| no |
title |
author |
magazine |
year |
volume |
issue |
page(s) |
type |
| 1 |
Book Reviews: Ben Jonson in Context, Twelfth Night: New Critical Essays, Cupid in Early Modern Literature and Culture, Shakespeare and Moral Agency, Quoting Death in Early Modern England: The Poetics of Epitaphs beyond the Tomb, Three Renaissance Usury Plays, Thomas Heywood's Theatre, 1599–1639: Locations, Translations, and Conflict, Shakespeare on Stage: Thirteen Leading Actors on Thirteen Key Roles, Shakespeare and the Institution of Theatre: ‘The Best in This Kind’
|
Chernaik, Warren
|
|
2011
|
79 |
1 |
p. 102-124
|
article
|
| 2 |
Contributors
|
|
|
2011
|
79 |
1 |
p. i-ii
|
article
|
| 3 |
Dramatizing Belief: Charlatans, Credulity and Faith in John Heywood's Four PP
|
Happé, Peter
|
|
2011
|
79 |
1 |
p. 1-9
|
article
|
| 4 |
Hope, Despair and the Voicing of Renaissance Homoeroticism in Richard Barnfield's “Certaine Sonnets”
|
Hammock, Clinton E.
|
|
2011
|
79 |
1 |
p. 13-20
|
article
|
| 5 |
Play Reviews: Fausuto No Higeki [The Tragedy of Doctor Faustus], La Nuit des rois [Twelfth Night], Roméo et Juliette [Romeo and Juliet], La Comédie des erreurs [The Comedy of Errors], La Nuit des rois [Twelfth Night], the Coveted Crown: Henry IV, Parts I and II, the Duchess of Malfi, Richard II, the Comedy of Errors, Hamlet, King Lear, as You like it, Hamlet, Measure for Measure, Doctor Faustus
|
Kuwayama, Tomonari
|
|
2011
|
79 |
1 |
p. 69-101
|
article
|
| 6 |
Shakespeare's Sir John Oldcastle and Jonson's Ursula the Pig Woman
|
Fitzpatrick, Joan
|
|
2011
|
79 |
1 |
p. 45-46
|
article
|
| 7 |
“The Actors are Come Hither”: Andrzej Wajda's Shakespearean Happening in Gdańsk
|
Limon, Jerzy
|
|
2011
|
79 |
1 |
p. 47-68
|
article
|
| 8 |
The Ambivalence of Revenge and of the Avenger's Role in Hamlet: the Function of Letters and Emblematic Allusions
|
Marrapodi, Michele
|
|
2011
|
79 |
1 |
p. 19-34
|
article
|
| 9 |
The Wilderness Metaphor in the Duchess of Malfi
|
Steffes, Michael
|
|
2011
|
79 |
1 |
p. 37-46
|
article
|
Journal description