nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
A case study of scaling multiple parameters by the violin
|
Edgerton, Michael Edward |
|
2014 |
|
4 |
p. 473-496 |
artikel |
2 |
Adopting a music-to-heart rate alignment strategy to measure the impact of music and its tempo on human heart rate
|
van Dyck, Edith |
|
2017 |
|
4 |
p. 390-404 |
artikel |
3 |
Age trends in musical preferences in adulthood: 1. Conceptualization and empirical investigation
|
Bonneville-Roussy, Arielle |
|
2017 |
|
4 |
p. 369-389 |
artikel |
4 |
Andrzej Rakowski 1931–2018, internationally distinguished scholar and founding member of ESCOM
|
Stachó, László |
|
2018 |
|
4 |
p. 562-566 |
artikel |
5 |
Associations between two measures of music aptitude: Are the IMMA and the AMMA significantly correlated in a sample of 9- to 13-year-old children?
|
Degé, Franziska |
|
2017 |
|
4 |
p. 465-478 |
artikel |
6 |
Book review: Andrew R. Brown (ed.), Sound musicianship. Understanding the crafts of music
|
Wöllner, Clemens |
|
2013 |
|
4 |
p. 513-515 |
artikel |
7 |
Book review: Carl Stumpf, The Origins of Music
|
Bohlman, Philip V. |
|
2013 |
|
4 |
p. 515-518 |
artikel |
8 |
Book Review: Fabien Lévy, Le compositeur, son oreille et ses machines à écrire: Déconstruire les grammatologies du musical pour mieux les composer
|
Sladden, Margaux |
|
2014 |
|
4 |
p. 499-501 |
artikel |
9 |
Book Review: Gareth E. Roberts, From music to mathematics: Exploring the connections
|
Müller, Meinard |
|
2016 |
|
4 |
p. 563-568 |
artikel |
10 |
Book Review: Jean-Luc Leroy, Topicality of musical universals – Actualité des universaux musicaux
|
Sladden, Margaux |
|
2015 |
|
4 |
p. 455-456 |
artikel |
11 |
Book Review: Jordan B. L. Smith, Elaine Chew, and Gérard Assayag (Eds.), Mathemusical conversations: Mathematics and computation in music performance and composition
|
Marsden, Alan |
|
2017 |
|
4 |
p. 524-526 |
artikel |
12 |
Book Review: Martin Clayton, Byron Dueck and Laura Leante (eds.). Experience and meaning in music performance
|
Fuhr, Michael |
|
2014 |
|
4 |
p. 501-504 |
artikel |
13 |
Book Review: Paul C. Jasen, Low end theory: Bass, bodies and the materiality of sound
|
Seibt, Oliver |
|
2017 |
|
4 |
p. 526-529 |
artikel |
14 |
Book Review: Pierre Boulez, Music Lessons: The Collège de France Lectures
|
Roxburgh, Edwin |
|
2019 |
|
4 |
p. 540-544 |
artikel |
15 |
Book Review: Sandra Garrido, Why are we attracted to sad music?
|
Saarikallio, Suvi |
|
2017 |
|
4 |
p. 529-530 |
artikel |
16 |
Book Review: Stefanie Stadler Elmer, Kind und Musik: Das Entwicklungspotenzial erkennen und verstehen
|
Camp, Marc-Antoine |
|
2015 |
|
4 |
p. 461-464 |
artikel |
17 |
Book review: Stephanie Pitts, Chances and choices. Exploring the impact of music education
|
Louhivuori, Jukka |
|
2013 |
|
4 |
p. 518-519 |
artikel |
18 |
Book Review: Stephen McAdams, Perception et cognition de la musique
|
Bolduc-Cloutier, Hubert |
|
2015 |
|
4 |
p. 452-455 |
artikel |
19 |
Book Review: Tijana Popović Mladjenović, Blanka Bogunović, & Ivana Perković, Interdisciplinary Approach to Music: Listening, Performing, Composing
|
Hohagen, Jesper |
|
2014 |
|
4 |
p. 497-499 |
artikel |
20 |
Book Review: W. Gruhn und A. Seither-Preisler (Hrsg.), Der musikalische Mensch. Evolution, Biologie und Pädagogik musikalischer Begabung
|
Kreutz, Gunter |
|
2015 |
|
4 |
p. 456-461 |
artikel |
21 |
Changes in motivation as expertise develops: Relationships with musical aspirations
|
Hallam, Susan |
|
2016 |
|
4 |
p. 528-550 |
artikel |
22 |
Chuckrow’s theory of the prenatal origin of music
|
Parncutt, Richard |
|
2019 |
|
4 |
p. 403-425 |
artikel |
23 |
Conflicts in music in the South Caucasus: The case of Armenians and Azerbaijanis
|
Davidjants, Brigitta |
|
2017 |
|
4 |
p. 430-441 |
artikel |
24 |
Der Gold-MSI: Replikation und Validierung eines Fragebogeninstrumentes zur Messung Musikalischer Erfahrenheit anhand einer deutschen Stichprobe
|
Schaal, Nora K. |
|
2014 |
|
4 |
p. 423-447 |
artikel |
25 |
Erratum
|
|
|
2017 |
|
4 |
p. 531 |
artikel |
26 |
ESCOM advert
|
|
|
2017 |
|
4 |
p. 532 |
artikel |
27 |
Experiential (informal/non-formal) practice does not improve sight-reading skills
|
Zhukov, Katie |
|
2017 |
|
4 |
p. 418-429 |
artikel |
28 |
Exploring decision consistency and decision accuracy across rating designs in rater-mediated music performance assessments
|
Wind, Stefanie A. |
|
2019 |
|
4 |
p. 465-485 |
artikel |
29 |
Exploring microtonal performance of “…Plainte…” by Klaus Huber for viola d’amore in third-tone tuning
|
Knipper, Till |
|
2013 |
|
4 |
p. 376-397 |
artikel |
30 |
Exploring the long-term associations between adolescents’ music training and academic achievement
|
dos Santos-Luiz, Carlos |
|
2016 |
|
4 |
p. 512-527 |
artikel |
31 |
Extending zygonic theory to analyse patterns of musical influence between children creating pieces of music in groups, in England and Japan
|
Shibazaki, Kagari |
|
2013 |
|
4 |
p. 429-471 |
artikel |
32 |
Finding meaning through musical growth: Life histories of visually impaired musicians
|
Park, Hye Young |
|
2017 |
|
4 |
p. 405-417 |
artikel |
33 |
Function of private singing in instrumental music learning: A multiple case study of self-regulation and embodiment
|
Casas-Mas, Amalia |
|
2019 |
|
4 |
p. 442-464 |
artikel |
34 |
Gender and religion as factors of individual differences in musical preference
|
Soares-Quadros Júnior, João Fortunato |
|
2019 |
|
4 |
p. 525-539 |
artikel |
35 |
Growing older in a symphony orchestra: The development of the age-related self-concept and the self-estimated performance of professional musicians in a lifespan perspective
|
Gembris, Heiner |
|
2014 |
|
4 |
p. 371-391 |
artikel |
36 |
I like the way it sounds: The influence of instrumentation on a pop song’s place in the charts
|
Nunes, Joseph C. |
|
2014 |
|
4 |
p. 392-409 |
artikel |
37 |
Individual differences in mental control predict involuntary musical imagery
|
Beaman, C. Philip |
|
2013 |
|
4 |
p. 398-409 |
artikel |
38 |
Investigating emotional responses to self-selected sad music via self-report and automated facial analysis
|
Weth, Karim |
|
2015 |
|
4 |
p. 412-432 |
artikel |
39 |
Investigating style evolution of Western classical music: A computational approach
|
Weiß, Christof |
|
2019 |
|
4 |
p. 486-507 |
artikel |
40 |
L’échantillonnage dans l’improvisation : Rencontre de deux instigateurs du free jazz avec un jeune artiste de la scène noise à New York
|
Pras, Amandine |
|
2015 |
|
4 |
p. 433-451 |
artikel |
41 |
Mental virtuosity: A new theory of performers’ attentional processes and strategies
|
Stachó, László |
|
2018 |
|
4 |
p. 539-557 |
artikel |
42 |
Mother–infant attachment, musical idol worship, and the origins of human behaviour
|
Stachó, László |
|
2018 |
|
4 |
p. 474-493 |
artikel |
43 |
Musical plausibility: Estimation and synchronisation
|
Hähnel, Tilo |
|
2013 |
|
4 |
p. 410-428 |
artikel |
44 |
Perception of emotional content in musical performances by 3–7-year-old children
|
Stachó, László |
|
2013 |
|
4 |
p. 495-512 |
artikel |
45 |
Playing together without communicating? A pre-reflective and enactive account of joint musical performance
|
Schiavio, Andrea |
|
2015 |
|
4 |
p. 366-388 |
artikel |
46 |
Professional identities and motivations of musicians playing in healthcare settings: Cross-cultural evidence from UK and Italy
|
Preti, Costanza |
|
2013 |
|
4 |
p. 359-375 |
artikel |
47 |
Recordings as learning and practising resources for performance: Exploring attitudes and behaviours of music students and professionals
|
Volioti, Georgia |
|
2017 |
|
4 |
p. 499-523 |
artikel |
48 |
Relationships between performers’ daily social skills, social behaviors in ensemble practice, and evaluations of ensemble performance
|
Kawase, Satoshi |
|
2015 |
|
4 |
p. 350-365 |
artikel |
49 |
Reports of equitonic scale systems in African musical traditions and their implications for cognitive models of pitch organization
|
Ross, Barry |
|
2019 |
|
4 |
p. 387-402 |
artikel |
50 |
Rewriting Mazeppa: Meaning and communication in Liszt’s virtuoso and program music
|
Stachó, László |
|
2018 |
|
4 |
p. 494-518 |
artikel |
51 |
Sound characteristics which affect attributes of the synaesthetic visual experience
|
Orlandatou, Konstantina |
|
2015 |
|
4 |
p. 389-401 |
artikel |
52 |
Testing a spectral model of tonal affinity with microtonal melodies and inharmonic spectra
|
Milne, Andrew J. |
|
2016 |
|
4 |
p. 465-494 |
artikel |
53 |
The arousing and cathartic effects of popular heartbreak songs as revealed in the physiological responses of listeners
|
Tsai, Chen-Gia |
|
2014 |
|
4 |
p. 410-422 |
artikel |
54 |
“The brilliance of perfection” or “pointless finish”? What virtuosity means to musicians
|
Stachó, László |
|
2018 |
|
4 |
p. 454-473 |
artikel |
55 |
The danger of virtuosity
|
Stachó, László |
|
2018 |
|
4 |
p. 558-561 |
artikel |
56 |
The direct octaves rule: Testing a scene-analysis interpretation
|
Arthur, Claire |
|
2016 |
|
4 |
p. 495-511 |
artikel |
57 |
The effect of authenticity in music on the subjective theories and aesthetical evaluation of listeners: A randomized experiment
|
Wu, Liming |
|
2017 |
|
4 |
p. 442-464 |
artikel |
58 |
The effect of music training on unimanual and bimanual responses
|
Chang, Xin |
|
2014 |
|
4 |
p. 464-472 |
artikel |
59 |
The effect of repeated attempts and test-retest reliability in children’s singing accuracy
|
Nichols, Bryan E. |
|
2016 |
|
4 |
p. 551-562 |
artikel |
60 |
The effect of social feedback and social context on subjective affective responses to music
|
Koehler, Katelyn |
|
2017 |
|
4 |
p. 479-498 |
artikel |
61 |
The impact of song-specific age and affective qualities of popular songs on music-evoked autobiographical memories (MEAMs)
|
Platz, Friedrich |
|
2015 |
|
4 |
p. 327-349 |
artikel |
62 |
The influence of on-stage behavior on the subjective evaluation of rock guitar performances
|
Lehmann, Marco |
|
2013 |
|
4 |
p. 472-494 |
artikel |
63 |
The positive effect of music on source memory
|
Ferreri, Laura |
|
2015 |
|
4 |
p. 402-411 |
artikel |
64 |
Training thought and action for virtuoso performance
|
Stachó, László |
|
2018 |
|
4 |
p. 519-538 |
artikel |
65 |
Unusualness as a predictor of music preference
|
Chmiel, Anthony |
|
2019 |
|
4 |
p. 426-441 |
artikel |
66 |
Using PETTLEP imagery to improve music performance: A review
|
Wright, David J. |
|
2014 |
|
4 |
p. 448-463 |
artikel |
67 |
Virtuosity’s appeal
|
Stachó, László |
|
2018 |
|
4 |
p. 449-453 |
artikel |
68 |
“Where is the love?” Topics and prosocial behavior in German popular music lyrics from 1954 to 2014
|
Ruth, Nicolas |
|
2019 |
|
4 |
p. 508-524 |
artikel |