| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
A Blessing of Animals: Monumental Sculptures on Exhibit in the World's Largest Cathedral
|
Helm, Elizabeth
|
|
2017
|
|
1 |
p. 38-39
|
artikel
|
| 2 |
Aid for the Animals of Africa
|
Shull, Jodie A.
|
|
2015
|
|
1 |
p. 32-39
|
artikel
|
| 3 |
A Mason to Stardom
|
Biagi, Giancarlo
|
|
2018
|
|
1 |
p. 7
|
artikel
|
| 4 |
Animal Sculptors: And the Evolution of Zoos
|
Wilkinson, Todd
|
|
2017
|
|
1 |
p. 8-19
|
artikel
|
| 5 |
Beautiful Contradiction: The Concrete Sculpture of Christopher Smith
|
Shull, Jodie A.
|
|
2018
|
|
1 |
p. 8-16
|
artikel
|
| 6 |
Capital Sculpture L'enfant's Design for Washington, D.C.
|
Cutler, Ellen B.
|
|
2010
|
|
1 |
p. 8-11
|
artikel
|
| 7 |
Color in Sculpture an Integral Component
|
Carpenter, Kim
|
|
2014
|
|
1 |
p. 8-19
|
artikel
|
| 8 |
Conservation by Sculpture: Animal Sculpture in the Zoos of New York City
|
Mabry, Wolfgang
|
|
2017
|
|
1 |
p. 20-24
|
artikel
|
| 9 |
Conversant Color and Form
|
Mabry, Wolfgang
|
|
2014
|
|
1 |
p. 20-29
|
artikel
|
| 10 |
Creating the Eternal Human: Brett Harvey Finds His Perfect Medium in Concrete
|
Holmberg, Sheryl Morang
|
|
2018
|
|
1 |
p. 18-25
|
artikel
|
| 11 |
Environmental and Conservation Exhibitions on View
|
Delahanty, Patricia
|
|
2014
|
|
1 |
p. 30-31
|
artikel
|
| 12 |
FDR Memorial in Washington, DC
|
Rosenberg, Jennifer
|
|
2019
|
|
1 |
p. 16-25
|
artikel
|
| 13 |
FIDEM and the Art Medal: Portable, Personal, and Peculiar
|
Gilliland, Cory
|
|
2016
|
|
1 |
p. 26-29
|
artikel
|
| 14 |
Figurative Sculpture that Becomes Part of the Solution
|
Wilkinson, Todd
|
|
2015
|
|
1 |
p. 22-25
|
artikel
|
| 15 |
Four African American Sculptors a Vision for Today
|
Shull, Jodie A.
|
|
2011
|
|
1 |
p. 28-33
|
artikel
|
| 16 |
Gateway to the Wild: Albert Paley's Animals always at the Saint Louis Zoo
|
Holmberg, Sheryl Morang
|
|
2017
|
|
1 |
p. 30-37
|
artikel
|
| 17 |
In Concrete Terms: Katherine Stanek Creates a New Medium in Every Sculpture
|
Mabry, Wolfgang
|
|
2018
|
|
1 |
p. 26-32
|
artikel
|
| 18 |
Interview with Guest Curator, Eugene Daub
|
Alt, Gordon
|
|
2016
|
|
1 |
p. 8-15
|
artikel
|
| 19 |
In this Environmental Age, More Sculptors are Taking on Wildlife to Make a Green Statement
|
Wilkinson, Todd
|
|
2015
|
|
1 |
p. 8-15
|
artikel
|
| 20 |
John Cavanaugh and His Contributions to the Artistic Fabric of Washington, DC
|
Alt, Gordon
|
|
2019
|
|
1 |
p. 10-15
|
artikel
|
| 21 |
Line and Form in Service to Meaning: Ceramic Sculptor Suzanne Storer
|
Mabry, Wolfgang
|
|
2016
|
|
1 |
p. 22-23
|
artikel
|
| 22 |
Narrative: In Contemporary Relief Sculpture
|
Mabry, Wolfgang
|
|
2016
|
|
1 |
p. 16-25
|
artikel
|
| 23 |
National Sculpture Society’s Sculpture Celebration Conference: June 14-16, 2019 • NYC
|
|
|
2019
|
|
1 |
p. 36-38
|
artikel
|
| 24 |
Nature in Concrete
|
|
|
2018
|
|
1 |
p. 15
|
artikel
|
| 25 |
New Day for Sculpture Review
|
Gutierrez-Sandoval, Daniel
|
|
2019
|
|
1 |
p. 5
|
artikel
|
| 26 |
Now at Brookgreen Gardens Stimulates, Confronts, Provokes, Engages, Forces Us to Think
|
Wilkinson, Todd
|
|
2015
|
|
1 |
p. 26-31
|
artikel
|
| 27 |
Paul Manship and Grace Rainey Rogers
|
|
|
2017
|
|
1 |
p. 25-29
|
artikel
|
| 28 |
RACSO Art Gallery Presents ‘“ContraFuerte”: Conceiving an Urban Sculpture’
|
Hochman, Anndee
|
|
2019
|
|
1 |
p. 26-31
|
artikel
|
| 29 |
Rambadtsets Sets His Birds Free to Bring Wildlife Art to Unlikely Places
|
Wilkinson, Todd
|
|
2015
|
|
1 |
p. 14-21
|
artikel
|
| 30 |
Red
|
Swirnoff, Lois
|
|
2014
|
|
1 |
p. 32-37
|
artikel
|
| 31 |
Rembrandt Bugatti
|
Biagi, Giancarlo
|
|
2017
|
|
1 |
p. 7
|
artikel
|
| 32 |
Sand Sculpture: So Much More Than Castles!
|
Wierenga, Lucinda
|
|
2019
|
|
1 |
p. 47-49
|
artikel
|
| 33 |
Sculpting a Lineage Elizabeth Catlett and African American Women Sculptors
|
Herzog, Melanie Anne
|
|
2011
|
|
1 |
p. 8-17
|
artikel
|
| 34 |
Sculpture News
|
|
|
2011
|
|
1 |
p. 34-35
|
artikel
|
| 35 |
Solidifying Visceral Emotions in Concrete
|
|
|
2018
|
|
1 |
p. 31-33
|
artikel
|
| 36 |
Source List/Materials
|
|
|
2018
|
|
1 |
p. 39-44
|
artikel
|
| 37 |
The American Art Medal: Staggered and Inspired by the Conceptual, Technical, and Visual Revolution
|
Mazze, Bev
|
|
2016
|
|
1 |
p. 36-39
|
artikel
|
| 38 |
The Collection of the National Museum of African art Smithsonian Institution
|
Freyer, Bryna M.
|
|
2010
|
|
1 |
p. 20-27
|
artikel
|
| 39 |
The Fascination of Medallic Art: A Distinctive Tactile Narrative Quality
|
Mashiko,
|
|
2016
|
|
1 |
p. 30-35
|
artikel
|
| 40 |
The Hall of Fame for Great Americans in New York’s Bronx
|
Barron, James
|
|
2019
|
|
1 |
p. 39-45
|
artikel
|
| 41 |
The Sacred Made Real Spanish Polychrome Sculpture
|
Tomlinson, Janis
|
|
2010
|
|
1 |
p. 28-35
|
artikel
|
| 42 |
The Usefulness of Washington Sculpture
|
Rich, Paul
|
|
2019
|
|
1 |
p. 6-9
|
artikel
|
| 43 |
Washington, D.C., in the Twentieth Century Making Spaces for Monuments
|
Montagna, Dennis
|
|
2010
|
|
1 |
p. 12-19
|
artikel
|
| 44 |
What is Cement Vs Concrete?: Misinformation and Misunderstanding about the Two Definitions
|
Ball, Hiram
|
|
2018
|
|
1 |
p. 34-38
|
artikel
|
| 45 |
What’s that Sculpture on Top of Our U.S. Capitol Dome?
|
Langland, Tuck
|
|
2019
|
|
1 |
p. 32-35
|
artikel
|
| 46 |
Young, Gifted, and Black between the Wars Richmond Barthé's Manhattan Years
|
Vendryes, Margaret Rose
|
|
2011
|
|
1 |
p. 18-27
|
artikel
|
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