nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
Agami (The Time Ahead, 1984), the First “Short Film” of Bangladesh: Toward a New Cinematic Aesthetic of Imaging Time and Nation
|
Akhter, Fahmida |
|
|
|
1 |
p. 11-29 |
artikel |
2 |
Agnipareeksha (Trial by Fire)
|
Madheshiya, Amit |
|
2018 |
|
1 |
p. 97-107 |
artikel |
3 |
Alas, Nitrate didn’t Wait, but does it Really Matter?
|
Kumar, Ramesh |
|
2016 |
|
1 |
p. 96-115 |
artikel |
4 |
At Home in the Empire: Reading Colonial Home Movies—The Hyde Collection (1928–1937)
|
Hariharan, Veena |
|
2014 |
|
1 |
p. 49-61 |
artikel |
5 |
Book Review: Ali Khan and Ali Nobil Ahmad (Eds), Cinema and Society: Film and Social Change in Pakistan
|
Siddique, Salma |
|
2017 |
|
1 |
p. 176-180 |
artikel |
6 |
Book review: Ashvin Immanuel Devasundaram, India’s New Independent Cinema: The Rise of the Hybrid
|
Chatterjee, Tupur |
|
|
|
1 |
p. 91-95 |
artikel |
7 |
Book Review: Christine Gledhill and Julia Knight (Eds), Doing Women’s Film History: Reframing Cinemas, Past and Future
|
Menon, Bindu |
|
2016 |
|
1 |
p. 122-125 |
artikel |
8 |
Book review: Giulia Battaglia, Documentary Film in India: An Anthropological History
|
Matzner, Deborah |
|
|
|
1 |
p. 95-97 |
artikel |
9 |
Book Review: Jayson Beaster-Jones and Natalie Sarrazin (Eds), Music in Contemporary Indian Film: Memory, Voice, Identity
|
Tanvir, Kuhu |
|
2018 |
|
1 |
p. 108-110 |
artikel |
10 |
Book Review: Madhusree Dutta, Kaushik Bhaumik and Rohan Shivkumar (Eds), Project Cinema City
|
Thomas, Rosie |
|
2017 |
|
1 |
p. 171-173 |
artikel |
11 |
Book Review: Nitin Govil, Orienting Hollywood: A Century of Film Culture between Los Angeles and Bombay
|
Rajadhyaksha, Ashish |
|
2016 |
|
1 |
p. 119-122 |
artikel |
12 |
Book Review: Peter Sutoris, Visions of Development: Films Division of India and the Imagination of Progress, 1948–75
|
Hariharan, Veena |
|
2017 |
|
1 |
p. 174-176 |
artikel |
13 |
Book Review: Shannon Mattern, Code + Clay … Data + Dirt: Five Thousand Years of Urban Media
|
Mukherjee, Debashree |
|
2018 |
|
1 |
p. 114-116 |
artikel |
14 |
Book Review: Sudhir Mahadevan, A Very Old Machine: The Many Origins of the Cinema in India
|
Larkin, Brian |
|
2016 |
|
1 |
p. 116-119 |
artikel |
15 |
Book Review: Swarnavel Eswaran Pillai, Madras Studios: Narrative, Genre, and Ideology in Tamil Cinema
|
Ingle, Hrishikesh |
|
2018 |
|
1 |
p. 110-113 |
artikel |
16 |
Capturing Stars: Bengali Actresses Through the Camera of Nemai Ghosh
|
Gadihoke, Sabeena |
|
2017 |
|
1 |
p. 30-45 |
artikel |
17 |
Cinematograph to Cinema
|
Bhaumik, Kaushik |
|
2011 |
|
1 |
p. 41-67 |
artikel |
18 |
Cinematograph to Cinema
|
Bhaumik, Kaushik |
|
2011 |
|
1 |
p. 41-67 |
artikel |
19 |
Disciplining the Dasi: Cintamani and the Politics of a New Sexual Economy
|
Kaali, Sundar |
|
2013 |
|
1 |
p. 51-69 |
artikel |
20 |
Documentary Acts: An Interview with Madhusree Dutta
|
Sarkar, Bhaskar |
|
2012 |
|
1 |
p. 21-34 |
artikel |
21 |
Documentary Photography, Decolonization, and the Making of “Secular Icons”: Reading Sunil Janah’s Photographs from the 1940s through the 1950s
|
Roychoudhuri, Ranu |
|
2017 |
|
1 |
p. 46-80 |
artikel |
22 |
Domestic Concerns, Transnational Fields: Two Recent Documentary Films from Mumbai and an “Interstitial Mode of Production”
|
Matzner, Deborah |
|
2012 |
|
1 |
p. 35-51 |
artikel |
23 |
Editorial
|
Vasudevan, Ravi S. |
|
2011 |
|
1 |
p. 1-3 |
artikel |
24 |
Editorial
|
Sarkar, Bhaskar |
|
2012 |
|
1 |
p. 1-6 |
artikel |
25 |
Editorial
|
Vasudevan, Ravi S. |
|
2014 |
|
1 |
p. 1-3 |
artikel |
26 |
Editorial
|
Vasudevan, Ravi |
|
2018 |
|
1 |
p. vii-x |
artikel |
27 |
Editorial
|
Vasudevan, Ravi S. |
|
2015 |
|
1 |
p. vii-ix |
artikel |
28 |
Editorial
|
Vasudevan, Ravi S. |
|
2016 |
|
1 |
p. vii-x |
artikel |
29 |
Editorial
|
Vasudevan, Ravi S. |
|
2011 |
|
1 |
p. 1-3 |
artikel |
30 |
Editorial: Archives and Histories
|
Vasudevan, Ravi S. |
|
2013 |
|
1 |
p. 1-7 |
artikel |
31 |
Embodied Engagements: Filmmaking and Viewing Practices and the Habitus of Telugu Cinema
|
Bhrugubanda, Uma Maheswari |
|
2016 |
|
1 |
p. 80-95 |
artikel |
32 |
Evolution of Dada Uttam Kumar: Performing Masculinity and the Disillusioned Bhadralok Mahanayak in the 1970s’ Popular Melodramas
|
Banerjee, Smita |
|
|
|
1 |
p. 52-74 |
artikel |
33 |
Film Genres, the Muslim Social, and Discourses of Identity c. 1935–1945
|
Vasudevan, Ravi S. |
|
2015 |
|
1 |
p. 27-43 |
artikel |
34 |
Film History Through Fragments: The Aurora Archive and the Transnational Travels of Early Indian Cinema
|
Chatterjee, Ranita |
|
2014 |
|
1 |
p. 29-47 |
artikel |
35 |
From the Ruins of Chanakya: Exhibition History and Urban Memory
|
Sahu, Ipsita |
|
2018 |
|
1 |
p. 73-96 |
artikel |
36 |
From Villain to Hero: Masculinity and Political Aesthetics in the Films of Bangladeshi Action Star Joshim
|
Awwal, Arpana |
|
2018 |
|
1 |
p. 24-45 |
artikel |
37 |
Genre Mixing as Creative Fabrication
|
Prasad, M. Madhava |
|
2011 |
|
1 |
p. 69-81 |
artikel |
38 |
Genre Mixing as Creative Fabrication
|
Prasad, M. Madhava |
|
2011 |
|
1 |
p. 69-81 |
artikel |
39 |
Hari Sadhan Dasgupta: Short Film Maker
|
Biswas, Moinak |
|
2017 |
|
1 |
p. 146-170 |
artikel |
40 |
Hidden Accounts
|
Vasudevan, Ravi |
|
|
|
1 |
p. 7-10 |
artikel |
41 |
Imagining Sound through the Pharmaish: Radios and Request-postcards in North India, c. 1955–1975
|
Duggal, Vebhuti |
|
2018 |
|
1 |
p. 1-23 |
artikel |
42 |
In the Light of Experience: An Indian Cameraman
|
Pandian, Anand |
|
2013 |
|
1 |
p. 81-92 |
artikel |
43 |
Mapping Melodrama: Global Theatrical Circuits, Parsi Theater, and the Rise of the Social
|
Hansen, Kathryn |
|
2016 |
|
1 |
p. 1-30 |
artikel |
44 |
Media’s Law
|
Liang, Lawrence |
|
2011 |
|
1 |
p. 23-40 |
artikel |
45 |
Media’s Law
|
Liang, Lawrence |
|
2011 |
|
1 |
p. 23-40 |
artikel |
46 |
Meena Shorey: The Droll Queen of Partition
|
Siddique, Salma |
|
2015 |
|
1 |
p. 44-66 |
artikel |
47 |
Miffed! or “Gasping for [Polluted?] Air”
|
Waugh, Thomas |
|
2012 |
|
1 |
p. 87-93 |
artikel |
48 |
Notes on a Scandal: Writing Women’s Film History Against an Absent Archive
|
Mukherjee, Debashree |
|
2013 |
|
1 |
p. 9-30 |
artikel |
49 |
Notes on Postcolonial Visual Culture
|
Rajagopal, Arvind |
|
2011 |
|
1 |
p. 11-22 |
artikel |
50 |
Notes on Postcolonial Visual Culture
|
Rajagopal, Arvind |
|
2011 |
|
1 |
p. 11-22 |
artikel |
51 |
On Teaching Cinema Studies in Australia
|
Jayamanne, Laleen |
|
2011 |
|
1 |
p. 5-9 |
artikel |
52 |
On Teaching Cinema Studies in Australia
|
Jayamanne, Laleen |
|
2011 |
|
1 |
p. 5-9 |
artikel |
53 |
On the Aesthetics and Ideology of the Indian Documentary Film: A Conversation
|
Rajagopal, Arvind |
|
2012 |
|
1 |
p. 7-20 |
artikel |
54 |
“Regional” Cinema or Products of Bricolage? An Introduction to Malayalam Studio Film of the Early 1950s
|
Joseph, Jenson |
|
2013 |
|
1 |
p. 31-49 |
artikel |
55 |
Sharing the Silver Screen: The Social Experience of Cinemagoing in the Indian Diaspora
|
Vandevelde, Iris |
|
2015 |
|
1 |
p. 88-106 |
artikel |
56 |
Simulation at Wars’ End: A “Documentary” in the Field of Evidence Quest
|
Mohaiemen, Naeem |
|
2016 |
|
1 |
p. 31-57 |
artikel |
57 |
“Sun in the Belly”: Film Practice at Films Division of India 1965–1975
|
Kaushik, Ritika |
|
2017 |
|
1 |
p. 103-123 |
artikel |
58 |
The Discrete Charm of Local Practices: Malegaon and the Politics of Locality
|
Tiwary, Ishita |
|
2015 |
|
1 |
p. 67-87 |
artikel |
59 |
The Documentary Archive in Photography, Film, and Video
|
Vasudevan, Ravi S. |
|
2017 |
|
1 |
p. vii-xiv |
artikel |
60 |
The Eloquent Language: Hindustani in 1940s Indian Cinema
|
Lunn, David |
|
2015 |
|
1 |
p. 1-26 |
artikel |
61 |
The Islamic Subject of Home Cinema of Kerala
|
Karinkurayil, Mohamed Shafeeq |
|
|
|
1 |
p. 30-51 |
artikel |
62 |
The Many Passages of Sound
|
George, Joppan |
|
2011 |
|
1 |
p. 83-98 |
artikel |
63 |
The Many Passages of Sound
|
George, Joppan |
|
2011 |
|
1 |
p. 83-98 |
artikel |
64 |
The Production of the Past: Early Tamil Film History as a Living Archive
|
Hughes, Stephen Putnam |
|
2013 |
|
1 |
p. 71-80 |
artikel |
65 |
The Promise of Portability: CENDIT and the Infrastructure, Politics, and Practice of Video as Little Media in India 1972–1990
|
Kishore, Shweta |
|
2017 |
|
1 |
p. 124-145 |
artikel |
66 |
The Proximate Truth: Reenactment in the Pandemic-Era HIV/AIDS Documentaries
|
Ghosh, Bishnupriya |
|
2012 |
|
1 |
p. 69-86 |
artikel |
67 |
The Trace Beneath: The Photographic Residue in the Early Twentieth-century Paintings of the “Bombay School”
|
Sawant, Shukla |
|
2017 |
|
1 |
p. 1-29 |
artikel |
68 |
Thieves of Bombay: United Artists, Colonial Copyright, and Film Piracy in the 1920s
|
Govil, Nitin |
|
2014 |
|
1 |
p. 5-27 |
artikel |
69 |
Toward a New Frame for Regional Films: Manbhum Videos and the Other Side of (Indian) Cinema
|
Mukherjee, Madhuja |
|
2016 |
|
1 |
p. 58-79 |
artikel |
70 |
Travels, Songs and Displacements: Movement in Translocal Documentaries Interrogating Development
|
Mukherjee, Rahul |
|
2012 |
|
1 |
p. 53-68 |
artikel |
71 |
Visions of Post-independence India in Arne Sucksdorff’s Documentaries
|
Stjernholm, Emil |
|
2017 |
|
1 |
p. 81-102 |
artikel |
72 |
Visions of Queer Anarchism: Gender, Desire, and Futurity in Omar Ali Khan’s Zibahkhana
|
Masood, Syeda Momina |
|
|
|
1 |
p. 75-90 |
artikel |
73 |
What Remains
|
Pinney, Christopher |
|
2014 |
|
1 |
p. 63-79 |
artikel |
74 |
Wrinkles in Time: Ageing Costume in Hindi Film
|
Wilkinson, Clare M. |
|
2018 |
|
1 |
p. 46-72 |
artikel |