| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Advance Your Freedom: Race, Enterprise, and Neoliberal Governmentality on From G’s to Gents
|
Page, Allison
|
|
2015
|
|
5 |
p. 439-453
|
artikel
|
| 2 |
Alcohol Product Placements and the Third-Person Effect
|
Shin, Dong-Hee
|
|
2011
|
|
5 |
p. 412-440
|
artikel
|
| 3 |
Anatomy of a Format: So You Think You Can Dance Canada and Discourses of Commercial Nationalism
|
Quail, Christine
|
|
2015
|
|
5 |
p. 472-489
|
artikel
|
| 4 |
An Introduction to Informal Media Economies
|
Lobato, Ramon
|
|
2012
|
|
5 |
p. 379-382
|
artikel
|
| 5 |
Anxious Displacements: The Representation of Gay Parenting on Modern Family and The New Normal and the Management of Cultural Anxiety
|
Cavalcante, Andre
|
|
2015
|
|
5 |
p. 454-471
|
artikel
|
| 6 |
A Shot at Half-Exposure: Asian Americans in Reality TV Shows
|
Wang, Grace
|
|
2010
|
|
5 |
p. 404-427
|
artikel
|
| 7 |
Be Selling You: The Prisoner As Cult and Commodity
|
Hanna, Erin
|
|
2014
|
|
5 |
p. 433-448
|
artikel
|
| 8 |
Book Review: The Procrastination Economy: The Big Business of Downtime, by Ethan Tussey
|
McCarthy, Anna
|
|
2019
|
|
5 |
p. 539-541
|
artikel
|
| 9 |
Bye Bye “Hello Ladies?” In-Vision Announcers As Continuity Technique in a European Postlinear Television Landscape: The Case of Flandersand Norway
|
Van den Bulck, Hilde
|
|
2014
|
|
5 |
p. 453-469
|
artikel
|
| 10 |
Chilean Television on Shifting Terrain: Movement Toward a Postnetwork Era
|
Ashley, Jennifer
|
|
2019
|
|
5 |
p. 476-491
|
artikel
|
| 11 |
Clocking Gender Differences
|
Billings, Andrew C.
|
|
2008
|
|
5 |
p. 429-441
|
artikel
|
| 12 |
Consuming Anime
|
Fennell, Dana
|
|
2013
|
|
5 |
p. 440-456
|
artikel
|
| 13 |
Critically Encountering Exer-games and Young Femininity
|
Francombe-Webb, Jessica
|
|
2016
|
|
5 |
p. 449-464
|
artikel
|
| 14 |
Cultural Citizenship at the Intersection of Television and New Media
|
Wu, Jingsi Christina
|
|
2013
|
|
5 |
p. 402-420
|
artikel
|
| 15 |
Daenerys Targaryen Will Save Spain: Game of Thrones, Politics, and the Public Sphere
|
Virino, Concepción Cascajosa
|
|
2019
|
|
5 |
p. 423-442
|
artikel
|
| 16 |
Draft Once; Deploy Everywhere? Contextualizing Digital Law and Brazil’s Marco Civil da Internet
|
Hoskins, Guy T.
|
|
2018
|
|
5 |
p. 431-447
|
artikel
|
| 17 |
Emergent Innovation through the Coevolution of Informal and Formal Media Economies
|
Cunningham, Stuart
|
|
2012
|
|
5 |
p. 415-430
|
artikel
|
| 18 |
Entering through the Porta dos Fundos: The Changing Landscape of Brazilian Television Fiction
|
Carter, Eli
|
|
2017
|
|
5 |
p. 410-426
|
artikel
|
| 19 |
Flow under Pressure: Television Scheduling and Continuity Techniques as Victims of Media Convergence?
|
Van den Bulck, Hilde
|
|
2014
|
|
5 |
p. 449-452
|
artikel
|
| 20 |
“Food Porn” as Postfeminist Play
|
Dejmanee, Tisha
|
|
2016
|
|
5 |
p. 429-448
|
artikel
|
| 21 |
From Infrastructural Breakdown to Data Vandalism
|
Hoyng, Rolien
|
|
2016
|
|
5 |
p. 397-415
|
artikel
|
| 22 |
From Strategic Retweets to Group Hangs: Writers’ Room Twitter Accounts and the Productive Ecosystem of TV Social Media Fans
|
Navar-Gill, Annemarie
|
|
2018
|
|
5 |
p. 415-430
|
artikel
|
| 23 |
From The Simpsons to “The Simpsons of the South Pacific”: New Zealand’s First Primetime Animation, bro’Town
|
Lustyik, Katalin
|
|
2010
|
|
5 |
p. 331-349
|
artikel
|
| 24 |
“Great Shows, Thanks to You”: From Participatory Culture to “Quality TV” in Amazon’s Pilot Season
|
Barker, Cory
|
|
2017
|
|
5 |
p. 441-458
|
artikel
|
| 25 |
Hobbies and Vices, Book Lovers and Nerds: Discursive Management of the Digital Media Environment
|
Alasuutari, Pertti
|
|
2013
|
|
5 |
p. 457-475
|
artikel
|
| 26 |
Horror 2.0 (On Demand): The Digital Convergence of Horror Film Culture
|
Tompkins, Joe
|
|
2014
|
|
5 |
p. 413-432
|
artikel
|
| 27 |
“I Cheer, You Cheer, We Cheer”: Physical Technologies and the Normalized Body
|
Francombe, Jessica
|
|
2010
|
|
5 |
p. 350-366
|
artikel
|
| 28 |
If They Show Prison Break in the United States on a Wednesday, by Thursday It Is Here: Mobile Media Networks in Twenty-First-Century Cuba
|
Pertierra, Anna Cristina
|
|
2012
|
|
5 |
p. 399-414
|
artikel
|
| 29 |
Illusive Pluralism and Hegemonic Identity in Popular Reality Shows in Israel
|
Elias, Nelly
|
|
2009
|
|
5 |
p. 375-391
|
artikel
|
| 30 |
“Images from beyond the Eastern Border”: Socialist Television in Finland, 1963 to 1988
|
Pajala, Mari
|
|
2018
|
|
5 |
p. 448-466
|
artikel
|
| 31 |
International Fan Professionalization on Viki
|
Henthorn, Jamie
|
|
2019
|
|
5 |
p. 525-538
|
artikel
|
| 32 |
“iReporting” an Uprising: CNN and Citizen Journalism in Network Culture
|
Palmer, Lindsay
|
|
2013
|
|
5 |
p. 367-385
|
artikel
|
| 33 |
Isn’t She Adorkable! Cuteness as Political Neutralization in the Star Text of Zooey Deschanel
|
McIntyre, Anthony P.
|
|
2015
|
|
5 |
p. 422-438
|
artikel
|
| 34 |
Is Reality TV Neoliberal?
|
Redden, Guy
|
|
2018
|
|
5 |
p. 399-414
|
artikel
|
| 35 |
Is This Social TV 3.0? On Funk and Social Media Policy in German Public Post-television Content Production
|
Stollfuß, Sven
|
|
2019
|
|
5 |
p. 509-524
|
artikel
|
| 36 |
Keeping Them and Moving Them: TV Scheduling in the Phase of Channel and Platform Proliferation
|
Ihlebæk, Karoline Andrea
|
|
2014
|
|
5 |
p. 470-486
|
artikel
|
| 37 |
“Let’s Hug It Out, Bitch”: HBO’s Entourage, Masculinity in Crisis, and the Value of Audience Studies
|
Click, Melissa A.
|
|
2015
|
|
5 |
p. 403-421
|
artikel
|
| 38 |
Liberating Bicentennial America
|
Clark, Jennifer S.
|
|
2009
|
|
5 |
p. 434-454
|
artikel
|
| 39 |
Literal Media Ecology: Crisis in the Conditions of Production
|
Caraway, Brett R.
|
|
2018
|
|
5 |
p. 486-503
|
artikel
|
| 40 |
Moriarty’s Ghost: Or the Queer Disruption of the BBC’s Sherlock
|
Fathallah, Judith
|
|
2015
|
|
5 |
p. 490-500
|
artikel
|
| 41 |
Nerds, Geeks, and the Hip/Square Dialectic in Contemporary Television
|
Quail, Christine
|
|
2011
|
|
5 |
p. 460-482
|
artikel
|
| 42 |
Nonprofit Organizations' Perceptions and Uses of the Internet
|
Kenix, Linda Jean
|
|
2008
|
|
5 |
p. 407-428
|
artikel
|
| 43 |
Parenting Practices and Gender Roles in the Modern Chinese Family: Interculturalism in Where Are We Going, Dad?
|
Jiang, Xinxin
|
|
2019
|
|
5 |
p. 460-475
|
artikel
|
| 44 |
Performing Black Power in the “Cradle of Liberty”
|
Heitner, Devorah
|
|
2009
|
|
5 |
p. 392-415
|
artikel
|
| 45 |
Prison Break General Gabbery: Extra-Hyperdiegetic Spaces, Power, and Identity in Prison Break
|
Knaggs, Angie
|
|
2011
|
|
5 |
p. 395-411
|
artikel
|
| 46 |
Pukeko Pictures and the Kiwi DIY Spirit: Building Global Partnerships from the End of the World
|
Potter, Anna
|
|
2019
|
|
5 |
p. 492-508
|
artikel
|
| 47 |
Pursuing “Generation Snowflake”: Mr. Robot and the USA Network’s Mission for Millennials
|
Smith, Anthony N.
|
|
2019
|
|
5 |
p. 443-459
|
artikel
|
| 48 |
Queerness, the Quality Audience, and Comedy Central's Reno 911!
|
Griffin, Hollis
|
|
2008
|
|
5 |
p. 355-370
|
artikel
|
| 49 |
Regathering the Imagined Audience: Shifting Strategies at a Trans-European Public Television Channel
|
Stankiewicz, Damien
|
|
2014
|
|
5 |
p. 487-503
|
artikel
|
| 50 |
Remembering Public Service Broadcasting
|
Burns, Maureen
|
|
2008
|
|
5 |
p. 392-406
|
artikel
|
| 51 |
Remembering Video: Reflections on the First Explosion of Informal Media Markets through the VCR
|
O’Regan, Tom
|
|
2012
|
|
5 |
p. 383-398
|
artikel
|
| 52 |
Rethinking the Chinese Internet: Social History, Cultural Forms, and Industrial Formation
|
Li, Luzhou Nina
|
|
2017
|
|
5 |
p. 393-409
|
artikel
|
| 53 |
Shame, Class, and Embodiment in the Catfish Universe
|
Kozma, Alicia
|
|
2018
|
|
5 |
p. 467-485
|
artikel
|
| 54 |
Small Screen Cinema: Informality and Remediation in Nollywood
|
Jedlowski, Alessandro
|
|
2012
|
|
5 |
p. 431-446
|
artikel
|
| 55 |
Subjectivity Through Self-Education: Media and the Multicultural Citizen at the National Museum of the American Indian
|
Brady, Miranda J.
|
|
2011
|
|
5 |
p. 441-459
|
artikel
|
| 56 |
Telop, Affect, and Media Design: A Multimodal Analysis of Japanese TV Programs
|
Sasamoto, Ryoko
|
|
2017
|
|
5 |
p. 427-440
|
artikel
|
| 57 |
The Alt-social Network of Natalie Bookchin’s Testament
|
Laiola, Sarah Whitcomb
|
|
2017
|
|
5 |
p. 459-477
|
artikel
|
| 58 |
The Banality of Boundaries: Performance of the Nation in a Japanese Television Comedy
|
Perkins, Chris
|
|
2010
|
|
5 |
p. 386-403
|
artikel
|
| 59 |
The Cinemas of Transactions: The Exchangeable Currency of the Digital Attraction
|
Gurevitch, Leon
|
|
2010
|
|
5 |
p. 367-385
|
artikel
|
| 60 |
The Culture Industry, New Media, and the Shift from Creation to Curation; or, Enlightenment As a Kick in the Nuts
|
Wiggins, Benjamin Alan
|
|
2014
|
|
5 |
p. 395-412
|
artikel
|
| 61 |
The Epistemology of the (Televised, Polygamous) Closet
|
Weber, Brenda R.
|
|
2016
|
|
5 |
p. 375-391
|
artikel
|
| 62 |
The Karl Marx Problem in Contemporary New Media Economy
|
Kangal, Kaan
|
|
2016
|
|
5 |
p. 416-428
|
artikel
|
| 63 |
The Mediation of Suffering and the Vision of a Cosmopolitan Public
|
Chouliaraki, Lilie
|
|
2008
|
|
5 |
p. 371-391
|
artikel
|
| 64 |
The State of Media Studies in China
|
Wu, Jing
|
|
2016
|
|
5 |
p. 392-396
|
artikel
|
| 65 |
The Triple Articulation of Media Technologies in Audiovisual Media Consumption
|
Courtois, Cédric
|
|
2013
|
|
5 |
p. 421-439
|
artikel
|
| 66 |
Transnational Piracy Research in Practice: A Roundtable Interview with Joe Karaganis, John Cross, Olga Sezneva, and Ravi Sundaram
|
Lobato, Ramon
|
|
2012
|
|
5 |
p. 447-458
|
artikel
|
| 67 |
U.K. Television News
|
Wayne, Mike
|
|
2009
|
|
5 |
p. 416-433
|
artikel
|
| 68 |
Watching Watching: A Review of the New York Times’ Digital Platform for TV Viewers
|
Patterson, Eleanor
|
|
2017
|
|
5 |
p. 478-484
|
artikel
|
| 69 |
What Is the Politics of Platform Politics?
|
Renzi, Alessandra
|
|
2011
|
|
5 |
p. 483-485
|
artikel
|
| 70 |
“You Can Help Yourself/but Don’t Take Too Much”: African American Motherhood on The Wire
|
Ault, Elizabeth
|
|
2013
|
|
5 |
p. 386-401
|
artikel
|
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