| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
A comparative multimodal analysis of restaurant reviews from two geographical contexts
|
Chik, Alice
|
|
2017
|
|
1 |
p. 3-26
|
artikel
|
| 2 |
Adding ‘something more’ to looking: the interaction of artefact, verbiage and visitor in museum exhibitions
|
Blunden, Jennifer
|
|
|
|
1 |
p. 45-71
|
artikel
|
| 3 |
A Designer by any other name...
|
|
|
2006
|
|
1 |
p. 52-63
|
artikel
|
| 4 |
Alleviating disability through Microsoft PowerPoint: the story of one quadriplegic man in Oman
|
Zidjaly, Najma Al
|
|
2007
|
|
1 |
p. 73-98
|
artikel
|
| 5 |
A multimodal approach to visual thinking: the scientific sketchnote
|
Fernández-Fontecha, Almudena
|
|
2019
|
|
1 |
p. 5-29
|
artikel
|
| 6 |
Animating social work research findings: a case study of research dissemination to benefit marginalized young people
|
Rose, Cameron
|
|
2018
|
|
1 |
p. 25-46
|
artikel
|
| 7 |
An inventory of traces: children’s photographs of their toys in three London homes
|
Pahl, Kate
|
|
2006
|
|
1 |
p. 95-114
|
artikel
|
| 8 |
A social semiotic analysis of instructional images across academic disciplines
|
Wilson, Amy Alexandra
|
|
2016
|
|
1 |
p. 3-31
|
artikel
|
| 9 |
Australia’s graphic gift
|
Dilanchian, Kate
|
|
2015
|
|
1 |
p. 97-120
|
artikel
|
| 10 |
A visual analysis of anthropomorphism in the Kabbalah: dissecting the Hebrew alphabet and Sephirotic diagram
|
Atzmon, Leslie
|
|
2003
|
|
1 |
p. 97-114
|
artikel
|
| 11 |
Beyond the static: a actitioner's notes on culture and language
|
Townsend, Scott
|
|
2009
|
|
1 |
p. 23-34
|
artikel
|
| 12 |
Black Screens: A Visual Essay on Mobile Screens in the City
|
Gómez Cruz, Edgar
|
|
|
|
1 |
p. 143-156
|
artikel
|
| 13 |
Book Review
|
Djonov, Emilia
|
|
2010
|
|
1 |
p. 117-125
|
artikel
|
| 14 |
Book Review: Approaches to Understanding Visual Culture
|
Baldry, Anthony
|
|
2002
|
|
1 |
p. 126-129
|
artikel
|
| 15 |
Book Review: Art is not terrorism! Steve Kurtz, Robert Ferrell, bioterrorism and mail fraud
|
Gere, Charlie
|
|
2005
|
|
1 |
p. 65-68
|
artikel
|
| 16 |
Book Review: Buyways: Billboards, Automobiles, and the American Landscape
|
Jakle, John A.
|
|
2005
|
|
1 |
p. 124-126
|
artikel
|
| 17 |
Bookreview: DAVID MACHIN, Introduction to Multimodal Analysis. London: Hodder Education, 2007. 206 pp. ISBN 0—340—92938—4
|
Björkvall, Anders
|
|
2008
|
|
1 |
p. 123-127
|
artikel
|
| 18 |
Book Review: Defaced: The Visual Culture of Violence in the Middle Ages
|
Prytz, Klas
|
|
2006
|
|
1 |
p. 118-121
|
artikel
|
| 19 |
Book Review: Handbook of Visual Analysis
|
Meurer, José Luiz
|
|
2003
|
|
1 |
p. 117-120
|
artikel
|
| 20 |
Book Review: Heritage Interpretation; Museum Texts: Communication Frameworks (Museum Meanings)
|
Meecham, Pam
|
|
2007
|
|
1 |
p. 115-121
|
artikel
|
| 21 |
Book Review: Interpreting Visual Culture: Explorations in the Hermeneutics of the Visual
|
Scollon, Suzanne
|
|
2002
|
|
1 |
p. 123-126
|
artikel
|
| 22 |
Book review: Intertextuality and the 24-Hour News Cycle: A Day in the Rhetorical life of Colin Powell’s U.N. Address
|
Van Hout, Tom
|
|
2018
|
|
1 |
p. 135-137
|
artikel
|
| 23 |
Book Review: Kay L O’Halloran and Bradley A Smith (eds), Multimodal Studies: Exploring Issues and Domains, Routledge: London, 2011; 270 pp.: ISBN 978 0 415 88822 6
|
Zhao, Wenchao
|
|
2014
|
|
1 |
p. 117-121
|
artikel
|
| 24 |
Book review: Laurence Sterne, The life and Opinions of Tristram Shandy, Gentleman
|
Yandell, John
|
|
2012
|
|
1 |
p. 121-125
|
artikel
|
| 25 |
Bookreview: LILIE CHOULIARAKI, The Spectatorship of Suffering. London: Sage, 2006. ISBN 0—7619—7040—1
|
van Leeuwen, Theo
|
|
2009
|
|
1 |
p. 123-125
|
artikel
|
| 26 |
Book Review: L’image et son interprétation
|
van Leeuwen, Theo
|
|
2003
|
|
1 |
p. 115-117
|
artikel
|
| 27 |
Book Review: Lindsey Marshall and Lester Meachem, How to Use Type, Laurence King: London, 2012; 208 pp.: ISBN 978 1856698979
|
Arya, Rina
|
|
2014
|
|
1 |
p. 115-117
|
artikel
|
| 28 |
Book Review: Multimodal Discourse Analysis: Systemic Functional Perspectives
|
Sidiropoulou, Charalampia
|
|
2006
|
|
1 |
p. 121-126
|
artikel
|
| 29 |
Book Review: Multimodal Epistemologies: Towards an Integrated Framework
|
Brookes, Gavin
|
|
2017
|
|
1 |
p. 139-143
|
artikel
|
| 30 |
Book Review: Multimodality, Cognition, and Experimental Literature, by Alison Gibbons
|
Zhao, Qingli
|
|
2016
|
|
1 |
p. 125-128
|
artikel
|
| 31 |
Book Review: Multimodality: Foundations, Research and Analysis – A Problem-Oriented Introduction
|
Forceville, Charles
|
|
|
|
1 |
p. 157-160
|
artikel
|
| 32 |
Book Review: Photojournalism: A Social Semiotic Approach, by Helen Caple
|
Ang, Pei Soo
|
|
2016
|
|
1 |
p. 128-131
|
artikel
|
| 33 |
Book review: Review of Economies of Design By Guy Julier
|
Meachem, Carol
|
|
2019
|
|
1 |
p. 159-161
|
artikel
|
| 34 |
Book Review: Rules of Play: Game Design Fundamentals
|
Pelletier, Caroline
|
|
2005
|
|
1 |
p. 121-124
|
artikel
|
| 35 |
Book reviews
|
|
|
2004
|
|
1 |
p. 109-117
|
artikel
|
| 36 |
Bookreview: SONJA NEEF, Abdruck und Spur. Handschrift im Zeitalter ihrer technischen Reproduzierbarkeit (Imprint and Trace. Handwriting in the Age of its Technical Reproducibility). Berlin: Kulturverlag Kadmos, 2008 (= Kaleidogramme 25). 360 pp. ISBN 3—86599—037—1
|
Spitzmüller, Jürgen
|
|
2009
|
|
1 |
p. 125-128
|
artikel
|
| 37 |
Bookreview: SUNIL MANGHANI, ARTHUR PIPER and JON SIMONS, Images: A Reader. London: Sage, 2006. 352 pp. ISBN 978—1412900447 (hbk); 978—1412900454 (pbk)
|
Sadokierski, Zoë
|
|
2008
|
|
1 |
p. 119-123
|
artikel
|
| 38 |
Book Review: The Book of Probes
|
Horrocks, Chris
|
|
2006
|
|
1 |
p. 115-118
|
artikel
|
| 39 |
Book Review: The Ironic Spectator: Solidarity in the Age of Post-Humanitarianism
|
Vestergaard, Anne
|
|
2015
|
|
1 |
p. 125-129
|
artikel
|
| 40 |
Book Review: Visual Culture: The Reader, The Visual Culture Reader
|
de Souza, Lynn Mario T. Menezes
|
|
2002
|
|
1 |
p. 129-136
|
artikel
|
| 41 |
Calibrating the ‘right values’: the role of critical inquiry tasks in social studies textbooks
|
Myskow, Gordon
|
|
2019
|
|
1 |
p. 31-54
|
artikel
|
| 42 |
Call for Papers
|
|
|
2013
|
|
1 |
p. 143-143
|
artikel
|
| 43 |
Centuring the city
|
Overy, Paul
|
|
2002
|
|
1 |
p. 59-63
|
artikel
|
| 44 |
Children drawing toy commercials: re-imagining television production features
|
Griffiths, Merris
|
|
2005
|
|
1 |
p. 21-37
|
artikel
|
| 45 |
Contrasting (power of) visual and textual discourses in art studies: a critical perspective
|
Da Conceição Pereira, Anabela
|
|
2016
|
|
1 |
p. 33-53
|
artikel
|
| 46 |
Corrigendum
|
|
|
2011
|
|
1 |
p. 103-110
|
artikel
|
| 47 |
Crafting participation: designing ecologies, configuring experience
|
Heath, Christian
|
|
2002
|
|
1 |
p. 9-33
|
artikel
|
| 48 |
Cruel and Tender: The Real in the Twentieth-Century Photograph (London: Tate Modern until 7 September; Museum Ludwig, Cologne from 29 November 2003–18 February 2004
|
Brittain, David
|
|
2004
|
|
1 |
p. 27-30
|
artikel
|
| 49 |
Cultural change in the creative industries: a case study of BBC graphic design from 1990–2011
|
Macdonald, Iain
|
|
2014
|
|
1 |
p. 31-49
|
artikel
|
| 50 |
Digital photography: communication, identity, memory
|
van Dijck, José
|
|
2008
|
|
1 |
p. 57-76
|
artikel
|
| 51 |
Dissecting multilingual Beijing: the space and scale of vernacular globalization
|
Lin Pan,
|
|
2010
|
|
1 |
p. 67-90
|
artikel
|
| 52 |
Do you feel somewhere in light that your body has no existence? Photographic research with transgendered people and men who have sex with men in West Bengal, India
|
Boyce, Paul
|
|
2011
|
|
1 |
p. 3-24
|
artikel
|
| 53 |
Détournement in social media visuals for a shared activist identity and imagery
|
Kiziltunali, Gizem
|
|
|
|
1 |
p. 99-120
|
artikel
|
| 54 |
Editorial
|
Jewitt, Carey
|
|
2002
|
|
1 |
p. 5-8
|
artikel
|
| 55 |
Editorial
|
Jewitt, Carey
|
|
2003
|
|
1 |
p. 5-6
|
artikel
|
| 56 |
Editorial
|
Adami, Elisabetta
|
|
2019
|
|
1 |
p. 3
|
artikel
|
| 57 |
Entering into a new age of museology: London’s Science Museum
|
Mcdermott, Catherine
|
|
2002
|
|
1 |
p. 92-96
|
artikel
|
| 58 |
Entry points and reading paths on newspaper spreads: comparing a semiotic analysis with eye-tracking measurements
|
Holsanova, Jana
|
|
2006
|
|
1 |
p. 65-93
|
artikel
|
| 59 |
Exhibition review
|
Clerke, Teena
|
|
2009
|
|
1 |
p. 117-122
|
artikel
|
| 60 |
Expect amazing! Branding Qatar as a sports tourism destination
|
Theodoropoulou, Irene
|
|
|
|
1 |
p. 13-43
|
artikel
|
| 61 |
From comics to biology diagrams: structure and inference in visual narratives of transformation
|
Almeida, Hugo
|
|
2017
|
|
1 |
p. 85-108
|
artikel
|
| 62 |
From rags to splendor: the evolution of Cinderella cover illustrations from 1800 to 2014
|
Robinson, Linda A
|
|
2016
|
|
1 |
p. 54-70
|
artikel
|
| 63 |
Gestures of defamiliarization
|
Brenner, Joni
|
|
2010
|
|
1 |
p. 51-65
|
artikel
|
| 64 |
Glocal riddim: cultural production and territorial identity in Caribbean music videos
|
Balaji, Murali
|
|
2018
|
|
1 |
p. 91-111
|
artikel
|
| 65 |
Great Ideas Box Set; Meditations; On Natural Selection; Civilization and Its Discontents; The Christians and the Fall of Rome; On the Pleasure of Hating; The Inner Life; The Prince; The Communist Manifesto; On Friendship; Why I am So Wise; Why I Write; Common Sense; The Social Contract; On Art and Life; On the Suffering of the World; On the Shortness of Life; Confessions of a Sinner; A Tale of a Tub; A Vindication of the Rights of Women; A Room of One's Own
|
Benjamin, Andrew
|
|
2007
|
|
1 |
p. 123-127
|
artikel
|
| 66 |
Hong Kong skins: signs and screens in a changing cityscape
|
Sze-hang Kwok, Brian
|
|
2018
|
|
1 |
p. 71-90
|
artikel
|
| 67 |
How children make meaning through drawing and play
|
Hopperstad, Marit Holm
|
|
2008
|
|
1 |
p. 77-96
|
artikel
|
| 68 |
Iconic situations: multimodality, witnessing and collective memory
|
Kohn, Ayelet
|
|
|
|
1 |
p. 73-97
|
artikel
|
| 69 |
Interacting with the Multimodal Text: Reflections on Image and Verbiage in Art Express
|
Macken-Horarik, Mary
|
|
2004
|
|
1 |
p. 5-26
|
artikel
|
| 70 |
Introduction
|
Powell, Summer
|
|
2004
|
|
1 |
p. 60-68
|
artikel
|
| 71 |
Is copyright blind to the visual?
|
Macmillan, Fiona
|
|
2008
|
|
1 |
p. 97-118
|
artikel
|
| 72 |
Judging a book by its cover (and its background): effects of the metaphor intelligence is brightness on ratings of book images
|
Sullivan, Karen
|
|
2015
|
|
1 |
p. 3-14
|
artikel
|
| 73 |
Layout as punctuation of semiosis: some examples from Israeli schoolbooks
|
Peled-Elhanan, Nurit
|
|
2009
|
|
1 |
p. 91-116
|
artikel
|
| 74 |
Likable, funny or ridiculous? A Q-sort study on audience perceptions of visual portrayals of politicians
|
Lobinger, Katharina
|
|
2015
|
|
1 |
p. 15-40
|
artikel
|
| 75 |
Materiality in children’s meaning-making practices
|
Ormerod, Fiona
|
|
2002
|
|
1 |
p. 65-91
|
artikel
|
| 76 |
Memory Palace exhibition Victoria & Albert Museum, London, 18 June – 20 October 2013
|
Sadokierski, Zoe
|
|
2015
|
|
1 |
p. 121-124
|
artikel
|
| 77 |
Modelling engagement in a web-based advertising campaign
|
Tan, Sabine
|
|
2010
|
|
1 |
p. 91-115
|
artikel
|
| 78 |
Modern anthropology and the problem of the racial type: the photographs of Franz Boas
|
Maxwell, Anne
|
|
2013
|
|
1 |
p. 123-142
|
artikel
|
| 79 |
Montage and aesthetics in the visual: in search of a practice-based epistemology
|
Fusari, Massimiliano
|
|
2012
|
|
1 |
p. 78-89
|
artikel
|
| 80 |
Multimodality, resemiotization: extending the analysis of discourse as multi-semiotic practice
|
Iedema, Rick
|
|
2003
|
|
1 |
p. 29-57
|
artikel
|
| 81 |
Multimodal narrative construction in Christopher Nolan’s Memento a description of analytic method
|
Tseng, Chiaoi
|
|
2012
|
|
1 |
p. 91-119
|
artikel
|
| 82 |
Narrating and explaining urban stories through inherited visual urban vocabulary
|
Juvancic, Matevz
|
|
2018
|
|
1 |
p. 47-69
|
artikel
|
| 83 |
Narratives of liberation and narratives of innocent suffering: the rhetorical uses of images of Iraqi children in the British press
|
Wells, Karen
|
|
2007
|
|
1 |
p. 55-71
|
artikel
|
| 84 |
Newspaper design as cultural change
|
de Vries, James
|
|
2008
|
|
1 |
p. 5-25
|
artikel
|
| 85 |
‘NO OUTLET’: a critical visual analysis of neoliberal narratives in mediated geographies
|
Gutsche, Robert E
|
|
2017
|
|
1 |
p. 109-137
|
artikel
|
| 86 |
Persuasive narratives: evaluative images in picture books and animated movies
|
Unsworth, Len
|
|
2015
|
|
1 |
p. 73-96
|
artikel
|
| 87 |
Photo-fake conditions of digital landscape representation
|
Lee, Myeong-Jun
|
|
2018
|
|
1 |
p. 3-23
|
artikel
|
| 88 |
Photographic and cinematic appropriation of atrocity images from Cambodia: auto-genocide in Western museum culture and The Missing Picture
|
Wagner, Keith B
|
|
2019
|
|
1 |
p. 83-106
|
artikel
|
| 89 |
Picturing irony: The subversive power of photography1
|
Scott, Biljana
|
|
2004
|
|
1 |
p. 31-59
|
artikel
|
| 90 |
Picturizing narrative innovation: a bird’s eye view of hypervisualized intertextuality in Stephen Kelman’s Pigeon English
|
Pandey, Anjali
|
|
2014
|
|
1 |
p. 51-74
|
artikel
|
| 91 |
Powell’s point: ‘denial and deception’ at the UN
|
Finn, Jonathan
|
|
2010
|
|
1 |
p. 25-49
|
artikel
|
| 92 |
Prime-time Satanism: rumor-panic and the work of iconic topoi
|
Gunn, Joshua
|
|
2005
|
|
1 |
p. 93-120
|
artikel
|
| 93 |
‘Racist’ graffiti: text, context and social comment
|
Lynn, Nick
|
|
2005
|
|
1 |
p. 39-63
|
artikel
|
| 94 |
Reading in a secondary English classroom: agency, interest and multimodal design
|
Yandell, John
|
|
2011
|
|
1 |
p. 87-101
|
artikel
|
| 95 |
Reading war photographs: the 1971 India–Pakistan war in the Anglo-American press
|
Mokhtar, Shehram
|
|
|
|
1 |
p. 121-141
|
artikel
|
| 96 |
Representing Chairman Mao: a social-semiotic analysis of two statues on a Red Tour
|
Bowcher, Wendy L
|
|
2014
|
|
1 |
p. 3-30
|
artikel
|
| 97 |
Rethinking sitting
|
Opsvik, Peter
|
|
2002
|
|
1 |
p. 35-39
|
artikel
|
| 98 |
Rhetoric after the Fall: sin and punishment in Christian visual culture
|
Mason, Julia
|
|
2014
|
|
1 |
p. 95-114
|
artikel
|
| 99 |
Sahara: branding a refugee camp
|
Berbić, Amir
|
|
2017
|
|
1 |
p. 75-84
|
artikel
|
| 100 |
Sculpture as deconstruction: the aesthetic practice of Ron Mueck
|
Cranny-Francis, Anne
|
|
2013
|
|
1 |
p. 3-25
|
artikel
|
| 101 |
Seeing the natural world: a tension between pupils' diverse conceptions as revealed by their visual representations and monolithic science lessons
|
Reiss, Michael
|
|
2007
|
|
1 |
p. 99-114
|
artikel
|
| 102 |
Semiotics of visual iconicity in Leninist `monumental' propaganda
|
Kruk, Sergei
|
|
2008
|
|
1 |
p. 27-56
|
artikel
|
| 103 |
Signs of social change on the bodies of youth: tattoos in Korea
|
Park, Judy
|
|
2016
|
|
1 |
p. 71-92
|
artikel
|
| 104 |
Social Disruptions: WYSi-WE, What You See is What Emerged
|
Barness, Jessica
|
|
2015
|
|
1 |
p. 41-48
|
artikel
|
| 105 |
Social distance portrayed: television news in Japan and the UK
|
Koga-Browes, Scott
|
|
2013
|
|
1 |
p. 71-96
|
artikel
|
| 106 |
Space as designs for and in learning: investigating the interplay between space, interaction and learning sequences in higher education
|
Leijon, Marie
|
|
2016
|
|
1 |
p. 93-124
|
artikel
|
| 107 |
Space odyssey: towards a social semiotic model of three-dimensional space
|
Stenglin, Maree Kristen
|
|
2009
|
|
1 |
p. 35-64
|
artikel
|
| 108 |
Speaking under duress: visual and verbal elements of personal and political messages in captive videos
|
Grebelsky-Lichtman, Tsfira
|
|
2017
|
|
1 |
p. 27-56
|
artikel
|
| 109 |
Studies in the efficacy of motion graphics: the relation between expository motion graphics and the presence of naïve realism
|
Barnes, Spencer R
|
|
2019
|
|
1 |
p. 135-158
|
artikel
|
| 110 |
Swoosh identity: recontextualizations in Haiti and Romania
|
Bick, Paul B.
|
|
2007
|
|
1 |
p. 5-18
|
artikel
|
| 111 |
The anatomy of a photojournalistic icon: marginalization of dissent in the selection and framing of ‘a death in Genoa’
|
Perlmutter, David D.
|
|
2004
|
|
1 |
p. 91-108
|
artikel
|
| 112 |
The Berlin Wall from a visual perspective: comments on the construction of a political media icon
|
Drechsel, Benjamin
|
|
2010
|
|
1 |
p. 3-24
|
artikel
|
| 113 |
The construction of identity through visual intertextuality in a Bohemian early modern travelogue
|
Ivanič, Suzanna
|
|
2015
|
|
1 |
p. 49-72
|
artikel
|
| 114 |
The implication of visual research for discourse analysis: transcription beyond language
|
Norris, Sigrid
|
|
2002
|
|
1 |
p. 97-121
|
artikel
|
| 115 |
The Last Vaudevillian: on the road with travelogue film-maker John Holod (a non-fiction film by Jeffrey Ruoff)
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Russell, John
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The ‘other’ Europeans: the semiotic imperative of style in Euro Visions by Magnum Photos
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Khatib, Lina
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Furstenau, Marc
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The staging of history: theatrical, temporal and economic borders of Historyland
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Magelssen, Scott
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Doy, Gen
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this peculiar language of images
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2003
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p. 58-67
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Brougère, Gilles
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Brierley, Meaghan
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2017
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Bezemer, Jeff
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Refaie, Elisabeth El
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Using video to investigate preschool classroom interaction: education research assumptions and methodological practices
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Flewitt, Rosie
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Sun, Zhen
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Video-mediated nostalgia and the aesthetics of technical competencies
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Garrett, Daniel
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Visual protest material as empirical data
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Weaving multimodal meaning in a graphic novel reading group
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‘What bubbles up’: the experience of nature-based art
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Who’s devising your theatre experience? A director’s approach to inclusive theatre for blind and low vision theatregoers
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