| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Bart Moore-Gilbert (1952−2015)
|
Walder, Dennis
|
|
2016
|
51 |
1 |
p. 182-185
|
artikel
|
| 2 |
Cochin Creole and the perils of casteist cosmopolitanism: Reading Requiem for the Living
|
Devika, J
|
|
2016
|
51 |
1 |
p. 127-144
|
artikel
|
| 3 |
Cultural dislocation in Monica Ali’s Brick Lane: Freedom or anomie?
|
Rezaie, Ali
|
|
2016
|
51 |
1 |
p. 62-75
|
artikel
|
| 4 |
Editorial
|
Gilmour, Rachael
|
|
2016
|
51 |
1 |
p. 3-8
|
artikel
|
| 5 |
For a long time nothing happened: Settler colonialism, deferred action and the scene of colonization in Kim Scott’s That Deadman Dance
|
Hughes-d’Aeth, Tony
|
|
2016
|
51 |
1 |
p. 22-34
|
artikel
|
| 6 |
Katabasis and the politics of grief in Michael Ondaatje’s Anil’s Ghost
|
Herrick, Margaret CS
|
|
2016
|
51 |
1 |
p. 35-48
|
artikel
|
| 7 |
“Local” and “national” transformations: Cultural globalization, heterogeneity, and Malaysian literature in English
|
Gabriel, Sharmani Patricia
|
|
2016
|
51 |
1 |
p. 145-164
|
artikel
|
| 8 |
Nurse going native: Language and identity in letters from Africa and the British West Indies
|
Howell, Jessica M.
|
|
2016
|
51 |
1 |
p. 165-181
|
artikel
|
| 9 |
On being queer and postcolonial: Reading Zadie Smith’s NW through Virginia Woolf’s Mrs Dalloway
|
Fernández Carbajal, Alberto
|
|
2016
|
51 |
1 |
p. 76-91
|
artikel
|
| 10 |
“Tell…the truth, but tell it slant”: Form and fiction in Rusva’s Umrao Jan Ada1
|
Pillai, Sharon
|
|
2016
|
51 |
1 |
p. 110-126
|
artikel
|
| 11 |
The Forrests as science fiction
|
McNeill, Dougal
|
|
2016
|
51 |
1 |
p. 49-61
|
artikel
|
| 12 |
The lion, the tiger and the kangaroo: A tale of transnational networks
|
Sharrad, Paul
|
|
2016
|
51 |
1 |
p. 9-21
|
artikel
|
| 13 |
The rhythms of the city: The performance of time and space in Suhayl Saadi’s Psychoraag
|
Rodríguez González, Carla
|
|
2016
|
51 |
1 |
p. 92-109
|
artikel
|
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