| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Afterword: Shakespeare theorised and practised
|
Kapitaniak, Pierre
|
|
2019
|
99 |
1 |
p. 193-195
|
artikel
|
| 2 |
Foreword: If it’s Shakespeare, we are in Gdańsk
|
Kapitaniak, Pierre
|
|
2019
|
99 |
1 |
p. 3-5
|
artikel
|
| 3 |
Hamlet (RSC, 2016) and representations of diasporic blackness
|
Kapitaniak, Pierre
|
|
2019
|
99 |
1 |
p. 147-160
|
artikel
|
| 4 |
‘Hard hearts’ resounding now: anatomising race, resistance, and community in The Merchant in Venice (2016) and Julius Caesar (2017)
|
Kapitaniak, Pierre
|
|
2019
|
99 |
1 |
p. 173-192
|
artikel
|
| 5 |
Historicising appropriability: Hybrid Shakespeare and the challenges of history
|
Kapitaniak, Pierre
|
|
2019
|
99 |
1 |
p. 56-65
|
artikel
|
| 6 |
Le Songe d’une nuit d’été of Ambroise Thomas: L’éclat at the end of the tunnel
|
Kapitaniak, Pierre
|
|
2019
|
99 |
1 |
p. 66-75
|
artikel
|
| 7 |
Locating Richard II in contemporary Athens
|
Kapitaniak, Pierre
|
|
2019
|
99 |
1 |
p. 113-124
|
artikel
|
| 8 |
National e-resources of Shakespeare translations in Europe: (Dis)assembling the black box
|
Kapitaniak, Pierre
|
|
2019
|
99 |
1 |
p. 89-101
|
artikel
|
| 9 |
Ophelia’s terror: Anatomising the figure of the female suicide bomber in The Al-Hamlet Summit
|
Kapitaniak, Pierre
|
|
2019
|
99 |
1 |
p. 161-172
|
artikel
|
| 10 |
Performing silence as political resistance: Audience interaction and spatial politics in Thomas Ostermeier’s Richard III
|
Kapitaniak, Pierre
|
|
2019
|
99 |
1 |
p. 125-136
|
artikel
|
| 11 |
Shakespeare and European theatrical cultures – circulations, hybridisations, and negotiations
|
Kapitaniak, Pierre
|
|
2019
|
99 |
1 |
p. 6-12
|
artikel
|
| 12 |
Shakespeare’s curtain: The stage revealed or the stage re-veiled?
|
Kapitaniak, Pierre
|
|
2019
|
99 |
1 |
p. 13-22
|
artikel
|
| 13 |
Shakespeare’s myriad-minded stage: Propositional spaces of cultural hybridity
|
Kapitaniak, Pierre
|
|
2019
|
99 |
1 |
p. 45-55
|
artikel
|
| 14 |
Staging romance across the Channel: French–English exchanges and generic common ground
|
Kapitaniak, Pierre
|
|
2019
|
99 |
1 |
p. 33-44
|
artikel
|
| 15 |
Theatrum Mundi and site in four television Shakespeare films
|
Kapitaniak, Pierre
|
|
2019
|
99 |
1 |
p. 76-88
|
artikel
|
| 16 |
‘This cold night will turn us all to fools and madmen’: Feste, Lear’s Fool and the border between ‘idiocy’ and mental illness
|
Kapitaniak, Pierre
|
|
2019
|
99 |
1 |
p. 23-32
|
artikel
|
| 17 |
Translating Troilus and Cressida for an iconoclastic socialist production
|
Kapitaniak, Pierre
|
|
2019
|
99 |
1 |
p. 102-112
|
artikel
|
| 18 |
Trendy or topical? Sexual politics and panopticism in the 2016 BBC Midsummer Night’s Dream
|
Kapitaniak, Pierre
|
|
2019
|
99 |
1 |
p. 137-146
|
artikel
|
Tijdschrift beschrijving