| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Academic Reviewing, Interculturalism and Committed Aesthetics: Syncretic Itineraries of a Reviewer
|
de Carles, Nathalie Rivère
|
|
2012
|
|
1_suppl |
p. 17-26
|
artikel
|
| 2 |
Afterword
|
Holland, Peter
|
|
2012
|
|
1_suppl |
p. 141-146
|
artikel
|
| 3 |
A Guide to Complete Works Festival Directors and Companies
|
Valls-Russell, Janice
|
|
2007
|
|
1_suppl |
p. 109-112
|
artikel
|
| 4 |
Amateur Reviewing at the Avignon Festival: The “Mirror Group”
|
March, Florence
|
|
2012
|
|
1_suppl |
p. 133-139
|
artikel
|
| 5 |
Australian Newspaper Reviewers of Shakespeare: Writing with the Head or with the Heart?
|
Gay, Penny
|
|
2012
|
|
1_suppl |
p. 127-132
|
artikel
|
| 6 |
Contributors
|
|
|
2012
|
|
1_suppl |
p. vi-vii
|
artikel
|
| 7 |
Contributors
|
|
|
2007
|
|
1_suppl |
p. vi-vii
|
artikel
|
| 8 |
Critical Conditions: Reviewing Shakespeare in South Africa
|
Gordon, Colette
|
|
2012
|
|
1_suppl |
p. 117-126
|
artikel
|
| 9 |
“Eke Out Our Imperfections with Your Minds”: The Festival's Impact on Audience Expectations and Involvement
|
Kirwan, Peter
|
|
2007
|
|
1_suppl |
p. 99-102
|
artikel
|
| 10 |
From Stage to Page to Stage Again
|
Sewell, Jan
|
|
2007
|
|
1_suppl |
p. 93-95
|
artikel
|
| 11 |
Gavin Green Speaks to Gabriel Egan
|
|
|
2007
|
|
1_suppl |
p. 103-108
|
artikel
|
| 12 |
International Perspectives on Shakespearean Theatre Reviewing
|
|
|
2012
|
|
1_suppl |
p. 149-152
|
artikel
|
| 13 |
Introducing the Complete Works Festival
|
Bate, Jonathan
|
|
2007
|
|
1_suppl |
p. 3-6
|
artikel
|
| 14 |
John Heffernan Speaks to Kath Bradley
|
|
|
2007
|
|
1_suppl |
p. 23-26
|
artikel
|
| 15 |
Michael Boyd Speaks to Peter J. Smith
|
|
|
2007
|
|
1_suppl |
p. 13-18
|
artikel
|
| 16 |
“Nothing if Not Critical”: International Perspectives on Shakespearean Theatre Reviewing
|
Prescott, Paul
|
|
2012
|
|
1_suppl |
p. 1-8
|
artikel
|
| 17 |
Objective Reviews? No, Thanks!
|
Marti, Markus
|
|
2012
|
|
1_suppl |
p. 27-30
|
artikel
|
| 18 |
Rachael Barber Speaks to Kath Bradley
|
|
|
2007
|
|
1_suppl |
p. 19-22
|
artikel
|
| 19 |
Reviewing Shakespeare in Bulgaria: Past and Present
|
Shurbanov, Alexander
|
|
2012
|
|
1_suppl |
p. 93-98
|
artikel
|
| 20 |
Reviewing the Reception of Yukio Ninagawa's Shakespeare Productions (1999–2009) in the British and Japanese Press
|
Kuwayama, Tomonari
|
|
2012
|
|
1_suppl |
p. 87-92
|
artikel
|
| 21 |
Reviewing Tunisian Productions of Shakespeare's Plays under Bourguiba and Ben Ali
|
Guinle, Francis
|
|
2012
|
|
1_suppl |
p. 105-115
|
artikel
|
| 22 |
Reviews: Romeo and Juliet, Antony and Cleopatra, Othello, Hamlet, Julius Caesar, Much Ado about Nothing, the Knight's Tale, a Midsummer Night's Dream, Titus Andronicus, I & II Henry IV, I, II & III Henry VI, King John, the Tempest, Love's Labour's Lost, Henry VIII, the Two Gentlemen of Verona, Troilus and Cressida, the Rape of Lucrece, All's Well That Ends Well, Richard III, the Comedy of Errors, Measure for Measure, Cymbeline, Timon of Athens, the Winter's Tale, Hamlet, Pericles, the Taming of the Shrew, the Phoenix and Turtle, Richard II, Merry Wives: The Musical, Richard III, Henry V, Richard III: An Arab Tragedy, Macbeth, Coriolanus, Nothing like the Sun (Sonnets), Twelfth Night, or What You Will, as You like it, Venus and Adonis, the Merchant of Venice, King Lear
|
Smith, Peter J.
|
|
2007
|
|
1_suppl |
p. 29-89
|
artikel
|
| 23 |
Select Bibliography
|
|
|
2012
|
|
1_suppl |
p. 147-148
|
artikel
|
| 24 |
Shakespearean Performance Reviewing in Brazil
|
Rauen, Margarida Gandara
|
|
2012
|
|
1_suppl |
p. 99-104
|
artikel
|
| 25 |
“She Will a Handmaid Be to His Desires”: Theatre Reviewing in the Service of Education in Rex Gibson's Shakespeare and Schools
|
Olive, Sarah
|
|
2012
|
|
1_suppl |
p. 45-51
|
artikel
|
| 26 |
“SO That's Where That Phrase Comes From” Moments and Taffety Punks: Some Thoughts on the State of Theatre Reviewing in Washington, DC
|
Thompson, Sara
|
|
2012
|
|
1_suppl |
p. 81-85
|
artikel
|
| 27 |
Surveying Survey
|
Conkie, Rob
|
|
2012
|
|
1_suppl |
p. 37-44
|
artikel
|
| 28 |
Theatre Reviewing À La Mode Des Cahiers
|
Valls-Russell, Janice
|
|
2012
|
|
1_suppl |
p. 9-14
|
artikel
|
| 29 |
The Disappearing Audience: Reviewing Shakespeare in the UK
|
Middleton, Irene
|
|
2012
|
|
1_suppl |
p. 53-57
|
artikel
|
| 30 |
The Ensemble Theatre Company: Open Discussion with RSC Personnel
|
Paitayawat, Poonperm
|
|
2007
|
|
1_suppl |
p. 97-98
|
artikel
|
| 31 |
The Newspaper Review: Constructing an Understanding of Shakespearean Performance in Madrid (1900–1936)
|
Cerdá, Juan F.
|
|
2012
|
|
1_suppl |
p. 65-72
|
artikel
|
| 32 |
“This Wide and Universal Theatre”: Shakespeare in Different Voices
|
Parsons, Elinor
|
|
2007
|
|
1_suppl |
p. 7-12
|
artikel
|
| 33 |
Valuing Shakespearean Theatre Reviews
|
Ormsby, Rob
|
|
2012
|
|
1_suppl |
p. 31-36
|
artikel
|
| 34 |
What Becomes of a Performance through (Second-Hand) Quotations of (Second-Hand) Reviews?
|
Schwartz-Gastine, Isabelle
|
|
2012
|
|
1_suppl |
p. 73-78
|
artikel
|
| 35 |
When is a Theatre Record Not a Theatre Record?
|
Farr, Jeannie
|
|
2012
|
|
1_suppl |
p. 59-64
|
artikel
|
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