| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
A summary of Nicholas Cook's: Music: A Very Short Introduction
|
Yates, Paul
|
|
2001
|
|
2_suppl |
p. 9-24
|
artikel
|
| 2 |
Auditive analysis of the Quartetto per Archi in due tempi (1955) by Bruno Maderna
|
Addessi, Anna Rita
|
|
2010
|
|
2_suppl |
p. 225-249
|
artikel
|
| 3 |
Avant-Propos
|
|
|
2001
|
|
2_suppl |
p. 3-7
|
artikel
|
| 4 |
Call for rectifications of current musicological practice
|
Sabbe, Herman
|
|
2001
|
|
2_suppl |
p. 131-138
|
artikel
|
| 5 |
Constructivism in Nicholas Cook's introduction to music: tips for a “new'’ psychology of music
|
Dibben, Nicola
|
|
2001
|
|
2_suppl |
p. 43-50
|
artikel
|
| 6 |
Corroborating external observation by cognitive data in the description and modelling of traditional music
|
Arom, Simha
|
|
2010
|
|
2_suppl |
p. 295-306
|
artikel
|
| 7 |
Cue Abstraction, Paradigmatic Analysis and Information Dynamics: Towards Music Analysis by Cognitive Model
|
Wiggins, Geraint A.
|
|
2010
|
|
2_suppl |
p. 307-331
|
artikel
|
| 8 |
Did Neanderthals and other early humans sing? Seeking the biological roots of music in the territorial advertisements of primates, lions, hyenas, and wolves
|
Hagen, Edward H.
|
|
2009
|
|
2_suppl |
p. 291-320
|
artikel
|
| 9 |
D'une improbable nouvelle musicologie
|
Imberty, Michel
|
|
2001
|
|
2_suppl |
p. 61-64
|
artikel
|
| 10 |
Editorial
|
Deliège, Irène
|
|
2009
|
|
2_suppl |
p. 3-6
|
artikel
|
| 11 |
ESCOM as the life work of Irène Deliège: Irène Deliège in conversation with Jukka Louhivuori
|
Louhivuori, Jukka
|
|
2010
|
|
2_suppl |
p. 7-23
|
artikel
|
| 12 |
Evolution of rhythm as an indicator of mate quality
|
Van Den Broek, Eva M.F.
|
|
2009
|
|
2_suppl |
p. 369-386
|
artikel
|
| 13 |
Exploring the structural principles underlying the capacity of groups of notes to function concurrently in music
|
Ockelford, Adam
|
|
2010
|
|
2_suppl |
p. 149-185
|
artikel
|
| 14 |
Five proposals
|
Toop, Richard
|
|
2001
|
|
2_suppl |
p. 151-155
|
artikel
|
| 15 |
From great man to fittest survivor: Reputation, recapitulation and survival in Victorian concepts of Wagner's genius
|
Zon, Bennett
|
|
2009
|
|
2_suppl |
p. 415-445
|
artikel
|
| 16 |
From maladaptation to competition to cooperation in the evolution of musical behaviour
|
Bown, Oliver
|
|
2009
|
|
2_suppl |
p. 387-411
|
artikel
|
| 17 |
Individual emotional reactions towards music: Evolutionary-based universals?
|
Grewe, Oliver
|
|
2009
|
|
2_suppl |
p. 261-287
|
artikel
|
| 18 |
In praise of Musikwissenschaft: laudatio scientiæ musicæ
|
Baroni, Mario
|
|
2001
|
|
2_suppl |
p. 25-28
|
artikel
|
| 19 |
In the beginning: A brief history of infant music perception
|
Trehub, Sandra E.
|
|
2010
|
|
2_suppl |
p. 71-87
|
artikel
|
| 20 |
Is there a better song to sing?
|
Walker, Robert
|
|
2001
|
|
2_suppl |
p. 157-165
|
artikel
|
| 21 |
La fin du principe de certitude(s) ?
|
Ledoux, Claude
|
|
2001
|
|
2_suppl |
p. 65-71
|
artikel
|
| 22 |
L'ambivalence d'une approche: critique ou nihiliste ?
|
Boissière, Anne
|
|
2001
|
|
2_suppl |
p. 29-33
|
artikel
|
| 23 |
La partition
|
Meeùs, Nicolas
|
|
2001
|
|
2_suppl |
p. 73-78
|
artikel
|
| 24 |
La psychologie cognitive face à la musique contemporaine: Une contribution essentielle de Irène Deliège
|
Imberty, Michel
|
|
2010
|
|
2_suppl |
p. 251-274
|
artikel
|
| 25 |
Looking into the eyes of a conductor performing Lerdahl's “Time after Time”
|
Bigand, E.
|
|
2010
|
|
2_suppl |
p. 275-294
|
artikel
|
| 26 |
Meaning and the body
|
Nelson, Peter
|
|
2001
|
|
2_suppl |
p. 101-110
|
artikel
|
| 27 |
Musical elements in human infants’ cries: In the beginning is the melody
|
Wermke, Kathleen
|
|
2009
|
|
2_suppl |
p. 151-175
|
artikel
|
| 28 |
Musical Parameters and Children's Images of motion
|
Tubul, Zohar Eitan Nurit
|
|
2010
|
|
2_suppl |
p. 89-111
|
artikel
|
| 29 |
Musical structure processing after repeated listening: Schematic expectations resist veridical expectations
|
Tillmann, Barbara
|
|
2010
|
|
2_suppl |
p. 33-47
|
artikel
|
| 30 |
Music: a world apart?
|
Chouvel, Jean-Marc
|
|
2001
|
|
2_suppl |
p. 35-38
|
artikel
|
| 31 |
Music cognition and real-time listening: Denotation, cue abstraction, route description and cognitive maps
|
Reybrouck, Mark
|
|
2010
|
|
2_suppl |
p. 187-202
|
artikel
|
| 32 |
Musicologie historique, ethnomusicologie, analyse: Une musicologie générale est-elle possible?
|
Nattiez, Jean-Jacques
|
|
2010
|
|
2_suppl |
p. 333-355
|
artikel
|
| 33 |
Music's “design features”: Musical motivation, musical pulse, and musical pitch
|
Bispham, John C.
|
|
2009
|
|
2_suppl |
p. 41-61
|
artikel
|
| 34 |
On Answering Music
|
Gritten, Anthony
|
|
2001
|
|
2_suppl |
p. 51-60
|
artikel
|
| 35 |
On Qualifying Relativism
|
Cook, Nicholas
|
|
2001
|
|
2_suppl |
p. 167-189
|
artikel
|
| 36 |
Preface
|
Vitouch, Oliver
|
|
2009
|
|
2_suppl |
p. 7-11
|
artikel
|
| 37 |
Prenatal and infant conditioning, the mother schema, and the origins of music and religion
|
Parncutt, Richard
|
|
2009
|
|
2_suppl |
p. 119-150
|
artikel
|
| 38 |
Publications and Events Organised
|
Deliege, Irene
|
|
2010
|
|
2_suppl |
p. 25-32
|
artikel
|
| 39 |
À quoi arrimer une déconstruction relativiste du discours sur la musique ?
|
Menger, Pierre-Michel
|
|
2001
|
|
2_suppl |
p. 79-88
|
artikel
|
| 40 |
Repliez ce livre ! Une petite leçon de choses
|
Nicolas, François
|
|
2001
|
|
2_suppl |
p. 111-117
|
artikel
|
| 41 |
Some parallels between language and music from a cognitive and evolutionary perspective
|
Fenk-Oczlon, Gertraud
|
|
2009
|
|
2_suppl |
p. 201-226
|
artikel
|
| 42 |
Some thoughts
|
Palmer, David
|
|
2001
|
|
2_suppl |
p. 119-123
|
artikel
|
| 43 |
The difficulty of discerning between composed and improvised music
|
Lehmann, Andreas C.
|
|
2010
|
|
2_suppl |
p. 113-129
|
artikel
|
| 44 |
The emergence of music from the Theory of Mind
|
Livingstone, Steven Robert
|
|
2009
|
|
2_suppl |
p. 83-115
|
artikel
|
| 45 |
The emotional antecedents to the evolution of music and language
|
Panksepp, Jaak
|
|
2009
|
|
2_suppl |
p. 229-259
|
artikel
|
| 46 |
The evolutionary nature of musical meaning
|
Cross, Ian
|
|
2009
|
|
2_suppl |
p. 179-200
|
artikel
|
| 47 |
The fundamental function of music
|
Schubert, Emery
|
|
2009
|
|
2_suppl |
p. 63-81
|
artikel
|
| 48 |
The Musical Surface: Challenging Basic Assumptions
|
Cambouropoulos, Emilios
|
|
2010
|
|
2_suppl |
p. 131-147
|
artikel
|
| 49 |
The origins of the aesthetic enjoyment of music — A review of the literature
|
Brattico, Elvira
|
|
2009
|
|
2_suppl |
p. 15-39
|
artikel
|
| 50 |
The pulse of symmetry: On the possible co-evolution of rhythm in music and dance
|
Dean, Roger T.
|
|
2009
|
|
2_suppl |
p. 341-367
|
artikel
|
| 51 |
Tonal implications of dyadic harmony
|
Woolhouse, Matthew
|
|
2010
|
|
2_suppl |
p. 49-70
|
artikel
|
| 52 |
Towards an ethology of song: A categorization of musical behaviour
|
Lehmann, Christian
|
|
2009
|
|
2_suppl |
p. 321-338
|
artikel
|
| 53 |
Translating music
|
Szendy, Peter
|
|
2001
|
|
2_suppl |
p. 147-150
|
artikel
|
| 54 |
Trois remarques
|
Solomos, Makis
|
|
2001
|
|
2_suppl |
p. 139-146
|
artikel
|
| 55 |
Understanding musical structure and form: Essays in honour of Irène Deliège
|
Sloboda, John
|
|
2010
|
|
2_suppl |
p. 3-5
|
artikel
|
| 56 |
Une musicologie de consommation pour une musique de consommation
|
Dalmonte, Rossana
|
|
2001
|
|
2_suppl |
p. 39-42
|
artikel
|
| 57 |
User-oriented studies in embodied music cognition research
|
Leman, Marc
|
|
2010
|
|
2_suppl |
p. 203-223
|
artikel
|
| 58 |
Vive la crise !
|
Molino, Jean
|
|
2001
|
|
2_suppl |
p. 89-99
|
artikel
|
| 59 |
What is music?
|
Rakowski, Andrzej
|
|
2001
|
|
2_suppl |
p. 125-130
|
artikel
|
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