| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Abstraction and realism in the design of avatars for the simulated environment for theatre
|
Ruecker, Stan
|
|
2013
|
|
4 |
p. 459-472
|
artikel
|
| 2 |
A creative communication on ecological issues in Nigeria
|
Morgan, Trevor Vermont
|
|
2018
|
|
4 |
p. 451-460
|
artikel
|
| 3 |
Advertising modern art: a semiotic analysis of posters used to communicate about the Turner Prize award
|
Sifaki, Eirini
|
|
2015
|
|
4 |
p. 457-484
|
artikel
|
| 4 |
A lesson to be learned or `Take a walk on the wild side'
|
Wagner, Karin
|
|
2008
|
|
4 |
p. 477-502
|
artikel
|
| 5 |
A multimodal analysis of storyline in ‘The Chinese Professor’ political advertisement: narrative construction and positioning in economic hard times
|
McVee, Mary B
|
|
2016
|
|
4 |
p. 403-427
|
artikel
|
| 6 |
A pragmatic cognitive model for the interpretation of verbal–visual communication in television news programmes
|
Piazza, Roberta
|
|
2016
|
|
4 |
p. 461-486
|
artikel
|
| 7 |
Bobbing for power: an exploration into the modality of hair
|
McMurtrie, Robert J.
|
|
2010
|
|
4 |
p. 399-424
|
artikel
|
| 8 |
Book Review: A City of Marble: The Rhetoric of Augustan Rome
|
Andrews, Richard
|
|
2016
|
|
4 |
p. 541-542
|
artikel
|
| 9 |
Bookreview: C. Heath, J. Hindmarsh and P. Luff, Video in Qualitative Research. London: Sage, 2010. ISBN 978-1-4129-2943-1
|
Gibson, William
|
|
2010
|
|
4 |
p. 507-511
|
artikel
|
| 10 |
Book Review: Consumer Culture and the Media: Magazines in the Public Eye
|
Caple, Helen
|
|
2017
|
|
4 |
p. 495-496
|
artikel
|
| 11 |
Book review: Fiona J. Doloughan, Contemporary Narrative: Textual Production, Multimodality and Multiliteracies, Continuum: London, 2011; 168 pp.: ISBN 144112800X, �19.99
|
Winter, Jolyon
|
|
2012
|
|
4 |
p. 535-539
|
artikel
|
| 12 |
Book Review: Liedeke Plate and Anneke Smelik (eds), Performing Memory in Art and Popular Culture. New York: Routledge, 2013. 229 pp., ISBN 978-0-415-81140-8
|
Zhang, Zhen
|
|
2014
|
|
4 |
p. 511-513
|
artikel
|
| 13 |
Book review: Multimodal Analysis in Academic Settings: From Research to Teaching
|
Chen, Minghui
|
|
2018
|
|
4 |
p. 475-478
|
artikel
|
| 14 |
Book Review: Multimodal Film Analysis: How Films Mean
|
Wen, Suijun
|
|
2015
|
|
4 |
p. 525-529
|
artikel
|
| 15 |
Book review: NEZAR ALSAYYAD, Cinematic Urbanism — A History of the Modern from Reel to Real. New York: Routledge, 2006. 240 pp. ISBN 978—0415700498
|
Bowman, Chris
|
|
2008
|
|
4 |
p. 509-510
|
artikel
|
| 16 |
Book Review: P Albers and J Sanders (eds), Literacies, the Arts and Multimodality, National Council of Teachers of English, Urbana, IL, 2010; 341 pp.: ISBN 978 0 8141 3214 2
|
Newfield, Denise
|
|
2013
|
|
4 |
p. 503-506
|
artikel
|
| 17 |
Book Review: Science from Sight to Insight: How Scientists Illustrate Meaning
|
Simpson, Zach
|
|
2017
|
|
4 |
p. 496-498
|
artikel
|
| 18 |
Chilean School Façades: Aesthetic Matrixes, Educational Insights
|
Hernán Errázuriz, Luis
|
|
2016
|
|
4 |
p. 429-438
|
artikel
|
| 19 |
Communicating emotion with animated text
|
Malik, Sabrina
|
|
2009
|
|
4 |
p. 469-479
|
artikel
|
| 20 |
Counting on Carrington Road: Street Numbers as Metonyms of the Urban
|
Crosby, Alexandra
|
|
2018
|
|
4 |
p. 433-450
|
artikel
|
| 21 |
Cross-media communication in advertising: exploring multimodal connections between television commercials and websites
|
Jessen, Iben Bredahl
|
|
2013
|
|
4 |
p. 437-458
|
artikel
|
| 22 |
Design and the aesthetics of research
|
Roxburgh, Mark
|
|
2010
|
|
4 |
p. 425-439
|
artikel
|
| 23 |
Drawing Drawn (A Taxonomy)
|
Farthing, Stephen
|
|
2013
|
|
4 |
p. 423-436
|
artikel
|
| 24 |
Dynamic intersemiosis as a humour-enacting trigger in a tourist video
|
Francesconi, Sabrina
|
|
2017
|
|
4 |
p. 395-425
|
artikel
|
| 25 |
Everything in place: peace and harmony in an overcrowded home
|
Errázuriz, Tomás
|
|
2019
|
|
4 |
p. 507-518
|
artikel
|
| 26 |
Exhibition Review: Design and the Elastic Mind, The Museum of Modern Art, New York, 24 February to 12 May 2008
|
Bittiner, Julian
|
|
2008
|
|
4 |
p. 503-508
|
artikel
|
| 27 |
Experiments with time: the technical image in video art, new media and the digital humanities
|
Barker, Tim
|
|
2017
|
|
4 |
p. 375-394
|
artikel
|
| 28 |
Exploring dialogic engagement with readers in multimodal EFL textbooks in China
|
Yumin Chen,
|
|
2010
|
|
4 |
p. 485-506
|
artikel
|
| 29 |
Exploring visual dysphemisms in pieces of news related to immigrant minors in a Spanish newspaper
|
Martinez Lirola, Maria
|
|
2014
|
|
4 |
p. 405-427
|
artikel
|
| 30 |
Extending the notion of ‘text’: the visual and performing arts doctoral thesis
|
Ravelli, Louise
|
|
2013
|
|
4 |
p. 395-422
|
artikel
|
| 31 |
Facial expressions in comics: an empirical consideration of McCloud’s proposal
|
Stamenković, Dušan
|
|
2018
|
|
4 |
p. 407-432
|
artikel
|
| 32 |
Feeling space dynamically: variable interpersonal meanings in high-rise apartment complexes
|
Mcmurtrie, Robert James
|
|
2012
|
|
4 |
p. 511-534
|
artikel
|
| 33 |
Fluidity of modes in the translation of manga: the case of Kishimoto’s Naruto
|
Huang, Cheng-Wen
|
|
2014
|
|
4 |
p. 471-486
|
artikel
|
| 34 |
Forming Visual Expressions With Augmented Fashion
|
Genç, Çağlar
|
|
2017
|
|
4 |
p. 427-440
|
artikel
|
| 35 |
‘Found, shared: the magazine photowork’
|
Brittain, David
|
|
2009
|
|
4 |
p. 401-407
|
artikel
|
| 36 |
From self-control to self-improvement: evolving messages and persuasion techniques in weight loss advertising (1930–1990)
|
Mishra, Suman
|
|
2017
|
|
4 |
p. 467-494
|
artikel
|
| 37 |
Grabbing attention: the importance of modal density in advertising
|
White, Paul
|
|
2010
|
|
4 |
p. 371-397
|
artikel
|
| 38 |
Graphic trinities: languages, literature, and words-in-pictures in Shaun Tan’s The Arrival
|
Johnston, Rosemary Ross
|
|
2012
|
|
4 |
p. 421-441
|
artikel
|
| 39 |
Identities in action: a nexus analysis of identity construction and language shift
|
Lane, Pia
|
|
2009
|
|
4 |
p. 449-468
|
artikel
|
| 40 |
I write, therefore I am: texts in the city
|
Carrington, Victoria
|
|
2009
|
|
4 |
p. 409-425
|
artikel
|
| 41 |
Jihadist visual communication strategy: ISIL’s hostage executions video production
|
Herfroy-Mischler, Alexandra
|
|
2019
|
|
4 |
p. 519-548
|
artikel
|
| 42 |
Looking at picturebook covers multimodally: the case of two-Mum and two-Dad picturebooks
|
Sunderland, Jane
|
|
2013
|
|
4 |
p. 473-496
|
artikel
|
| 43 |
Looking healthy: visualizing mental health and illness online
|
Thompson, Riki
|
|
2012
|
|
4 |
p. 395-420
|
artikel
|
| 44 |
Metonymy and visual representation: towards a social semiotic framework of visual metonymy
|
Feng, William Dezheng
|
|
2017
|
|
4 |
p. 441-466
|
artikel
|
| 45 |
News place-making: applying ‘mental mapping’ to explore the journalistic interpretive community
|
Gutsche, Robert E
|
|
2014
|
|
4 |
p. 487-510
|
artikel
|
| 46 |
`Not just a colour': pink as a gender and sexuality marker in visual communication
|
Koller, Veronika
|
|
2008
|
|
4 |
p. 395-423
|
artikel
|
| 47 |
Photorealistic computer-generated images are difficult to distinguish from digital photographs: a case study with professional photographers and photo-editors
|
Lehmuskallio, Asko
|
|
2019
|
|
4 |
p. 427-451
|
artikel
|
| 48 |
Picture and social concept: a fractal-concept analysis of advertising art
|
Wilson, Kenneth L.
|
|
2009
|
|
4 |
p. 427-448
|
artikel
|
| 49 |
Placing subway signs: practical properties of signs at work
|
Denis, Jérôme
|
|
2010
|
|
4 |
p. 441-462
|
artikel
|
| 50 |
‘Plus de figures!’ On Saussure’s use of images
|
Christensen, Hans Dam
|
|
2016
|
|
4 |
p. 487-507
|
artikel
|
| 51 |
Pretty as a website: examining aesthetics on nonsurgical cosmetic procedure websites
|
Grumbein, Adriane
|
|
2015
|
|
4 |
p. 485-523
|
artikel
|
| 52 |
Reflections on China’s First Collection of Terracotta Acrobats (an exhibition review)
|
Chen, Yumin
|
|
2013
|
|
4 |
p. 497-502
|
artikel
|
| 53 |
Ruin in the films of Jia Zhangke
|
Schultz, Corey Kai Nelson
|
|
2016
|
|
4 |
p. 439-460
|
artikel
|
| 54 |
Smith in Palestine (to be read aloud, in its entirety)
|
Antick, Paul
|
|
2012
|
|
4 |
p. 443-460
|
artikel
|
| 55 |
Synthetic personalization of Barack Obama at the 2008 US Democratic National Convention: a social semiotic multimodal analysis of a staged political context
|
Wong, Wayne WB
|
|
2016
|
|
4 |
p. 509-534
|
artikel
|
| 56 |
Systemic functional-multimodal discourse analysis (SF-MDA): constructing ideational meaning using language and visual imagery
|
O'Halloran, Kay L .
|
|
2008
|
|
4 |
p. 443-475
|
artikel
|
| 57 |
The C30 Project
|
Andrew, David
|
|
2008
|
|
4 |
p. 424-442
|
artikel
|
| 58 |
The CV as a multimodal text
|
Lipovsky, Caroline
|
|
2014
|
|
4 |
p. 429-458
|
artikel
|
| 59 |
The (in)disputable ‘power’ of images of outrage: public acknowledgement, emotional reaction, and image recognition
|
Dahmen, Nicole Smith
|
|
2019
|
|
4 |
p. 453-474
|
artikel
|
| 60 |
The use of cartoon illustration for the assessment of social science concepts
|
Fradkin, Chris
|
|
2019
|
|
4 |
p. 549-556
|
artikel
|
| 61 |
Tracks in the Snowy Forest, Fishing and Hunting as Traditional Ways of Life: Cultural Artefacts Made of Heilongjiang Fish Skin, Animal Skin and Birch Bark. Guangdong Provincial Museum, Guangzhou, China, 14 September to 14 November 2014
|
Zhang, Junyu
|
|
2016
|
|
4 |
p. 535-540
|
artikel
|
| 62 |
Understanding couple communication in reproductive health by using a Visually Assisted Interview Guide (VAIG)
|
Karvande, Shilpa
|
|
2010
|
|
4 |
p. 463-483
|
artikel
|
| 63 |
Understanding social network sites: lessons from MySpace
|
Goodings, Lewis
|
|
2012
|
|
4 |
p. 485-510
|
artikel
|
| 64 |
(Un)Identified: détourned photographs from modern Siam
|
Power, Nigel
|
|
2015
|
|
4 |
p. 423-436
|
artikel
|
| 65 |
Using Kaleidographic to visualize multimodal relations within and across texts
|
Caple, Helen
|
|
2018
|
|
4 |
p. 461-474
|
artikel
|
| 66 |
Visual communication: mobilizing perspectives
|
Ravelli, Louise
|
|
2018
|
|
4 |
p. 397-405
|
artikel
|
| 67 |
Visual meaning-making in an underprivileged neighbourhood landscape: milieus and atmospheres
|
Kasemets, Kadri
|
|
2014
|
|
4 |
p. 459-470
|
artikel
|
| 68 |
Visual narrative of a post-communist estate: transgression of memory and the ruins of community
|
Rabikowska, Marta
|
|
2015
|
|
4 |
p. 437-455
|
artikel
|
| 69 |
Visual representation of patriotism: a case study of Chinese national education television advertisements in Hong Kong
|
Kwok, Brian Sze-Hang
|
|
2015
|
|
4 |
p. 397-422
|
artikel
|
| 70 |
Wandering (at Ease): Lampo Leong’s Chanted Poetry
|
Mo, Zhiyong
|
|
2018
|
|
4 |
p. 479-486
|
artikel
|
| 71 |
‘Welcome to the civilization of fear’: on political graffiti heterotopias in Greece in times of crisis
|
Zaimakis, Yiannis
|
|
2015
|
|
4 |
p. 373-396
|
artikel
|
| 72 |
‘We/YouTube’: exploring sign-making in video-interaction
|
Adami, Elisabetta
|
|
2009
|
|
4 |
p. 379-399
|
artikel
|
| 73 |
What does knowledge look like? Interpreting diagrams as contemporary hieroglyphics
|
Bowen, Tracey
|
|
2019
|
|
4 |
p. 475-505
|
artikel
|
| 74 |
Where have all the children gone? A visual semiotic account of advertisements for fashion dolls
|
Almeida, Danielle
|
|
2009
|
|
4 |
p. 481-501
|
artikel
|
| 75 |
Young students’ uses of visual composing resources in literacy classroom contexts: a cross-case analysis
|
Ranker, Jason
|
|
2012
|
|
4 |
p. 461-483
|
artikel
|
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