| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
A Material World
|
Mukherjee, Debashree
|
|
2010
|
|
2 |
p. 199-205
|
artikel
|
| 2 |
Ameen Sayani and Radio Ceylon
|
Punathambekar, Aswin
|
|
2010
|
|
2 |
p. 189-197
|
artikel
|
| 3 |
A Need for Redress
|
Wilkinson-Weber, Clare M.
|
|
2010
|
|
2 |
p. 125-145
|
artikel
|
| 4 |
An Interview with Ashim Ahluwalia
|
|
|
2016
|
|
2 |
p. 207-214
|
artikel
|
| 5 |
Anxieties of Seeing: The Sensational World of Cinema, Digital Media and Politics
|
Mokkil, Navaneetha
|
|
2018
|
|
2 |
p. 165-183
|
artikel
|
| 6 |
A Tamil-speaking Heroine
|
V. Nakassis, Constantine
|
|
2015
|
|
2 |
p. 165-186
|
artikel
|
| 7 |
Aviation, Tourism and Dreaming in 1960s Bombay Cinema
|
Mazumdar, Ranjani
|
|
2011
|
|
2 |
p. 129-155
|
artikel
|
| 8 |
A Vision for Screen Studies
|
Rajadhyaksha, Ashish
|
|
2010
|
|
2 |
p. 119-123
|
artikel
|
| 9 |
Bazaars and Video Games in India
|
Deka, Maitrayee
|
|
2016
|
|
2 |
p. 172-188
|
artikel
|
| 10 |
Behind the Green Door: Unpacking the Item Number and Its Ecology
|
Mukherjee, Silpa
|
|
2018
|
|
2 |
p. 208-232
|
artikel
|
| 11 |
Bhojpuri Consolidations in the Hindi Territory: Infrastructure, Aesthetics, and Competing Masculinities in North India
|
Kumar, Akshaya
|
|
2016
|
|
2 |
p. 189-206
|
artikel
|
| 12 |
Book Review: Aarti Wani, The Fantasy of Modernity: Romantic Love in Bombay Cinema in the 1950s
|
Gopal, Sangita
|
|
2016
|
|
2 |
p. 240-242
|
artikel
|
| 13 |
Book Review: Anand Pandian, Reel World: An Anthropology of Creation
|
Wilkinson, Clare M.
|
|
2017
|
|
2 |
p. 289-292
|
artikel
|
| 14 |
Book Review: Manishita Dass, Outside the Lettered City: Cinema, Modernity, and the Public Sphere in Late Colonial India
|
Chatterjee, Ranita
|
|
2016
|
|
2 |
p. 234-237
|
artikel
|
| 15 |
Book Review: Meraj Ahmed Mubarki, Filming Horror: Hindi Cinema, Ghosts and Ideologies and Meheli Sen, Haunting Bollywood: Gender, Genre, and the Supernatural in Hindi Commercial Cinema
|
Nair, Kartik
|
|
2017
|
|
2 |
p. 280-285
|
artikel
|
| 16 |
Book Review: Rosie Thomas, Bombay before Bollywood: Film City Fantasies
|
Creekmur, Corey K.
|
|
2016
|
|
2 |
p. 237-240
|
artikel
|
| 17 |
Book Review: William Elison, Christian Lee Novetzke, and Andy Rotman, Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation
|
Mishra, Vijay
|
|
2017
|
|
2 |
p. 285-288
|
artikel
|
| 18 |
Building Pakistan and Filmmaking
|
Askari, Muhammad Hasan
|
|
2014
|
|
2 |
p. 175-181
|
artikel
|
| 19 |
Cine-sangeet Indra ka ghora hai aur Akashvani uska samman karti hai!/Film Music is Lord Indra’s Horse and Akashvani Respects It!
|
Sharma, Narendra
|
|
2012
|
|
2 |
p. 165-173
|
artikel
|
| 20 |
Color in Film: Why and to What End?
|
Askari, Muhammad Hasan
|
|
2014
|
|
2 |
p. 167-173
|
artikel
|
| 21 |
Coming Back to Life: Jyotiprasad’s Joymoti and Nationalist Politics in Assam, 1890s–1940s
|
Rajkhowa, Gaurav
|
|
2015
|
|
2 |
p. 107-125
|
artikel
|
| 22 |
Constituting a Diffuse Region: Cartographies of Mass-mediated Bhojpuri Belonging
|
Hardy, Kathryn C.
|
|
2015
|
|
2 |
p. 145-164
|
artikel
|
| 23 |
Crossmedia Flows of Documentary Images and the Transnational Communicative Figuration Surrounding Gestational Surrogacy in India
|
Schneider, Nadja-Christina
|
|
2018
|
|
2 |
p. 184-207
|
artikel
|
| 24 |
Cross-wing Filmmaking: East Pakistani Urdu Films and Their Traces in the Bangladesh Film Archive
|
Hoek, Lotte
|
|
2014
|
|
2 |
p. 99-118
|
artikel
|
| 25 |
Editorial
|
Vasudevan, Ravi S.
|
|
2011
|
|
2 |
p. 99-102
|
artikel
|
| 26 |
Editorial
|
Vasudevan, Ravi S.
|
|
2010
|
|
2 |
p. 103-104
|
artikel
|
| 27 |
Editorial
|
Vasudevan, Ravi S.
|
|
2012
|
|
2 |
p. 95-97
|
artikel
|
| 28 |
Editorial
|
Vasudevan, Ravi
|
|
2018
|
|
2 |
p. vii-ix
|
artikel
|
| 29 |
Editorial: Celluloid Memories and the Digital “Present”
|
Mazumdar, Ranjani
|
|
2013
|
|
2 |
p. 93-95
|
artikel
|
| 30 |
Film and Cinephilia in Pakistan: Beyond Life and Death
|
Ahmad, Ali Nobil
|
|
2014
|
|
2 |
p. 81-98
|
artikel
|
| 31 |
From Single Screen to YouTube: Tracking the Regional Blockbuster
|
Srinivas, S. V.
|
|
2018
|
|
2 |
p. 233-250
|
artikel
|
| 32 |
How Systems Cohere: Niira Radia in 2017
|
Anirban, Gupta-Nigam
|
|
2017
|
|
2 |
p. 244-267
|
artikel
|
| 33 |
Independent Filmmaking in Pakistan: An Interview with Sabiha Sumar
|
Ahmad, Ali Nobil
|
|
2014
|
|
2 |
p. 153-162
|
artikel
|
| 34 |
Infrastructures and Archives of the B-circuit
|
Vasudevan, Ravi S.
|
|
2016
|
|
2 |
p. vii-xi
|
artikel
|
| 35 |
“It is a different nature which speaks to the camera”
|
Pinney, Christopher
|
|
2010
|
|
2 |
p. 111-117
|
artikel
|
| 36 |
“It’s Ringing Again”: Cellular Ambiguities in Hindi Cinema
|
Sen, Shaunak
|
|
2013
|
|
2 |
p. 159-181
|
artikel
|
| 37 |
“Kharaak Kita Oi!”: Masculinity, Caste, and Gender in Punjabi Films
|
Sevea, Iqbal
|
|
2014
|
|
2 |
p. 129-140
|
artikel
|
| 38 |
Lata Mangeshkar’s Voice in the Age of Cassette Reproduction
|
Jhingan, Shikha
|
|
2013
|
|
2 |
p. 97-114
|
artikel
|
| 39 |
Law, Love, and Marriage: Television News and the Production of Publicity in North India
|
Ibrahim, Amrita
|
|
2017
|
|
2 |
p. 224-243
|
artikel
|
| 40 |
Making of a Peasant Industry
|
Srinivas, S.V.
|
|
2010
|
|
2 |
p. 169-188
|
artikel
|
| 41 |
Maoism to Mass Culture: Notes on Telangana’s Cultural Turn
|
Srinivas, S.V.
|
|
2015
|
|
2 |
p. 187-205
|
artikel
|
| 42 |
Media Dispositifs and Interdisciplinary Insights
|
Vasudevan, Ravi S.
|
|
2017
|
|
2 |
p. vii-x
|
artikel
|
| 43 |
Memories of Action: Tracing Film Society Cinephilia in India
|
Ghosh, Abhija
|
|
2018
|
|
2 |
p. 137-164
|
artikel
|
| 44 |
Mother India in Six Voices: Melodrama, Voice Performance, and Indian Films in Siam
|
Ingawanij, May Adadol
|
|
2012
|
|
2 |
p. 99-121
|
artikel
|
| 45 |
Pakistani Film
|
Manto, Saadat Hassan
|
|
2014
|
|
2 |
p. 163-166
|
artikel
|
| 46 |
Pakistani Film Poster Art
|
Khan, Ali
|
|
2014
|
|
2 |
p. 183-190
|
artikel
|
| 47 |
Peaceful Nuclear Tests, Eco-friendly Reactors, and the Vantage Point of Tamasha
|
Nizaruddin, Fathima
|
|
2017
|
|
2 |
p. 204-223
|
artikel
|
| 48 |
Pirate Histories: Rethinking the Indian Film Archive
|
Tanvir, Kuhu
|
|
2013
|
|
2 |
p. 115-136
|
artikel
|
| 49 |
Raddi Infrastructure: Collecting Film Memorabilia in Pakistan: An Interview with Guddu Khan of Guddu’s Film Archive
|
Cooper, Timothy P.A.
|
|
2016
|
|
2 |
p. 151-171
|
artikel
|
| 50 |
Ram Tipnis a.k.a. Papa Ajoba
|
Ghosalkar, Anuja
|
|
2010
|
|
2 |
p. 207-211
|
artikel
|
| 51 |
R.D. Burman and Rhythm: “Making the Youth of This Nation to Dance”
|
Booth, Gregory D.
|
|
2012
|
|
2 |
p. 147-164
|
artikel
|
| 52 |
Re-embodying the “Classical”
|
Jhingan, Shikha
|
|
2011
|
|
2 |
p. 157-179
|
artikel
|
| 53 |
Region in Focus
|
Srinivas, S.V.
|
|
2015
|
|
2 |
p. vii-ix
|
artikel
|
| 54 |
Sensational Love Scandals and their After-lives
|
Gadihoke, Sabeena
|
|
2011
|
|
2 |
p. 103-218
|
artikel
|
| 55 |
Size Matters
|
Govil, Nitin
|
|
2010
|
|
2 |
p. 105-109
|
artikel
|
| 56 |
Sketches for a Film Which Never Happened
|
Menon, Bindu
|
|
2011
|
|
2 |
p. 181-188
|
artikel
|
| 57 |
Taste, Taboo, Trash: The Story of the Ramsay Brothers
|
Nair, Kartik
|
|
2012
|
|
2 |
p. 123-145
|
artikel
|
| 58 |
Techno-Nostalgia: Colorization of K. Asif’s Mughal-e-Azam
|
Walia, Ramna
|
|
2013
|
|
2 |
p. 137-158
|
artikel
|
| 59 |
The Bad-Shahs of Small Budget: The Small-budget Hindi Film of the B Circuit
|
Subba, Vibhushan
|
|
2016
|
|
2 |
p. 215-233
|
artikel
|
| 60 |
The Martyr, the Moviegoer: Bhagat Singh at the Cinema
|
Elam, J. Daniel
|
|
2017
|
|
2 |
p. 181-203
|
artikel
|
| 61 |
The Script of Gul-e-Bakavali (Kohinoor, 1924)
|
|
|
2012
|
|
2 |
p. 175-207
|
artikel
|
| 62 |
The Spectral Duration of Malayalam Soft-porn: Disappearance, Desire, and Haunting
|
Mini, Darshana Sreedhar
|
|
2016
|
|
2 |
p. 127-150
|
artikel
|
| 63 |
Thiruvithamkoor, Malabar, Kerala: Speculations on the Regions in “Regional Cinema”
|
Radhakrishnan, Ratheesh
|
|
2015
|
|
2 |
p. 126-144
|
artikel
|
| 64 |
Transient Spaces and Places: Inside an 80s Cinema Hall in Lahore
|
Nabi, Hira
|
|
2017
|
|
2 |
p. 268-279
|
artikel
|
| 65 |
Umar Marvi and the Representation of Sindh: Cinema and Modernity in the Margins
|
Levesque, Julien
|
|
2014
|
|
2 |
p. 119-128
|
artikel
|
| 66 |
When Film Came to Madras
|
Hughes, Stephen Putnam
|
|
2010
|
|
2 |
p. 147-168
|
artikel
|
| 67 |
Working Class Zombies and Men in Burqas: Temporality, Trauma, and the Specter of Nostalgia in Zibahkhana
|
Kirk, Gwendolyn S.
|
|
2014
|
|
2 |
p. 141-151
|
artikel
|
| 68 |
Writing from the Margins of Media: Screenwriting Practice and Discourse During the First Indian Talkies
|
Sengupta, Rakesh
|
|
2018
|
|
2 |
p. 117-136
|
artikel
|
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