|
|
1-2 |
p. 35-50
|
artikel
|
| 56 |
Preface
|
Steer, Maxwell
|
|
1996
|
|
1-2 |
p. 3-5
|
artikel
|
| 57 |
Psychological analysis of musical composition
|
Roozendaal, Ron
|
|
1993
|
|
1-2 |
p. 311-324
|
artikel
|
| 58 |
Real-World Music as Composed Listening
|
Norman, Katharine
|
|
1996
|
|
1-2 |
p. 1-27
|
artikel
|
| 59 |
Real-World Sounds and Simulacra in my Computer Music
|
Risset, Jean-Claude
|
|
1996
|
|
1-2 |
p. 29-47
|
artikel
|
| 60 |
Rhythm perception: Interactions between time and intensity
|
Gerard, Claire
|
|
1993
|
|
1-2 |
p. 179-189
|
artikel
|
| 61 |
See through music (notes from an unpopular composer)
|
Steer, Maxwell
|
|
1996
|
|
1-2 |
p. 119-171
|
artikel
|
| 62 |
Sensible virtual selves: Bodies, instruments and the becoming-concrete of Music
|
Echard, William
|
|
2006
|
|
1-2 |
p. 7-16
|
artikel
|
| 63 |
Seventy years of composing: An interview with Vivian fine
|
Jones, Leslie
|
|
1997
|
|
1-2 |
p. 21-26
|
artikel
|
| 64 |
Siberian shamanism and improvised music
|
Hodgkinson, Tim
|
|
1996
|
|
1-2 |
p. 59-66
|
artikel
|
| 65 |
“Something like a hidden glimmering”: John Cage and recorded sound
|
Pritchett, James
|
|
1996
|
|
1-2 |
p. 103-108
|
artikel
|
| 66 |
Soundscape, Acoustic Communication and Environmental Sound Composition
|
Truax, Barry
|
|
1996
|
|
1-2 |
p. 49-65
|
artikel
|
| 67 |
Split-brain studies of music perception and cognition
|
Tramo, Mark Jude
|
|
1993
|
|
1-2 |
p. 113-121
|
artikel
|
| 68 |
Temperaments, tonalities and microtonalities: an introduction
|
Fox, Christopher
|
|
2003
|
|
1-2 |
p. 1-2
|
artikel
|
| 69 |
The blindness paradigm: The visibility and invisibility of the body
|
Chagas, Paulo C.
|
|
2006
|
|
1-2 |
p. 119-130
|
artikel
|
| 70 |
The body electric: The shamanic spirit in twentieth century music
|
Tucker, Michael
|
|
1996
|
|
1-2 |
p. 67-97
|
artikel
|
| 71 |
The climate since Harry Partch
|
Gilmore, Bob
|
|
2003
|
|
1-2 |
p. 15-33
|
artikel
|
| 72 |
The cosmic keyboard: Tuning the calendar
|
Jones, Kevin
|
|
1996
|
|
1-2 |
p. 39-58
|
artikel
|
| 73 |
The flux between sounding and sound: Towards a relational understanding of music as embodied action
|
Brown, Nicholas
|
|
2006
|
|
1-2 |
p. 37-46
|
artikel
|
| 74 |
The healing muse: An interview with Kay Gardner
|
Roma, Catherine
|
|
1997
|
|
1-2 |
p. 99-104
|
artikel
|
| 75 |
The influence of implicit harmony, rhythm and musical training on the abstraction of “tension-relaxation schemas” in tonal musical phrases
|
Bigand, Emmanuel
|
|
1993
|
|
1-2 |
p. 123-137
|
artikel
|
| 76 |
The influence of the tambura drone on the perception of proximity among scale types in North Indian classical music
|
Vaughn, Kathryn
|
|
1993
|
|
1-2 |
p. 21-33
|
artikel
|
| 77 |
The pioneering spirit: Women composers of the older generation
|
Gelfand, Janelle Magnuson
|
|
1997
|
|
1-2 |
p. 5-19
|
artikel
|
| 78 |
The voice as transcursive inscriber: The relation of body and instrument understood through the workings of a machine
|
Schroeder, Franziska
|
|
2006
|
|
1-2 |
p. 131-138
|
artikel
|
| 79 |
Thoughts on how to play in tune: pitch and intonation
|
Kanno, Mieko
|
|
2003
|
|
1-2 |
p. 35-52
|
artikel
|
| 80 |
Timbre versus spectralism
|
Teodorescu-Ciocanea, Livia
|
|
2003
|
|
1-2 |
p. 87-104
|
artikel
|
| 81 |
To sing the body electric: Instruments and effort in the performance of electronic music
|
d'Escrivan, Julio
|
|
2006
|
|
1-2 |
p. 183-191
|
artikel
|
| 82 |
Towards a new sonic consciousness — A profile of Frank Perry
|
Franklin, Eddie
|
|
1996
|
|
1-2 |
p. 99-117
|
artikel
|
| 83 |
Transformation, migration and restoration
|
Kaminska, Zofia
|
|
1993
|
|
1-2 |
p. 151-161
|
artikel
|
| 84 |
What is the octave of a harmonically rich note?
|
Patterson, Roy D.
|
|
1993
|
|
1-2 |
p. 69-81
|
artikel
|
| 85 |
"Wild Ocean": an interview with Horatiu Radulescu
|
Gilmore, Bob
|
|
2003
|
|
1-2 |
p. 105-122
|
artikel
|
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