nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
America’s Signal Crisis in Salman Rushdie’s Fury
|
Mendes, Ana Cristina |
|
2017 |
52 |
3 |
p. 484-500 |
artikel |
2 |
Betrayed Sentiments: Joseph Anton and the Phraseology of Emotional Representation
|
Mendes, Ana Cristina |
|
2017 |
52 |
3 |
p. 534-550 |
artikel |
3 |
“Can Only the Dead Speak?” Terror, Trauma and the Witness Traveller
|
Mendes, Ana Cristina |
|
2017 |
52 |
3 |
p. 467-483 |
artikel |
4 |
“Dark Newnesses”: The Failures of Joseph Anton
|
Mendes, Ana Cristina |
|
2017 |
52 |
3 |
p. 455-466 |
artikel |
5 |
Manuscripts in an Archive: Two Unpublished Rushdie Novels and a TV Script
|
Mendes, Ana Cristina |
|
2017 |
52 |
3 |
p. 422-438 |
artikel |
6 |
New Directions in Rushdie Studies
|
Mendes, Ana Cristina |
|
2017 |
52 |
3 |
p. 417-421 |
artikel |
7 |
Padma or No Padma: Audience in the Adaptations of Midnight’s Children
|
Mendes, Ana Cristina |
|
2017 |
52 |
3 |
p. 501-518 |
artikel |
8 |
Salman Rushdie and Islamophobia
|
Mendes, Ana Cristina |
|
2017 |
52 |
3 |
p. 439-454 |
artikel |
9 |
Salman Rushdie’s Authorial Self-fashioning in Joseph Anton
|
Mendes, Ana Cristina |
|
2017 |
52 |
3 |
p. 519-533 |
artikel |
10 |
“The Man Who Would Be Popular”: An Analysis of Salman Rushdie’s Twitter Feed
|
Mendes, Ana Cristina |
|
2017 |
52 |
3 |
p. 551-562 |
artikel |