| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Amateur Theatre in the Long Nineteenth Century
|
Hawley, Judith
|
|
2011
|
|
2 |
p. xvii-xix
|
artikel
|
| 2 |
Amateur Theatricals and the Dramatic Marketplace: Lacy’s and French’s Acting Editions of Plays
|
Weig, Heidi
|
|
2017
|
|
2 |
p. 173-191
|
artikel
|
| 3 |
An Alternative ‘Roman Spectacle’: Fragmentation, Invocations of Theatre, and Audience Engagement Strategy in Kalem’s 1907 Ben-Hur
|
Chow-Kambitsch, Emily
|
|
2016
|
|
2 |
p. 201-221
|
artikel
|
| 4 |
Andrew Maunder (ed.), British Theatre and the Great War 1914–1919: New Perspectives
|
Brooks, Helen E. M.
|
|
2018
|
|
2 |
p. 270-273
|
artikel
|
| 5 |
Annette Förster, Women in the Silent Cinema: Histories of Fame and Fate
|
Loiperdinger, Martin
|
|
2019
|
|
2 |
p. 228-230
|
artikel
|
| 6 |
‘A Woyage O’ Diskivery’: Thomas J. Williams' The Peep-Show Man (1868) and the Victorian Performative Text
|
Mattacks, Kate
|
|
2009
|
|
2 |
p. 53-62
|
artikel
|
| 7 |
Barbara Ryan and Milette Shamir (eds), Bigger Than Ben-Hur: The Book, its Adaptations, and Their Audiences
|
Chow-Kambitsch, Emily
|
|
2016
|
|
2 |
p. 225-229
|
artikel
|
| 8 |
Being Jane Scott: A Personal Account by Sarah Greene
|
|
|
2002
|
|
2 |
p. 22-29
|
artikel
|
| 9 |
Beyond the Picture-Frame Stage: Late Nineteenth-Century Pictorial Theatre Posters
|
Smyth, Patricia
|
|
2010
|
|
2 |
p. 4-27
|
artikel
|
| 10 |
Blackened Irish and Brownfaced Amerindians: Constructions of American Whiteness in Dion Boucicault's The Octoroon
|
Chiles, Katy L.
|
|
2004
|
|
2 |
p. 28-50
|
artikel
|
| 11 |
Book Review: After Foucault: Performing Dickens for the Twenty-First Century, after Dickens: Reading, Adaptation and Performance, Dickens, Novel Reading, and the Victorian Popular Theatre
|
Davis, Jim
|
|
2000
|
|
2 |
p. 146-151
|
artikel
|
| 12 |
Book Review: Perspectives on American Minstrelsy, Demons of Disorder: Early Blackface Minstrels and Their World, Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America, Raising Cain: Blackface Performance from Jim Crow to Hip Hop
|
Krasner, David
|
|
1999
|
|
2 |
p. 137-151
|
artikel
|
| 13 |
Book Review: Recent Studies in Romantic Theatre and Performance, Closet Stages: Joanna Baillie and the Theater Theory of British Romantic Women Writers, Closet Performances: Political Exhibition and Prohibition in the Dramas of Byron and Shelley, Frankenstein's Children: Electricity, Exhibition, and Experiment in Early-Nineteenth-Century London
|
Moody, Jane
|
|
2000
|
|
2 |
p. 152-157
|
artikel
|
| 14 |
Book Review: The Academic Sideshow, Clown Scenes, in the Kingdom of Shadows. A Companion to Early Cinema, Scottish Popular Theatre and Entertainment: Historical and Critical Approaches to Theatre and Film in Scotland, Weird and Wonderful. The Dime Museum in America, Freakery. Cultural Spectacles of the Extraordinary Body, inside the Minstrel Mask. Readings in Nineteenth-Century Blackface Minstrelsy
|
Senelick, Laurence
|
|
1999
|
|
2 |
p. 124-136
|
artikel
|
| 15 |
Camilla the Amazon; or, the Mountain Robber
|
Scott, Jane Margaret
|
|
1999
|
|
2 |
p. 162-195
|
artikel
|
| 16 |
Certain Sensations Past
|
Smith, Matthew Wilson
|
|
2014
|
|
2 |
p. 122-129
|
artikel
|
| 17 |
Charles Lyell’s Principles of Geology, the Geological Sublime, and the Romantic Theatre
|
Harley, Alexis
|
|
2018
|
|
2 |
p. 254-269
|
artikel
|
| 18 |
Christopher O’Brien (ed.), Savoy Curtain-Raisers: ‘Captain Billy’ and ‘Mr. Jericho’
|
Gordon-Powell, Robin
|
|
2016
|
|
2 |
p. 222-225
|
artikel
|
| 19 |
Combat and Compromise: A Practical Approach to Researching Stage Fights
|
Nevitt, Lucy
|
|
2002
|
|
2 |
p. 58-61
|
artikel
|
| 20 |
Commemorating the French Revolution on the Victorian Stage: Henry Irving's The Dead Heart
|
Tetens, Kristan
|
|
2005
|
|
2 |
p. 36-69
|
artikel
|
| 21 |
Contributor
|
|
|
2007
|
|
2 |
p. 1
|
artikel
|
| 22 |
Contributors
|
|
|
2006
|
|
2 |
p. ix-x
|
artikel
|
| 23 |
Contributors
|
|
|
2011
|
|
2 |
p. xv-xvi
|
artikel
|
| 24 |
Contributors
|
|
|
2009
|
|
2 |
p. xii-xiii
|
artikel
|
| 25 |
Contributors
|
|
|
2008
|
|
2 |
p. 1
|
artikel
|
| 26 |
Contributors
|
|
|
2010
|
|
2 |
p. xiii-xiv
|
artikel
|
| 27 |
Contributors
|
|
|
2005
|
|
2 |
p. 1
|
artikel
|
| 28 |
Costume or Clothes? Dressing the 1815 Season at the Sans Pareil Theatre
|
Cumming, Valerie
|
|
2002
|
|
2 |
p. 51-57
|
artikel
|
| 29 |
‘Crime and Punishment’: Tales of the Opera Chorus in Nineteenth-Century Parma
|
Rutherford, Susan
|
|
2006
|
|
2 |
p. 1-11
|
artikel
|
| 30 |
Dexter, Dextra, Dextrum: The Bloomer Costume on the British Stage in 1851
|
Urwin, Tiffany
|
|
2000
|
|
2 |
p. 89-113
|
artikel
|
| 31 |
Document of Performance 1
|
|
|
2007
|
|
2 |
p. 60-138
|
artikel
|
| 32 |
Documents of Performance 2
|
Dixon, Thomas
|
|
2007
|
|
2 |
p. 139-142
|
artikel
|
| 33 |
Documents of Performance
|
Isbell, Mary
|
|
2011
|
|
2 |
p. 67-74
|
artikel
|
| 34 |
Documents of Performance
|
McGirr, Elaine
|
|
2011
|
|
2 |
p. 75-85
|
artikel
|
| 35 |
Documents of Performance: James Sheridan Knowles's Gift Album to Jemma Haigh: A Glimpse of Victorian Social Networks and Cultural Practices
|
Long, Thomas Lawrence
|
|
2013
|
|
2 |
p. 125-132
|
artikel
|
| 36 |
Documents of Performance: Keith-Albee Managers' Reports
|
Slowik, Michael
|
|
2012
|
|
2 |
p. 93-103
|
artikel
|
| 37 |
Documents of Performance: Lilian Baylis: Theatre Historian
|
Schafer, Elizabeth
|
|
2008
|
|
2 |
p. 65-71
|
artikel
|
| 38 |
Documents of Performance: Reading between the Lines: A Library and a Portable Theatre
|
Featherstone, Ann
|
|
2003
|
|
2 |
p. 69-86
|
artikel
|
| 39 |
Documents of Performance Refreshment Tokens or ‘Wet Money’
|
Mayer, David
|
|
2004
|
|
2 |
p. 73-79
|
artikel
|
| 40 |
Documents of Performance: The Revenge of the Dead: Mary Braddon's Unpublished Script Fragment
|
Malcolm, Gabrielle
|
|
2006
|
|
2 |
p. 62-70
|
artikel
|
| 41 |
Editorial
|
Gardner, Viv
|
|
2005
|
|
2 |
p. 1-2
|
artikel
|
| 42 |
Editorial
|
Bratton, Jacky
|
|
2000
|
|
2 |
p. 145
|
artikel
|
| 43 |
Editorial
|
Gardner, Viv
|
|
2007
|
|
2 |
p. 1-3
|
artikel
|
| 44 |
Editorial
|
Davis, Jim
|
|
2010
|
|
2 |
p. 1-3
|
artikel
|
| 45 |
Editorial: City, Space, and Spectacle in Nineteenth-Century Theatre and Performance
|
Smyth, Patricia
|
|
2019
|
|
2 |
p. 113-118
|
artikel
|
| 46 |
Editorial Note
|
|
|
2013
|
|
2 |
p. i
|
artikel
|
| 47 |
Editorial: Theatrical Ecologies and Environments in the Nineteenth Century
|
Smyth, Patricia
|
|
2018
|
|
2 |
p. 149-152
|
artikel
|
| 48 |
Eleonora Duse's Library: The Disclosure of Aesthetic Value in Real Acting
|
Sica, Anna De Domenico
|
|
2010
|
|
2 |
p. 66-85
|
artikel
|
| 49 |
Embodied History: Reflections on the Jane Scott Project
|
Newey, Katherine
|
|
2002
|
|
2 |
p. 66-70
|
artikel
|
| 50 |
‘Entirely Free of Any Amateurishness’: Private Training, Public Taste and the Women's Dramatic Club of University College, Toronto (1905–21)
|
Whittaker, Robin C.
|
|
2011
|
|
2 |
p. 51-66
|
artikel
|
| 51 |
Exiled to the Colonies: ‘Oscar Wilde’ in Australia, 1895–1897
|
Fotheringham, Richard
|
|
2003
|
|
2 |
p. 55-68
|
artikel
|
| 52 |
‘Feeling and Sense beyond All Seeming’: Private Lines, Public Relations and the Performances of the LeFanu Circle
|
Fitzer, Anna M.
|
|
2011
|
|
2 |
p. 26-37
|
artikel
|
| 53 |
Female Managers, Lessees and Proprietors of the British Stage (to 1914)
|
Davis, Tracy C
|
|
2000
|
|
2 |
p. 115-144
|
artikel
|
| 54 |
Film Exhibition in Vaudeville: What We Learn from Keith-Albee Managers' Reports
|
Slowik, Michael
|
|
2012
|
|
2 |
p. 73-92
|
artikel
|
| 55 |
Foreign Constellations in a National Drama: Becoming American in Boucicault's Belle Lamar
|
Meer, Sarah
|
|
2012
|
|
2 |
p. 19-38
|
artikel
|
| 56 |
Francis Bannerman Sons Archive
|
Mayer, David
|
|
2015
|
|
2 |
p. 164-173
|
artikel
|
| 57 |
From Byron to Byron: Mazeppa and the Tartars in Nineteenth-Century British Theatre
|
Morosetti, Tiziana
|
|
2015
|
|
2 |
p. 228-245
|
artikel
|
| 58 |
Gems from the Lord Chamberlain's Coal Cellars?
|
Johnson, Kathryn
|
|
2009
|
|
2 |
p. 2-5
|
artikel
|
| 59 |
“Goose Fair is with Us Once More”—The Journals of Sydney Race, a Nottingham Lad
|
Featherstone, Ann
|
|
2000
|
|
2 |
p. 160-195
|
artikel
|
| 60 |
Grangerising Theatre’s Histories: Spectatorship, the Theatrical Tinsel Picture and the Grangerised Book
|
Hindson, Catherine
|
|
2015
|
|
2 |
p. 195-210
|
artikel
|
| 61 |
Henry Irving's Hamlet: Some Visual Sources
|
Young, Alan R.
|
|
2005
|
|
2 |
p. 3-19
|
artikel
|
| 62 |
Henry Irving: The Actor-Manager as Auteur
|
Richards, Jeffrey
|
|
2005
|
|
2 |
p. 20-35
|
artikel
|
| 63 |
Houdini's Actuality Films: Mediated Magic on the Variety Stage
|
Solomon, Matthew
|
|
2006
|
|
2 |
p. 45-61
|
artikel
|
| 64 |
‘I Felt as Never Before, Under Any Sermon That I Ever Heard Preached’: Word, Image, and the Oberammergau Passion Play, 1840–1900
|
Groeneveld, Leanne
|
|
2016
|
|
2 |
p. 131-159
|
artikel
|
| 65 |
‘I Like to Be a Swell’: Paupers at the Pantomime
|
Andersen, Kirsten
|
|
2017
|
|
2 |
p. 133-153
|
artikel
|
| 66 |
Illustrations
|
|
|
2007
|
|
2 |
p. 47-59
|
artikel
|
| 67 |
In Soldier's Clothes: Adah Isaacs Menken Goes to War
|
Cronin-Jortner, Maura L.
|
|
2004
|
|
2 |
p. 51-72
|
artikel
|
| 68 |
Interruptions by Inevitable Petticoats: Skirt Dancing and the Historiographical Problem of Late Nineteenth-Century Dance
|
Hindson, Catherine
|
|
2008
|
|
2 |
p. 48-64
|
artikel
|
| 69 |
Introduction
|
|
|
1999
|
|
2 |
p. 157-159
|
artikel
|
| 70 |
Introduction
|
Bratton, Jacky
|
|
2002
|
|
2 |
p. 1-5
|
artikel
|
| 71 |
Introduction
|
Biers, Katherine
|
|
2014
|
|
2 |
p. 1-12
|
artikel
|
| 72 |
Investigating Early Film and the Nineteenth-Century Theatre
|
Weltman, Sharon Aronofsky
|
|
2015
|
|
2 |
p. 119-123
|
artikel
|
| 73 |
Is He a Dramatist? Or, Something Singular! Staging Dickensian Drama as Practice-Led Research
|
Robinson, Joanna
|
|
2016
|
|
2 |
p. 160-182
|
artikel
|
| 74 |
Jane Gaines, Pink-Slipped: What Happened to Women in the Silent Film Industries?
|
Schaff, Rachel
|
|
2019
|
|
2 |
p. 231-233
|
artikel
|
| 75 |
Jumpinr’ Tom Thumb: Charles Stratton Onstage at the American Museum
|
Chemers, Michael M.
|
|
2004
|
|
2 |
p. 16-27
|
artikel
|
| 76 |
‘Kick[ing] against the Pricks’: Michael Field's Brutus Ultor as Manifesto for the ‘New Woman’
|
Bickle, Sharon
|
|
2006
|
|
2 |
p. 12-29
|
artikel
|
| 77 |
Kimberly Poppiti, A History of Equestrian Drama in the United States: Hippodrama’s Pure Air and Fire
|
Mayer, Cassie
|
|
2018
|
|
2 |
p. 273-276
|
artikel
|
| 78 |
Luminous Connections: Risk, Value and Responsibility in a Late Nineteenth-Century High Wire Bicycle Stunt
|
Smith, Kirstin
|
|
2016
|
|
2 |
p. 183-200
|
artikel
|
| 79 |
Mark Napolitano, Oliver! A Dickensian Musical
|
Fleming, Patrick C.
|
|
2015
|
|
2 |
p. 250-254
|
artikel
|
| 80 |
‘Mere Lookers-On at Life’: Point of View and Spectator Narrative
|
Eriks Cline, Lauren
|
|
2017
|
|
2 |
p. 154-172
|
artikel
|
| 81 |
Michael Pisani, Music for the Melodramatic Theatre in Nineteenth-Century London and New York
|
Hambridge, Katherine
|
|
2015
|
|
2 |
p. 246-250
|
artikel
|
| 82 |
Michael R. Booth (1931–2017)
|
|
|
2018
|
|
2 |
p. 153-157
|
artikel
|
| 83 |
Mrs Patrick Campbell as ‘Hell Cat’: Reading the Surface Histories of a Female Body
|
Fensham, Rachel
|
|
2003
|
|
2 |
p. 33-54
|
artikel
|
| 84 |
Music in Melodrama: ‘The Burden of Ineffable Expression’?
|
Hibberd, Sarah
|
|
2002
|
|
2 |
p. 30-39
|
artikel
|
| 85 |
My Secret Archive Fetish
|
Garrison, Laurie
|
|
2009
|
|
2 |
p. 29-37
|
artikel
|
| 86 |
Nelson Waldron, Master Stage Machinist of the Nineteenth-Century Theatre
|
Sokalski, Joseph A.
|
|
2017
|
|
2 |
p. 236-246
|
artikel
|
| 87 |
Nineteenth-Century Repertoire
|
Davis, Tracy C.
|
|
2009
|
|
2 |
p. 6-28
|
artikel
|
| 88 |
Obituary: Inga-Stina Ewbank (1932–2004)
|
Marshall, Gail
|
|
2004
|
|
2 |
p. 1-2
|
artikel
|
| 89 |
Obituary: Michael V. Pisani
|
Mayer, David
|
|
2019
|
|
2 |
p. 224
|
artikel
|
| 90 |
Of Ships and Spectacles: Maritime Identity and the Politics of Authenticity in Regency London
|
Jensen, Oskar Cox
|
|
2019
|
|
2 |
p. 136-160
|
artikel
|
| 91 |
‘One Entire Nation of Actors and Actresses’: Reconsidering the Relationship of Public and Private Theatricals
|
Brooks, Helen E. M.
|
|
2011
|
|
2 |
p. 1-13
|
artikel
|
| 92 |
Pantomime Transformations: Genre, Gender and Charley's Aunt
|
Varty, Anne
|
|
2012
|
|
2 |
p. 39-53
|
artikel
|
| 93 |
Performing Bohemia
|
Schoch, Richard
|
|
2003
|
|
2 |
p. 1-13
|
artikel
|
| 94 |
Performing Cultural Memory: The Travelling Hibernicon and the Transnational Irish Community in the United States and Australia
|
Granshaw, Michelle
|
|
2014
|
|
2 |
p. 76-101
|
artikel
|
| 95 |
Personating the Ripper: Civilian Performance and the Melodramatic Mode
|
Duncan, Sophie
|
|
2019
|
|
2 |
p. 190-209
|
artikel
|
| 96 |
Private Theatricals in the Harcourt Family Papers
|
Watson, Carly
|
|
2011
|
|
2 |
p. 14-25
|
artikel
|
| 97 |
Promiscuous Spaces and Economies of Entertainment: Soldiers, Actresses and Hybrid Genres in Colonial India
|
Bhattacharya, Rimli
|
|
2014
|
|
2 |
p. 50-75
|
artikel
|
| 98 |
Pugilists and Greasepaint: Theatrical Encounters with a Bare-Knuckle Fighter and Pantomime Clown
|
Norwood, Janice
|
|
2009
|
|
2 |
p. 63-73
|
artikel
|
| 99 |
Remediation and Immediacy in the Theatre of Sensation
|
Radcliffe, Caroline
|
|
2009
|
|
2 |
p. 38-52
|
artikel
|
| 100 |
Renaming American Fault Lines in the Joseph Jefferson Version of Rip Van Winkle
|
Anderson, Donald R.
|
|
2003
|
|
2 |
p. 14-32
|
artikel
|
| 101 |
Renata Kobetts Miller, The Victorian Actress in the Novel and on the Stage
|
Jones, Miriam
|
|
2019
|
|
2 |
p. 225-228
|
artikel
|
| 102 |
Representing the Comic Actor at Work: The Harlow Portrait of Charles Mathews
|
Davis, Jim
|
|
2004
|
|
2 |
p. 3-15
|
artikel
|
| 103 |
Re-Stirring an Old Pot: Adaptation, Reception and the Search for an Audience in Thomas Dixon's Performance Text(s) of The Clansman
|
Johnson, Stephen
|
|
2007
|
|
2 |
p. 4-46
|
artikel
|
| 104 |
Rethinking Early Cinematic Adaptations: Death of Poor Joe (1901)
|
Hasenfratz, Bob
|
|
2015
|
|
2 |
p. 124-145
|
artikel
|
| 105 |
Review: Reflecting the Audience: London Theatregoing, 1840–1880
|
Davis, Tracy C.
|
|
2002
|
|
2 |
p. 71-75
|
artikel
|
| 106 |
Reviews: An Amorous History of the Silver Screen: Shanghai Cinema, 1896–1937, Migrating to the Movies: Cinema and Black Urban Modernity
|
Bao, Weihong
|
|
2006
|
|
2 |
p. 71-79
|
artikel
|
| 107 |
Reviews: Los Angeles before Hollywood: Journalism and American Film Culture, 1905–1915, the Decline of Sentiment: American Film in the 1920s, American Cinema of the 1910s: Themes and Variations, Picturing American Modernity: Traffic, Technology, and the Silent Cinema, Acting Wilde: Victorian Sexuality, Theatre, and Oscar Wilde, Performing American Identity in Anti-Mormon Melodrama
|
Keeler, Amanda R.
|
|
2010
|
|
2 |
p. 86-101
|
artikel
|
| 108 |
Reviews: Romantic Drama, Acting and Reacting, Spheres of Action, Speech and Performance in Romantic Culture, Salomé: A Tragedy in One Act, Refiguring Oscar Wilde's Salome
|
Newey, Kate
|
|
2012
|
|
2 |
p. 104-110
|
artikel
|
| 109 |
Reviews: Russian Culture and Theatrical Performance in America, 1891–1933., Nineteenth-Century Theatre and the Imperial Encounter., Peoples on Parade: Exhibitions, Empire, and Anthropology in Nineteenth-Century Britain
|
Senelick, Laurence
|
|
2011
|
|
2 |
p. 86-92
|
artikel
|
| 110 |
Reviews: Silent Film Sound., Shakespeare and the Victorians., Victorian Shakespeare, Volume I: Theatre, Drama and Performance., Acting Naturally: Victorian Theatricality and Authenticity., American Cinema's Transitional Era: Audiences, Institutions, Practices
|
Smith, Jacob
|
|
2005
|
|
2 |
p. 70-85
|
artikel
|
| 111 |
Reviews: Theatre, Culture and Temperance in Nineteenth-Century America., the Orient on the Victorian Stage., Early American Theatre from the Revolution to Thomas Jefferson., Theatre, Culture and Temperance Reform in Nineteenth-Century America., Theatre, Society and the Nation: Staging American Identities
|
James, Louis
|
|
2004
|
|
2 |
p. 80-89
|
artikel
|
| 112 |
Reviews: The Lord Chamberlain Regrets…: A History of British Theatre Censorship., Fantasies of Empire: The Empire Theatre of Varieties and the Licensing Controversy of 1894, the Cinema of Attractions Reloaded., Americanizing the Movies and “Movie-Mad” Audiences, 1910–1914., Fight Pictures: A History of Boxing and Early Cinema
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Innes, Christopher
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2009
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Reviews: The Making of the West End Stage: Marriage, Management, and the Mapping of Gender in London, 1830–70, Playing to the Crowd: London Popular Theatre, 1780–1830., Performing Herself: Autobiography and Fanny Kelly's Dramatic Recollections, Acts of Manhood: The Performance of Masculinity on the American Stage, Go West, Young Women! The Rise of Early Hollywood, American Showman: Samuel ‘Roxyrsquo; Rothafel and the Birth of the Entertainment Industry, 1908–35
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Donkin, Ellen
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2013
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Reviews: The Victorian Clown., Early American Women Critics: Performance, Religion, Race., Picasso, Braque and Early Film in Cubism., Cupboards of Curiosity: Women, Recollection, and Film History., Scenes of Instruction: The Beginnings of the U. S. Study of Film
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Bailey, Peter
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2008
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Reviews: Unknown London: Early Modernist Visions of the Metropolis, 1815–45., Resistance, Parody, and Double Consciousness in African American Theatre, 1895–1910., the Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender, and Class in African American Theatre, 1900–1940., African American Performance and Theater History: A Critical Reader., Women in British Romantic Theatre: Drama, Performance, and Society, 1790–1840
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Newey, Katherine
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2003
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Richard Abel, Menus for Movieland: Newspapers and the Emergence of American Film Culture 1913–1916
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Duckett, Victoria
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2015
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Richard Mansfield, Jekyll and Hyde and the History of Special Effects
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Danahay, Martin
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2012
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Sarah Bernhardt and the London Stage: Fame and Ideology
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Pauk, Barbara
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2010
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Sarah Siddons and the Romantic Hamlet
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Boatner-Doane, Charlotte
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2017
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2 |
p. 212-235
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artikel
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| 120 |
Signs of the Times: Outdoor Theatrical Advertising in the Nineteenth Century
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Senelick, Laurence
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2018
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2 |
p. 173-211
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artikel
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| 121 |
Sound Silence and Censorship: Leiden Cinema Performances in the 1910's
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Bordewijk, Cobi
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1999
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Spectacular Remedies to Colonial Conflicts: Tableaux Vivants, Proto-Cinema and Global Performance in Dion Boucicault's Jessie Brown
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Smith, Lawrence D.
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2014
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| 123 |
Staging Technology: The International Electrotechnical Exhibition in Frankfurt am Main, 1891
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Vollmert, Christina
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2018
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Still Working it Out
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Bush-Bailey, Gilli
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2002
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artikel
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| 125 |
Tarantella Dance in Early Cinema: A Pillar of Neapolitan Urban Architecture
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Uffreduzzi, Elisa
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2019
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p. 210-223
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| 126 |
The Actress in Nature: Environments of Artistic Development in Victorian Fiction and Memoir
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Wiet, Victoria
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2018
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p. 232-253
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| 127 |
The Bard Returns to Shoreditch: Shakespearean Productions at the Britannia Theatre
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Norwood, Janice
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2008
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p. 29-47
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| 128 |
The Buried Treasures Project: Cataloguing the Lord Chamberlain's Collection at the British Library
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Bratton, Jacky
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2009
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The Chaste Parricide: Murder, Femininity and the Subversion of Authority in the Reception of the First Performance of Shelley’s The Cenci, 1886
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Michael-Berger, Lee
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2017
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p. 192-211
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The Familiarity of the New: The Emergence of a Motion Picture Industry in Late Nineteenth-Century London
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McKernan, Luke
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2006
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p. 30-44
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artikel
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The Gesture and the Dance
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Poesio, Giannandrea
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2002
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p. 40-50
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The Green Goddess: A Play in Four Acts by William Archer
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Kelly, Veronica
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2013
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p. 31-124
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The Green Goddess: William Archer's Great War Play
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Kelly, Veronica
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2013
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p. 2-30
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artikel
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| 134 |
The Lyceum Theatre and its Double: Richard Mansfield's Visit to the Greenwich Meridian of Late-Victorian Theatre
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Blum, Justin A.
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2014
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p. 102-121
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| 135 |
The Multimedia Afterlives of Victorian Novels: The Readers Library Photoplay Editions in the 1920s
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Hammond, Mary
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2010
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p. 28-44
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| 136 |
The Multiple Lives of Billy Waters: Dangerous Theatricality and Networked Illustrations in Nineteenth-Century Popular Culture
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Shannon, Mary L.
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2019
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p. 161-189
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| 137 |
The Nineteenth Century Digital Age
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Newey, Kate
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2008
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p. 1-9
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The Operatics of Cabiria (1914): Intermediality in Early Italian Cinema
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Kuhn, Bernhard
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2012
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p. 1-18
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| 139 |
The Performance of Anti-Theatrical Prejudice in a Provincial Victorian Town: Nottingham and its New Theatre Royal, 1865
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Robinson, Joanna
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2008
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p. 10-28
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| 140 |
The Serious Play of Gender: Blackface Minstrel Shows by Mary Barnard Home, 1892–1897
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Recchio, Thomas
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2011
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p. 38-50
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The Spectacle Within: Symbolist Painting and Minimalist Mise-en-Scène
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Taroff, Kurt
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2015
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p. 211-227
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The Theatrical Life and Death of Wych Street
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Emeljanow, Victor
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2018
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p. 160-172
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The Transnational Reception of Improvised Drama: Tommaso Sgricci in Paris and in the Periodicals
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Esterhammer, Angela
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2014
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The Work of the Public Mind
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Mullen, Mark
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1999
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p. 89-115
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Thomas Anstey Guthrie’s Madhouse Shuffle: Steps toward a nightmare scenario
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p. 146-163
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Training for Melodrama
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McCaw, Dick
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2002
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p. 62-65
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artikel
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| 147 |
‘Two and the Same’: Jack the Ripper and The Melodramatic Stage Adaptation of Strange Case of Dr Jekyll and Mr Hyde
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Winter, Sarah A.
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2015
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p. 174-194
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Victor Emeljanow (1938–2018)
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2018
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p. 158-159
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Virtual Reality Avant la Lettre: Loutherbourg and the Origins of Urban Spectacle1
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West, Shearer
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2019
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p. 119-135
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artikel
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