nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
Aesthetics of protest: an examination of the photojournalistic approach to protest imagery
|
Rovisco, Maria |
|
2017 |
|
3 |
p. 279-298 |
artikel |
2 |
Along the Spectrum of Dissent: Review of the Construction of Authorship and Audience in Two Types of Demonstration
|
Laufenberg, George |
|
2003 |
|
3 |
p. 331-339 |
artikel |
3 |
An aesthetics of the human: Peru’s Ojo que Llora memorial
|
Chouliaraki, Lilie |
|
2019 |
|
3 |
p. 353-377 |
artikel |
4 |
An Early ‘Denial of Ekphrasis’: Controversy over the Breakout of the Visual in the Jazz Age Tabloids and the New York Times
|
Bicket, Douglas |
|
2004 |
|
3 |
p. 360-379 |
artikel |
5 |
Animated GIFs as vernacular graphic design: producing Tumblr blogs
|
Adami, Elisabetta |
|
2016 |
|
3 |
p. 329-349 |
artikel |
6 |
An unbearable lightness?
|
Rigley, Steve |
|
2007 |
|
3 |
p. 281-304 |
artikel |
7 |
Archive video footage in news: creating a likeness and index of the phenomenal world
|
Machin, David |
|
2006 |
|
3 |
p. 345-366 |
artikel |
8 |
426–430 Ashley road
|
Wildfeuer, Janina |
|
2018 |
|
3 |
p. 381-394 |
artikel |
9 |
A strange familiarity? Place perceptions among the globally mobile
|
Pristed Nielsen, Helene |
|
2014 |
|
3 |
p. 373-388 |
artikel |
10 |
A system for image–text relations in new (and old) media
|
Martinec, Radan |
|
2005 |
|
3 |
p. 337-371 |
artikel |
11 |
Beyond authenticity: a visual-material analysis of locality in the global redesign of Starbucks stores
|
Aiello, Giorgia |
|
2014 |
|
3 |
p. 303-321 |
artikel |
12 |
Beyond the screen: visualizing visits to a website as an experience in physical space
|
Hohl, Michael |
|
2009 |
|
3 |
p. 273-284 |
artikel |
13 |
Book Review
|
Crampton, Jeremy W. |
|
2003 |
|
3 |
p. 379-382 |
artikel |
14 |
Book Review
|
Trivedi, Lisa N. |
|
2004 |
|
3 |
p. 380-382 |
artikel |
15 |
Book review: Charles J. Forceville and Eduardo Urios-Aparisi (eds), Multimodal Metaphor (Applications of Cognitive Linguistics 11). Berlin: Mouton de Gruyter, 2009. 470 pp., 98 illus. ISBN 978–3–11–020515–2 (hbk)
|
Stöeckl, Hartmut |
|
2012 |
|
3 |
p. 383-388 |
artikel |
16 |
Bookreview: CIGALLE HANAOR, Breaking the Mould: New Approaches to Ceramics. London: Black Dog Publishing, 2007. 208 pp. ISBN 978—1—904772—76—7
|
Clayton, Jacqueline |
|
2008 |
|
3 |
p. 383-386 |
artikel |
17 |
Book Review: Design Research in Architecture: An Overview by Murray Fraser (ed.)
|
Adami, Elisabetta |
|
2016 |
|
3 |
p. 397-400 |
artikel |
18 |
Book Review: Die Sprache im Bild – Das Bild in der Sprache – Zur Verknüpfung von Sprache und Bild im massenmedialen Text
|
van Leeuwena, Theo |
|
2005 |
|
3 |
p. 375-378 |
artikel |
19 |
Book Review: Discourses in Place: Language in the Material World: Reading and Writing in One Community
|
Hamilton, Mary |
|
2005 |
|
3 |
p. 378-382 |
artikel |
20 |
Book Review: English in Urban Classrooms - A Multimodal Perspective on Teaching and Learning
|
van Leeuwen, Theo |
|
2006 |
|
3 |
p. 375-378 |
artikel |
21 |
Book Review: One Place after Another: Site-Specific Art and Locational Identity
|
Townsend, Scott |
|
2005 |
|
3 |
p. 372-375 |
artikel |
22 |
Bookreview: PATRICIA VAN ULZEN, Imagine a Metropolis: Rotterdam's Creative Class 1970-2000, trans. John Kirkpatrick. Rotterdam: 010 Publishers, 2007. 240 pp., richly illustrated. ISBN 978-90-6450-621-5 (pbk)
|
Kaji-O'Grady, Sandra |
|
2007 |
|
3 |
p. 363-366 |
artikel |
23 |
Book Review: Politik im Bild - Wie politische Bilder entstehen und wie digitale Bildarchive arbeiten (Politics in the Picture - How Political Images Are Made and How Digital Image Archives Work)
|
Sachs-Hombach, Klaus |
|
2006 |
|
3 |
p. 373-375 |
artikel |
24 |
Bookreview: ROXANNE VARZI, Warring Souls: Youth, Media, and Martyrdom in Post-Revolutionary Iran. Durham, NC: Duke University Press, 2006. 290 pp. ISBN 978-0-8223-3709-6 (hbk) $74.95; ISBN 978-0-8223-3721-8 $21.95
|
Wells, Karen |
|
2007 |
|
3 |
p. 359-362 |
artikel |
25 |
Bookreview: SORAYA DE CHADAREVIAN and NICK HOPWOOD (eds) Models: The Third Dimension of Science. Stanford, CA: Stanford University Press, 2004. ISBN 0804739722
|
Wintergrün, Dirk |
|
2010 |
|
3 |
p. 363-366 |
artikel |
26 |
Book Review: Text and Image: A Critical Introduction to the Visual/Verbal Divide by John A Bateman
|
Adami, Elisabetta |
|
2016 |
|
3 |
p. 393-397 |
artikel |
27 |
Book Review: The Form of News: A History
|
Cotter, Colleen |
|
2002 |
|
3 |
p. 375-378 |
artikel |
28 |
Bookreview: TIMOTHY DONALDSON Shapes for Sounds (Cowhouse): Why Alphabets Look Like They Do, What Has Happened to Them Since Printing Was Invented, Why They Won't Ever Change, and How It Might Have Been. New York: Mark Batty Publisher, 2008. 176 pp. ISBN 978-0-9799666-2-0
|
Jones, Phil |
|
2009 |
|
3 |
p. 367-370 |
artikel |
29 |
Book Review: Typography and Language in Everyday Life: Prescriptions and Practices
|
van Leeuwen, Theo |
|
2002 |
|
3 |
p. 378-381 |
artikel |
30 |
Bookreview: `Welcome to Texas — God Bless': A Review of a Biblical Journey
|
Serisier, Gillian |
|
2008 |
|
3 |
p. 386-390 |
artikel |
31 |
Brave New City: the image in the urban data-space
|
Adami, Elisabetta |
|
2016 |
|
3 |
p. 371-391 |
artikel |
32 |
Building the World’s Visual Language: The Increasing Global Importance of Image Banks in Corporate Media
|
Machin, David |
|
2004 |
|
3 |
p. 316-336 |
artikel |
33 |
Chaos or homogenization? The role of shop signs in transforming urban fabric in Beyoğlu, Istanbul
|
Ertep, Hakan |
|
2009 |
|
3 |
p. 263-272 |
artikel |
34 |
Children as Photographers: An Analysis of Children's Photographic Behaviour and Intentions at Three Age Levels
|
Sharples, Mike |
|
2003 |
|
3 |
p. 303-330 |
artikel |
35 |
Clipart images as commonsense categories
|
Dillon, George L. |
|
2006 |
|
3 |
p. 287-306 |
artikel |
36 |
Clothing the homunculus
|
Barrass, Stephen |
|
2008 |
|
3 |
p. 317-329 |
artikel |
37 |
Colour as a semiotic mode: notes for a grammar of colour
|
Kress, Gunther |
|
2002 |
|
3 |
p. 343-368 |
artikel |
38 |
Communicating visual identities on ethnic museum websites
|
Johnson, Melissa A |
|
2014 |
|
3 |
p. 357-372 |
artikel |
39 |
Comprehension of multimedia health information among older adults with chronic illness
|
Morrow, Dan |
|
2012 |
|
3 |
p. 347-362 |
artikel |
40 |
Counter-imaging: myth-making and Americanization in Israeli Labor Party campaign ads, 2003
|
Perlmutter, David D. |
|
2005 |
|
3 |
p. 304-332 |
artikel |
41 |
Data visualization as creative art practice
|
Wildfeuer, Janina |
|
2018 |
|
3 |
p. 299-312 |
artikel |
42 |
Designing Atmospheres: introduction to Special Issue
|
Edensor, Tim |
|
2015 |
|
3 |
p. 251-265 |
artikel |
43 |
Designing for the unexpected: the role of creative group work for emerging interaction design paradigms
|
Pirhonen, Antti |
|
2008 |
|
3 |
p. 331-344 |
artikel |
44 |
Editorial
|
Triggs, Teal |
|
2009 |
|
3 |
p. 243-247 |
artikel |
45 |
Exhibition review
|
Gwilt, Alison |
|
2006 |
|
3 |
p. 367-372 |
artikel |
46 |
Exhibition review
|
Serisier, Gillian |
|
2009 |
|
3 |
p. 361-365 |
artikel |
47 |
`Faces of the Fallen' and the dematerialization of US war memorials
|
Grider, Nicholas |
|
2007 |
|
3 |
p. 265-279 |
artikel |
48 |
Family Snaps: Life-Worlds and Information Habitus
|
Böck, Margit |
|
2004 |
|
3 |
p. 281-293 |
artikel |
49 |
FishNet: the Great Lakes Craft and Release Project
|
Ironside, Claire |
|
2009 |
|
3 |
p. 349-360 |
artikel |
50 |
Framing change: Hunza (Pakistan) in treble vision – 1930s and 1990s
|
Flowerday, Julie |
|
2005 |
|
3 |
p. 296-303 |
artikel |
51 |
From extension to engagement: mapping the imaginary of wearable technology
|
Cranny-Francis, Anne |
|
2008 |
|
3 |
p. 363-382 |
artikel |
52 |
Frozen memories: unthawing Scott of the Antarctic in cultural memory
|
Barwell, Claire |
|
2007 |
|
3 |
p. 345-357 |
artikel |
53 |
How right-wing versus cosmopolitan political actors mobilize and translate images of immigrants in transnational contexts
|
Rovisco, Maria |
|
2017 |
|
3 |
p. 315-336 |
artikel |
54 |
How the Medium is the Message in the Unconscious of `America Online'
|
Hodge, Bob |
|
2003 |
|
3 |
p. 341-353 |
artikel |
55 |
How to Build a House from Reading a Drawing: Professional and Popular Mediations of Construction
|
Karlsson, Anna-Malin |
|
2004 |
|
3 |
p. 251-279 |
artikel |
56 |
Human rights collectives as visual experts: the case of Syrian Archive
|
Chouliaraki, Lilie |
|
2019 |
|
3 |
p. 333-351 |
artikel |
57 |
Image and Science: Between Rhetoric and Ideology
|
Calcagno-Tristant, Frédérique |
|
2003 |
|
3 |
p. 355-362 |
artikel |
58 |
Imagining the dictatorship, Argentina 1981 to 1982
|
Magnussen, Anne |
|
2006 |
|
3 |
p. 323-344 |
artikel |
59 |
Index to Volume 4
|
|
|
2005 |
|
3 |
p. 383-384 |
artikel |
60 |
Index to Volume 3
|
|
|
2004 |
|
3 |
p. 383-384 |
artikel |
61 |
Index to volume 5, 2006
|
|
|
2006 |
|
3 |
p. 379-380 |
artikel |
62 |
Index to volume 1
|
|
|
2002 |
|
3 |
p. 383-384 |
artikel |
63 |
Information design and the world that comes before us
|
McLaughlin, Sally |
|
2009 |
|
3 |
p. 303-316 |
artikel |
64 |
In Photos: Palestinian ‘Outposts’ Expose Israel’s Land Grab Tactic
|
Rovisco, Maria |
|
2017 |
|
3 |
p. 361-372 |
artikel |
65 |
Interactive software for multimodal analysis
|
O’Halloran, Kay L. |
|
2012 |
|
3 |
p. 363-381 |
artikel |
66 |
ION Orchard: atmosphere and consumption in Singapore
|
Edensor, Tim |
|
2015 |
|
3 |
p. 289-308 |
artikel |
67 |
‘Lest we forget’: photography and the presentation of history at the Apartheid Museum, Gold Reef City, and the Hector Pieterson Museum, Soweto
|
Newbury, Darren |
|
2005 |
|
3 |
p. 259-295 |
artikel |
68 |
Let's Put our (Post)Cards on the Table
|
Kohn, Ayelet |
|
2003 |
|
3 |
p. 265-284 |
artikel |
69 |
Letters and cities: reading the urban environment with the help of perception theories
|
Silva Gouveia, Anna Paula |
|
2009 |
|
3 |
p. 339-348 |
artikel |
70 |
Light design and atmosphere
|
Edensor, Tim |
|
2015 |
|
3 |
p. 331-350 |
artikel |
71 |
Mapping monuments: the shaping of public space and cultural identities
|
Johnson, Nuala C. |
|
2002 |
|
3 |
p. 293-298 |
artikel |
72 |
Mechanical reproduction in the age of the artwork? Faience and 5000 moulds from 14th-century BC Egypt
|
Quirke, Stephen |
|
2010 |
|
3 |
p. 341-361 |
artikel |
73 |
Media witnessing and the ‘crowd-sourced video revolution’
|
Andén-Papadopoulos, Kari |
|
2013 |
|
3 |
p. 341-357 |
artikel |
74 |
Mnemonic Surfaces - Stone to Light
|
Quayle, Cian |
|
2003 |
|
3 |
p. 363-373 |
artikel |
75 |
Modality in the digital age
|
Wildfeuer, Janina |
|
2018 |
|
3 |
p. 277-297 |
artikel |
76 |
Montage as Tool of Political Visual Realignment
|
Tuggar, Fatimah |
|
2013 |
|
3 |
p. 375-392 |
artikel |
77 |
My Brother Michael
|
Davis, Jack |
|
2007 |
|
3 |
p. 243-264 |
artikel |
78 |
National pride, global capital: a social semiotic analysis of transnational visual branding in the airline industry
|
Thurlow, Crispin |
|
2007 |
|
3 |
p. 305-344 |
artikel |
79 |
New methods for studying visual communication and multimodal integration
|
Holsanova, Jana |
|
2012 |
|
3 |
p. 251-257 |
artikel |
80 |
On atmosphere and darkness at Australia’s Anzac Day Dawn Service
|
Edensor, Tim |
|
2015 |
|
3 |
p. 267-288 |
artikel |
81 |
On creative engagement
|
Edmonds, Ernest |
|
2006 |
|
3 |
p. 307-322 |
artikel |
82 |
On humanitarian virality: Kony 2012, or, the rise and fall of a pictorial artifact in the digital age
|
Chouliaraki, Lilie |
|
2019 |
|
3 |
p. 399-423 |
artikel |
83 |
Peacocks and wallflowers: (in)visibility with digital jewellery
|
Kettley, Sarah |
|
2008 |
|
3 |
p. 303-315 |
artikel |
84 |
Perceiving press photography: a new integrative model, combining iconology with psychophysiological and eye-tracking methods
|
Müller, Marion G. |
|
2012 |
|
3 |
p. 307-328 |
artikel |
85 |
Perceptual Modes, Semiotic Codes, Social Mores: A Contribution towards a Social Semiotics of Drawing
|
Riley, Howard |
|
2004 |
|
3 |
p. 294-315 |
artikel |
86 |
Photojournalism as political encounter: western news photography in the 2015 migration ‘crisis’
|
Chouliaraki, Lilie |
|
2019 |
|
3 |
p. 311-331 |
artikel |
87 |
Picturing protest: visuality, visibility and the public sphere
|
Rovisco, Maria |
|
2017 |
|
3 |
p. 271-277 |
artikel |
88 |
Post-human viewing: a discussion of the ethics of mobile phone imagery
|
Blaagaard, Bolette B |
|
2013 |
|
3 |
p. 359-374 |
artikel |
89 |
Power revealed: masking police officers in the public sphere
|
Rovisco, Maria |
|
2017 |
|
3 |
p. 299-314 |
artikel |
90 |
Pretty in pink vs pretty in black: blogs as gendered avatars
|
Adami, Elisabetta |
|
2016 |
|
3 |
p. 293-315 |
artikel |
91 |
Prototypes and primitive huts
|
Hill, Jonathan |
|
2010 |
|
3 |
p. 323-340 |
artikel |
92 |
Prototypes in the Hands of a Mathematical
|
Hart, George W. |
|
2010 |
|
3 |
p. 313-321 |
artikel |
93 |
Realism of the unreal: the Japanese robot and the performance of representation
|
Sone, Yuji |
|
2008 |
|
3 |
p. 345-362 |
artikel |
94 |
Reasons for relating representations when reading digital multimodal science information
|
Wildfeuer, Janina |
|
2018 |
|
3 |
p. 313-336 |
artikel |
95 |
ReMark: anecdoted typography of mark
|
Lavers, Kirsten |
|
2009 |
|
3 |
p. 325-338 |
artikel |
96 |
Remote messaging: exploring graphic manifestations of human relationships to the terrain through site markers and cognitive mapping in Ladakh, India
|
Norwood, Angela D. |
|
2009 |
|
3 |
p. 285-302 |
artikel |
97 |
Researching in atmospheres: video and the ‘feel’ of the mundane
|
Edensor, Tim |
|
2015 |
|
3 |
p. 351-369 |
artikel |
98 |
Reviewing Rome: the guidebook as liminal space
|
Bush, Anne |
|
2002 |
|
3 |
p. 369-374 |
artikel |
99 |
‘Rising’, ‘hopeful’, ‘new’: visualizing Africa in the age of globalization
|
Nothias, Toussaint |
|
2014 |
|
3 |
p. 323-339 |
artikel |
100 |
Signography as a Subject in its Own Right
|
Stötzner, Andreas |
|
2003 |
|
3 |
p. 285-302 |
artikel |
101 |
Social media photography: construing subjectivity in Instagram images
|
Adami, Elisabetta |
|
2016 |
|
3 |
p. 271-292 |
artikel |
102 |
Sonic drapery as a folding metaphor for a wearable visualization and sonification display
|
Beilharz, Kirsty |
|
2008 |
|
3 |
p. 271-290 |
artikel |
103 |
Special Issue: Analysing digitized visual culture
|
Wildfeuer, Janina |
|
2018 |
|
3 |
p. 271-275 |
artikel |
104 |
Special issue: Difference and globalization
|
Aiello, Giorgia |
|
2014 |
|
3 |
p. 275-285 |
artikel |
105 |
Special issue: prototypes
|
Were, Graeme |
|
2010 |
|
3 |
p. 267-272 |
artikel |
106 |
Special Issue: Social media and the visual
|
Adami, Elisabetta |
|
2016 |
|
3 |
p. 263-270 |
artikel |
107 |
Special Issue: The ethics of images
|
Chouliaraki, Lillie |
|
2013 |
|
3 |
p. 253-259 |
artikel |
108 |
Special Issue: The visual politics of the human
|
Chouliaraki, Lilie |
|
2019 |
|
3 |
p. 301-309 |
artikel |
109 |
Star City
|
Nencini, Peter |
|
2009 |
|
3 |
p. 317-324 |
artikel |
110 |
Taonga tuku iho - gifts handed down: a creative response
|
Hemera, Ross |
|
2010 |
|
3 |
p. 287-300 |
artikel |
111 |
Television's Reporting of the Iraq War: Reflexivity or Ratings?
|
Niblock, Sarah |
|
2003 |
|
3 |
p. 375-377 |
artikel |
112 |
Terrorism, governmentality and the simulated city: the Boston Marathon bombing and the search for suspect two
|
Adami, Elisabetta |
|
2016 |
|
3 |
p. 351-370 |
artikel |
113 |
The aestheticization of suffering on television
|
Chouliaraki, Lilie |
|
2006 |
|
3 |
p. 261-285 |
artikel |
114 |
The Chromatographic Crawl: Across the Boundary of Word
|
Dorley-Brown, Chris |
|
2003 |
|
3 |
p. 251-263 |
artikel |
115 |
The Drik Picture Library: images for change
|
Hoek, Lotte |
|
2005 |
|
3 |
p. 333-336 |
artikel |
116 |
The humanity of war: iconic photojournalism of the battlefield, 1914–2012
|
Chouliaraki, Lilie |
|
2013 |
|
3 |
p. 315-340 |
artikel |
117 |
The indignados social movement and the image of the occupied square: the making of a global icon
|
Rovisco, Maria |
|
2017 |
|
3 |
p. 337-359 |
artikel |
118 |
The local and the global in the visual design of a Chinese women’s lifestyle magazine: a multimodal critical discourse approach
|
Chen, Ariel |
|
2014 |
|
3 |
p. 287-301 |
artikel |
119 |
The melodrama of being a child: NGO representations of poverty
|
Wells, Karen |
|
2013 |
|
3 |
p. 277-293 |
artikel |
120 |
The monument to the children of Villatina: commemorating innocent child victims in the context of lethally stigmatized youth in Colombia
|
Chouliaraki, Lilie |
|
2019 |
|
3 |
p. 379-398 |
artikel |
121 |
The prototype in 20th-century art
|
Küchler, Susanne |
|
2010 |
|
3 |
p. 301-312 |
artikel |
122 |
The prototype: presencing the immaterial
|
Buchli, Victor |
|
2010 |
|
3 |
p. 273-286 |
artikel |
123 |
The provocation of the humanitarian social imaginary
|
Wilkinson, Iain |
|
2013 |
|
3 |
p. 261-276 |
artikel |
124 |
The Ryôan-Ji Zen Garden: Textual Meanings in Topographical Form
|
McGovern, Sean |
|
2004 |
|
3 |
p. 344-359 |
artikel |
125 |
The sliding of the signified: multimodal sign operations in a youth-created experimental digital video
|
Wildfeuer, Janina |
|
2018 |
|
3 |
p. 337-362 |
artikel |
126 |
The use of eye-tracking and retrospective interviews to study teenagers’ exposure to online advertising
|
Gidlöf, Kerstin |
|
2012 |
|
3 |
p. 329-345 |
artikel |
127 |
The Warlpiri alphabet and other colonial fantasies
|
Biddle, Jennifer L. |
|
2002 |
|
3 |
p. 267-291 |
artikel |
128 |
To Frighten Heaven and Earth and Make the Spirits Cry
|
Bing, Xu |
|
2004 |
|
3 |
p. 337-343 |
artikel |
129 |
Towards a critical visual pedagogy: a response to the ‘end of poverty’ narrative
|
Shankar, Arjun |
|
2014 |
|
3 |
p. 341-356 |
artikel |
130 |
Tracking visual segmentation: connecting semiotic and cognitive perspectives
|
Boeriis, Morten |
|
2012 |
|
3 |
p. 259-281 |
artikel |
131 |
Travels in hypermodality
|
Lemke, Jay L. |
|
2002 |
|
3 |
p. 299-325 |
artikel |
132 |
Undiscovered delights
|
Mccoy, Katherine |
|
2002 |
|
3 |
p. 326-335 |
artikel |
133 |
Unlocking carceral atmospheres: designing visual/material encounters at the prison museum
|
Edensor, Tim |
|
2015 |
|
3 |
p. 309-330 |
artikel |
134 |
Visualizers of solidarity: organizational politics in humanitarian and international development NGOs
|
Orgad, Shani |
|
2013 |
|
3 |
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Visualizing science: the reception of powerpoint presentations
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137 |
Visualizing social media’s impact on local communities
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VJ Vertov: from the compositing interface to the use of the projection space
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Wearable technology
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Women Beyond Borders (March-June 2001, Singapore)
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World cities reframed: a visual take on globalization
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