nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
Alvarado in the Seventies
|
Simpson, Philip |
|
2010 |
|
6 |
p. 445-447 |
artikel |
2 |
An Intellectual Publisher
|
Yazdani, Masoud |
|
2010 |
|
6 |
p. 454-460 |
artikel |
3 |
Beyond the Migrant “Problem”: Visualizing Global Migration
|
Ponzanesi, Sandra |
|
2019 |
|
6 |
p. 566-580 |
artikel |
4 |
BFI/OU Media Education: Recollection and Assessment
|
Boyd-Barrett, Oliver |
|
2010 |
|
6 |
p. 463-465 |
artikel |
5 |
Black Weekend: A Reception History of Network Television News and the Assassination of John F. Kennedy
|
Bodroghkozy, Aniko |
|
2013 |
|
6 |
p. 560-578 |
artikel |
6 |
Block Booking Migrates to Television
|
Torre, Paul J. |
|
2009 |
|
6 |
p. 501-520 |
artikel |
7 |
Broken Bodies/Inquiring Minds: Women in Contemporary Transnational TV Crime Drama
|
Coulthard, Lisa |
|
2018 |
|
6 |
p. 507-514 |
artikel |
8 |
Can the FCC Still Ignore the Public?
|
Brown, Duncan H. |
|
2008 |
|
6 |
p. 447-470 |
artikel |
9 |
Chinese Main Melody TV Drama
|
Ma, Weijun |
|
2014 |
|
6 |
p. 523-537 |
artikel |
10 |
Chinese Main Melody TV Drama: Hollywoodization and Ideological Persuasion
|
Ma, Weijun |
|
2014 |
|
6 |
p. 523-537 |
artikel |
11 |
City of Refuge or Digital Order? Refugee Recognition and the Digital Governmentality of Migration in the City
|
Ponzanesi, Sandra |
|
2019 |
|
6 |
p. 600-616 |
artikel |
12 |
Cultural Oxymora: The Israeli Idol Negotiates Meanings and Readings
|
Neiger, Motti |
|
2012 |
|
6 |
p. 535-550 |
artikel |
13 |
Disrupt or Die: Mobile Health and Disruptive Innovation as Body Politics
|
Levina, Marina |
|
2017 |
|
6 |
p. 548-564 |
artikel |
14 |
“Everything Is Different the Second Time Around”
|
Silverman, Rachel E. |
|
2016 |
|
6 |
p. 520-533 |
artikel |
15 |
Extended “Visiting Hours”
|
DeCarvalho, Lauren J. |
|
2016 |
|
6 |
p. 504-519 |
artikel |
16 |
Extreme Makeover
|
Franco, Judith |
|
2008 |
|
6 |
p. 471-486 |
artikel |
17 |
Free TV: File-Sharing and the Value of Television
|
Newman, Michael Z. |
|
2012 |
|
6 |
p. 463-479 |
artikel |
18 |
From Screwdriver to Dildo
|
Pramaggiore, Maria |
|
2016 |
|
6 |
p. 547-560 |
artikel |
19 |
Gateway Bodies: Serial Form, Genre, and White Femininity in Imported Crime TV
|
Coulthard, Lisa |
|
2018 |
|
6 |
p. 515-534 |
artikel |
20 |
Glocalized Telenovelas and National Identities: A “Textual Cum Production” Analysis of the “Telenovelle” Sara, the Flemish Adaptation of Yo soy Betty, la fea
|
Adriaens, Fien |
|
2012 |
|
6 |
p. 551-567 |
artikel |
21 |
Home Truths
|
Wollen, Tana |
|
2010 |
|
6 |
p. 494-496 |
artikel |
22 |
Ibero-American Online News Managers’ Goals and Handicaps in Managing Social Media
|
Said-Hung, Elias |
|
2014 |
|
6 |
p. 577-589 |
artikel |
23 |
Ibero-American Online News Managers’ Goals and Handicaps in Managing Social Media
|
Said-Hung, Elias |
|
2014 |
|
6 |
p. 577-589 |
artikel |
24 |
Internet Protocol TV in Perspective
|
Kim, Pyungho |
|
2009 |
|
6 |
p. 536-545 |
artikel |
25 |
Introduction: Recalling Manuel Alvarado
|
Buscombe, Edward |
|
2010 |
|
6 |
p. 431-433 |
artikel |
26 |
Itinerant Data: Unveiling Gendered Scrutiny at the Border
|
Ponzanesi, Sandra |
|
2019 |
|
6 |
p. 617-633 |
artikel |
27 |
Labor and the Limits of Seduction in Korea’s Creative Economy
|
Kim, Changwook |
|
2014 |
|
6 |
p. 562-576 |
artikel |
28 |
Labor and the Limits of Seduction in Korea’s Creative Economy
|
Kim, Changwook |
|
2014 |
|
6 |
p. 562-576 |
artikel |
29 |
Lessons from Digital Switchover in South Korea
|
Yoon, Hyunsun |
|
2014 |
|
6 |
p. 538-550 |
artikel |
30 |
Lessons from Digital Switchover in South Korea
|
Yoon, Hyunsun |
|
2014 |
|
6 |
p. 538-550 |
artikel |
31 |
Madam & Eve: The Politics of Race and Postcolonial Television in South Africa
|
Bradfield, Shelley-Jean |
|
2013 |
|
6 |
p. 529-545 |
artikel |
32 |
“Making It Our Own”
|
Matthews, Julian |
|
2009 |
|
6 |
p. 546-563 |
artikel |
33 |
Manuel
|
Butler, Paul |
|
2010 |
|
6 |
p. 483-485 |
artikel |
34 |
Manuel Alvarado
|
McArthur, Colin |
|
2010 |
|
6 |
p. 469-470 |
artikel |
35 |
Manuel Alvarado’s Publications
|
Miller, Toby |
|
2010 |
|
6 |
p. 497-499 |
artikel |
36 |
Manuel Alvarado’s Thought
|
Miller, Toby |
|
2010 |
|
6 |
p. 434-441 |
artikel |
37 |
Manuel Alvarado: The Missing Person
|
Morrison, David E. |
|
2010 |
|
6 |
p. 471-473 |
artikel |
38 |
Manuel: Mentor and Mate
|
Moran, Albert |
|
2010 |
|
6 |
p. 480-482 |
artikel |
39 |
“Many People Are Just Dreamers”
|
Ronsini, Veneza Mayora |
|
2014 |
|
6 |
p. 551-561 |
artikel |
40 |
“Many People Are Just Dreamers”: Telenovelas and the Ideology of Meritocracy
|
Ronsini, Veneza Mayora |
|
2014 |
|
6 |
p. 551-561 |
artikel |
41 |
Memories of Manuel
|
Stewart, John |
|
2010 |
|
6 |
p. 491-493 |
artikel |
42 |
Migration and Mobility in a Digital Age: (Re)Mapping Connectivity and Belonging
|
Ponzanesi, Sandra |
|
2019 |
|
6 |
p. 547-557 |
artikel |
43 |
Nostalgia for Pre-Digital Media in Mad Men
|
Bevan, Alex |
|
2013 |
|
6 |
p. 546-559 |
artikel |
44 |
Of Social Networks and Suicide Nets: Biopolitics and the Suicide Screen
|
Levina, Marina |
|
2017 |
|
6 |
p. 513-528 |
artikel |
45 |
“On Being a Publisher” and Other Personal Reminiscences
|
Tumber, Howard |
|
2010 |
|
6 |
p. 451-453 |
artikel |
46 |
On Manuel Alvarado
|
Grantham, Bill |
|
2010 |
|
6 |
p. 466-468 |
artikel |
47 |
On the Road with Manuel
|
Muecke, Stephen |
|
2010 |
|
6 |
p. 474-476 |
artikel |
48 |
Paying for Fewer Imports
|
Weissmann, Elke |
|
2009 |
|
6 |
p. 482-500 |
artikel |
49 |
Postfeminism Meets the Women in Prison Genre
|
Schwan, Anne |
|
2016 |
|
6 |
p. 473-490 |
artikel |
50 |
Remembering Manuel
|
Whannel, Garry |
|
2010 |
|
6 |
p. 486-488 |
artikel |
51 |
Remembering Manuel
|
Buonanno, Milly |
|
2010 |
|
6 |
p. 461-462 |
artikel |
52 |
Remembering Manuel Alvarado
|
Newcomb, Horace |
|
2010 |
|
6 |
p. 489-490 |
artikel |
53 |
Remembering Manuel Alvarado
|
King, Noel |
|
2010 |
|
6 |
p. 477-479 |
artikel |
54 |
Screening Affect: Rape Culture and the Digital Interface in The Fall and Top of the Lake
|
Coulthard, Lisa |
|
2018 |
|
6 |
p. 569-587 |
artikel |
55 |
Screening Women’s Imprisonment
|
Artt, Sarah |
|
2016 |
|
6 |
p. 467-472 |
artikel |
56 |
Spaces of Celebrity: National and Global Discourses in the Reception of TV Talent Shows by Irish Teenagers
|
O’Connor, Barbara |
|
2012 |
|
6 |
p. 568-583 |
artikel |
57 |
The Architecture Machine Group’s Aspen Movie Map: Mediating the Urban Crisis in the 1970s
|
Anable, Aubrey |
|
2012 |
|
6 |
p. 498-519 |
artikel |
58 |
The Biometric Assemblage: Surveillance, Experimentation, Profit, and the Measuring of Refugee Bodies
|
Ponzanesi, Sandra |
|
2019 |
|
6 |
p. 581-599 |
artikel |
59 |
The Ethics of Insecurity: Risk, Individualization and Value in British Independent Television Production
|
Lee, David |
|
2012 |
|
6 |
p. 480-497 |
artikel |
60 |
The Female Detective, Neurodiversity, and Felt Knowledge in Engrenages and Bron/Broen
|
Coulthard, Lisa |
|
2018 |
|
6 |
p. 535-552 |
artikel |
61 |
The Friendship Assemblage: Investigating Programmed Sociality on Facebook
|
Bucher, Taina |
|
2013 |
|
6 |
p. 479-493 |
artikel |
62 |
The House That Fox Built: Anonymous, Spectacle, and Cycles of Amplification
|
Phillips, Whitney |
|
2013 |
|
6 |
p. 494-509 |
artikel |
63 |
The Indian Family on UK Reality Television: Convivial Culture in Salient Contexts
|
Malik, Sarita |
|
2013 |
|
6 |
p. 510-528 |
artikel |
64 |
The Listening Detective: Thinking Music, Gender, and Transnational Crime’s Affective Turn
|
Coulthard, Lisa |
|
2018 |
|
6 |
p. 553-568 |
artikel |
65 |
There Is No Such Thing as a Post-racial Prison
|
Belcher, Christina |
|
2016 |
|
6 |
p. 491-503 |
artikel |
66 |
“These Two Are Speaking Welsh on Channel 4!”
|
Klein, Bethany |
|
2008 |
|
6 |
p. 514-530 |
artikel |
67 |
The Silicon Valley Ethos: Tech Industry Products, Discourses, and Practices
|
Levina, Marina |
|
2017 |
|
6 |
p. 489-495 |
artikel |
68 |
“The WarGames Scenario”
|
Schulte, Stephanie Ricker |
|
2008 |
|
6 |
p. 487-513 |
artikel |
69 |
Three Dimensionality
|
Wojcieszak, Magdalena E. |
|
2009 |
|
6 |
p. 459-481 |
artikel |
70 |
Training Computers to See Internet Pornography: Gender and Sexual Discrimination in Computer Vision Science
|
Levina, Marina |
|
2017 |
|
6 |
p. 529-547 |
artikel |
71 |
Traumatic Exit, Identity Narratives, and the Ethics of Hospitality
|
Ponzanesi, Sandra |
|
2019 |
|
6 |
p. 558-565 |
artikel |
72 |
Tribute to Manuel Alvarado
|
Geraghty, Christine |
|
2010 |
|
6 |
p. 442-444 |
artikel |
73 |
TV Formatting of the Chinese Ugly Betty
|
Zhang, Xiaoxiao |
|
2014 |
|
6 |
p. 507-522 |
artikel |
74 |
TV Formatting of the Chinese Ugly Betty: An Ethnographic Observation of the Production Community
|
Zhang, Xiaoxiao |
|
2014 |
|
6 |
p. 507-522 |
artikel |
75 |
Virtually Present, Physically Invisible: Alejandro G. Iñárritu’s Mixed Reality Installation Carne y Arena
|
Ponzanesi, Sandra |
|
2019 |
|
6 |
p. 634-648 |
artikel |
76 |
What Does Race Have to Do with Ugly Betty?
|
Esposito, Jennifer |
|
2009 |
|
6 |
p. 521-535 |
artikel |
77 |
“When in Rome, Use What You’ve Got”
|
Fernández-Morales, Marta |
|
2016 |
|
6 |
p. 534-546 |
artikel |
78 |
Where Are You? Location Tracking and the Promise of Child Safety
|
Levina, Marina |
|
2017 |
|
6 |
p. 496-512 |
artikel |
79 |
“Working Through” as Ideological Intervention: The Case of Homophobia in Rescue Me
|
Draper, Jimmy |
|
2012 |
|
6 |
p. 520-534 |
artikel |
80 |
Writing Hazell
|
Buscombe, Edward |
|
2010 |
|
6 |
p. 448-450 |
artikel |