| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Book review: Katrina McFerran with a Foreword by Tony Wigram. Adolescents, Music and Music Therapy — Methods and Techniques for Clinicians, Educators and Students. London: Jessica Kingsley Publishers, 2010. 304 pp. ISBN 978—1-84905—019—7
|
Rinta, Tiija
|
|
2010
|
38 |
4 |
p. 503-506
|
artikel
|
| 2 |
Book review: Phillip Ball. The Music Instinct: How Music Works and Why We Can’t Do Without It. London: The Bodley Head, 2010. 452 pp. £20.00 ISBN 9781847920881
|
Sloboda, John
|
|
2010
|
38 |
4 |
p. 506-508
|
artikel
|
| 3 |
Effects of structure and serial position on memory errors in musical performance
|
Mishra, Jennifer
|
|
2010
|
38 |
4 |
p. 447-461
|
artikel
|
| 4 |
Interpersonal interaction within the violin teaching studio: The influence of interpersonal dynamics on outcomes for teachers
|
Creech, Andrea
|
|
2010
|
38 |
4 |
p. 403-421
|
artikel
|
| 5 |
Musical identities in transition: Solo-piano students’ accounts of entering the academy
|
Juuti, Sini
|
|
2010
|
38 |
4 |
p. 481-497
|
artikel
|
| 6 |
Non-musicians’ and musicians’ perception of bitonality
|
Hamamoto, Mayumi
|
|
2010
|
38 |
4 |
p. 423-445
|
artikel
|
| 7 |
Perceptual organization can affect performance on rhythmic tasks
|
Mclaughlin, Pat
|
|
2010
|
38 |
4 |
p. 395-401
|
artikel
|
| 8 |
Quantitative case-studies in musical composition: the development of creativity in popular-songwriting teams
|
Hass, Richard W.
|
|
2010
|
38 |
4 |
p. 463-479
|
artikel
|
| 9 |
ReviewEssay: Musicality in the eye or ear of the beholder
|
Trehub, Sandra E.
|
|
2010
|
38 |
4 |
p. 499-502
|
artikel
|
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