| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
|
Berger, Tobias
|
|
2007
|
|
3 |
p. 387-393
|
artikel
|
| 2 |
Abandoning Advertisements Over Edificial Ekphrases
|
Jackson, John L.
|
|
2003
|
|
3 |
p. 341-352
|
artikel
|
| 3 |
Abounaddara and the global visual politics of the ‘right to the image’
|
Jurich, Joscelyn Shawn Ganjhara
|
|
|
|
3 |
p. 378-411
|
artikel
|
| 4 |
A brief history of the GIF (so far)
|
Eppink, Jason
|
|
2014
|
|
3 |
p. 298-306
|
artikel
|
| 5 |
A Brief Introduction to Impact: ‘The Meme Font’
|
Brideau, Kate
|
|
2014
|
|
3 |
p. 307-313
|
artikel
|
| 6 |
Aliens and Indians: Science Fiction, Prophetic Photography and Near-Future Visions
|
Marez, Curtis
|
|
2004
|
|
3 |
p. 336-352
|
artikel
|
| 7 |
Allan Sekula 1951–2013
|
Day, Gail
|
|
2013
|
|
3 |
p. 515-518
|
artikel
|
| 8 |
Anticipating Ruinations: Ecologies of ‘Make Do’ and ‘Left With’
|
Mukherjee, Rahul
|
|
2017
|
|
3 |
p. 287-309
|
artikel
|
| 9 |
Apart from Sex
|
Rifkin, Adrian
|
|
2009
|
|
3 |
p. 265-277
|
artikel
|
| 10 |
Architecture and Visual Culture: Some Remarks on an Ongoing Debate
|
Emerling, Jae
|
|
2016
|
|
3 |
p. 311-316
|
artikel
|
| 11 |
Architecture in the Age of Digital Reproduction
|
Emerling, Jae
|
|
2016
|
|
3 |
p. 349-356
|
artikel
|
| 12 |
Archives of Stone, Archives of Air
|
Orlow, Uriel
|
|
2013
|
|
3 |
p. 404-413
|
artikel
|
| 13 |
Asco, Chris Burden, and the Politics of the Misfire
|
Gleisser, Faye
|
|
2018
|
|
3 |
p. 312-331
|
artikel
|
| 14 |
A Turn for the Worse or the Better? The On-Stage Attitude of Miles Davis
|
Swiboda, Marcel
|
|
2003
|
|
3 |
p. 358-361
|
artikel
|
| 15 |
Baffles, Binds and Blind Alleys
|
Richardson, Craig
|
|
2007
|
|
3 |
p. 315-328
|
artikel
|
| 16 |
Barking at Memetics: The Rant That Wasn’t
|
Lunenfeld, Peter
|
|
2014
|
|
3 |
p. 253-256
|
artikel
|
| 17 |
Batman, Pandaman and the Blind Man: A Case Study in Social Change Memes and Internet Censorship in China
|
Mina, An Xiao
|
|
2014
|
|
3 |
p. 359-375
|
artikel
|
| 18 |
‘Beauty of Chance’: Film ist
|
Gaycken, Oliver
|
|
2012
|
|
3 |
p. 307-327
|
artikel
|
| 19 |
Because of the Pixels: On the History, Form, and Influence of MS Paint
|
Davison, Patrick
|
|
2014
|
|
3 |
p. 275-297
|
artikel
|
| 20 |
Between Pandora and Diogenes: Fox Talbot and the Gender of Archives
|
Mays, Sas
|
|
2013
|
|
3 |
p. 450-471
|
artikel
|
| 21 |
Beyond Beyond
|
Turner, Matthew
|
|
2007
|
|
3 |
p. 349-353
|
artikel
|
| 22 |
Book Review: Eyal Weizman, Forensic Architecture: Violence at the Threshold of Detectability
|
Harasymowicz, Sława
|
|
2017
|
|
3 |
p. 392-395
|
artikel
|
| 23 |
Book Review: Friends of Interpretable Objects
|
Satz, Aura
|
|
2002
|
|
3 |
p. 381-383
|
artikel
|
| 24 |
Book Review: Heavenly Bodies: Film Stars and Society
|
Feasey, Rebecca
|
|
2004
|
|
3 |
p. 377-380
|
artikel
|
| 25 |
Book Review: International Art Galleries: Post War to Post-Millennium
|
Usherwood, Paul
|
|
2006
|
|
3 |
p. 420-422
|
artikel
|
| 26 |
Book Review: James Simpson, Under the Hammer: Iconoclasm in the Anglo-American Tradition
|
Harrison, Katherine
|
|
2012
|
|
3 |
p. 412-414
|
artikel
|
| 27 |
Book Review: Jens Eder and Charlotte Klonk (eds), Image Operations: Visual Media and Political Conflict
|
Brumberg, Zoya
|
|
2017
|
|
3 |
p. 389-391
|
artikel
|
| 28 |
Book Review: Katarzyna Marciniak, photographs by Kamil Turowski, Streets of Crocodiles: Photography, Media, and Postsocialist Landscapes in Poland
|
Atanasoski, Neda
|
|
2012
|
|
3 |
p. 409-411
|
artikel
|
| 29 |
Book Review: Les Grands Spectacles: 120 Years of Art and Mass Culture
|
Pine, Julia
|
|
2006
|
|
3 |
p. 414-419
|
artikel
|
| 30 |
Book Review: Nicholas Mirzoeff, How to See the World: An Introduction to Images, from Self-Portraits to Selfies, Maps to Movies, and More
|
Blaylock, Sara
|
|
2017
|
|
3 |
p. 386-389
|
artikel
|
| 31 |
Book Review: Premediation: Affect and Mediality after 9/11
|
Coley, Rob
|
|
2011
|
|
3 |
p. 412-415
|
artikel
|
| 32 |
Book Review: Soft Cinema: Navigating the Database
|
Brunette, Peter
|
|
2006
|
|
3 |
p. 411-414
|
artikel
|
| 33 |
Book Review: Surrealism and the Politics of Eros 1938–1968
|
Donkin, Hazel
|
|
2006
|
|
3 |
p. 425-427
|
artikel
|
| 34 |
Book Review: The Cultural Devolution: Art in Britain in the Late Twentieth Century
|
Richardson, Craig
|
|
2004
|
|
3 |
p. 380-382
|
artikel
|
| 35 |
Book Review: The Moment of Complexity: Emerging Network Culture
|
Gere, Charlie
|
|
2002
|
|
3 |
p. 383-389
|
artikel
|
| 36 |
Book Review: TJ Demos, Decolonizing Nature: Contemporary Art and the Politics of Ecology
|
Mulvogue, Jessica
|
|
2017
|
|
3 |
p. 395-399
|
artikel
|
| 37 |
Book Review: Video Art: a Guided Tour
|
Walsh, Maria
|
|
2006
|
|
3 |
p. 422-425
|
artikel
|
| 38 |
Book Review: Visual Culture: The Study of the Visual after the Cultural Turn
|
Rodney, Lee
|
|
2006
|
|
3 |
p. 427-430
|
artikel
|
| 39 |
Book Review: Visual Studies: A Skeptical Introduction
|
Manghani, Sunil
|
|
2004
|
|
3 |
p. 373-377
|
artikel
|
| 40 |
Book Review: Writing Art History: Disciplinary Departures
|
McKever, Rosalind
|
|
2011
|
|
3 |
p. 410-412
|
artikel
|
| 41 |
Books
|
Golec, Michael
|
|
2003
|
|
3 |
p. 365-369
|
artikel
|
| 42 |
Books
|
Barr, Matthew
|
|
2003
|
|
3 |
p. 369-372
|
artikel
|
| 43 |
Books
|
Carrier, David
|
|
2003
|
|
3 |
p. 375-377
|
artikel
|
| 44 |
Books
|
van de Walle, Johan
|
|
2003
|
|
3 |
p. 378-380
|
artikel
|
| 45 |
Books
|
Stamp, Richard
|
|
2003
|
|
3 |
p. 373-375
|
artikel
|
| 46 |
Brandishing Guns: Performing Race and Belonging in the American West
|
Livingston, Lindsay
|
|
2018
|
|
3 |
p. 343-355
|
artikel
|
| 47 |
Capturing a City’s Past
|
Zelljadt, Katja
|
|
2010
|
|
3 |
p. 425-438
|
artikel
|
| 48 |
Capturing the Moment: Images and Eyewitnessing in History
|
Hunt, Lynn
|
|
2010
|
|
3 |
p. 259-271
|
artikel
|
| 49 |
Catching the ghost: the digital gaze of motion capture
|
Chang, Vanessa
|
|
|
|
3 |
p. 305-326
|
artikel
|
| 50 |
Cinehistory and Experiments on Film
|
Shell, Hanna Rose
|
|
2012
|
|
3 |
p. 288-306
|
artikel
|
| 51 |
Civic Centre
|
Phillips, Andrea
|
|
2003
|
|
3 |
p. 356-358
|
artikel
|
| 52 |
Colin Rowe, Karl Popper and the Discipline of Architecture
|
Emerling, Jae
|
|
2016
|
|
3 |
p. 372-376
|
artikel
|
| 53 |
Comment
|
Thomas, Julia Adeney
|
|
2010
|
|
3 |
p. 421-424
|
artikel
|
| 54 |
Comment
|
Troy, Nancy J.
|
|
2010
|
|
3 |
p. 385-387
|
artikel
|
| 55 |
Comment
|
Wasserstrom, Jeffrey N.
|
|
2010
|
|
3 |
p. 360-364
|
artikel
|
| 56 |
Comment
|
Halttunen, Karen
|
|
2010
|
|
3 |
p. 304-306
|
artikel
|
| 57 |
Comment
|
Habinek, Thomas
|
|
2010
|
|
3 |
p. 344-346
|
artikel
|
| 58 |
Comment
|
Taws, Richard
|
|
2010
|
|
3 |
p. 365-369
|
artikel
|
| 59 |
Comment and Afterword: Photography and Placing the Past
|
Ethington, Philip J.
|
|
2010
|
|
3 |
p. 439-448
|
artikel
|
| 60 |
Communication as Interface or Information Exchange? A Reply to Richard Rushton
|
Hansen, Mark B.N.
|
|
2004
|
|
3 |
p. 359-366
|
artikel
|
| 61 |
Contemporary Art and Transitional Justice in Northern Ireland: The Consolation of Form
|
Bell, Vikki
|
|
2011
|
|
3 |
p. 324-353
|
artikel
|
| 62 |
Critical Art Ensemble: FBI Harassment of Artist and Scientist Continues
|
Wilding, Faith
|
|
2004
|
|
3 |
p. 317-319
|
artikel
|
| 63 |
Cruising the Archive
|
Ofield, Simon
|
|
2005
|
|
3 |
p. 351-364
|
artikel
|
| 64 |
Cultural relativism and the visual turn
|
Jay, Martin
|
|
2002
|
|
3 |
p. 267-278
|
artikel
|
| 65 |
Design Terminable and Interminable: The Possibility of Death in Final Destination
|
Benson-Allott, Caetlin
|
|
2015
|
|
3 |
p. 298-310
|
artikel
|
| 66 |
Differential Vibrations: On Things that Go Buzz in the Night
|
Turner, Lynn
|
|
2007
|
|
3 |
p. 437-439
|
artikel
|
| 67 |
Disinterring the Present: Science Fiction, Media Technology and the Ends of the Archive
|
Horrocks, Chris
|
|
2013
|
|
3 |
p. 414-430
|
artikel
|
| 68 |
Documentary Horror: The Transmodal Power of Indexical Violence
|
Benson-Allott, Caetlin
|
|
2015
|
|
3 |
p. 285-292
|
artikel
|
| 69 |
‘Don’t Look … Or It Takes You’: The Games of Horror Vacui
|
Benson-Allott, Caetlin
|
|
2015
|
|
3 |
p. 311-316
|
artikel
|
| 70 |
Dreadful Architecture: Zones of Horror in Alien and Lee Bontecou’s Wall Sculptures
|
Benson-Allott, Caetlin
|
|
2015
|
|
3 |
p. 267-278
|
artikel
|
| 71 |
Dreaming the Face, Screening the Death: Reflections for Jean-Louis Schefer on La Jetée
|
Pollock, Griselda
|
|
2005
|
|
3 |
p. 287-305
|
artikel
|
| 72 |
Editorial: Notes for Hong Kong, and Other Returns
|
pui san lok, susan
|
|
2007
|
|
3 |
p. 329-332
|
artikel
|
| 73 |
Editor’s Introduction: Armed/Unarmed: Guns in American Visual and Material Culture
|
Gleisser, Faye
|
|
2018
|
|
3 |
p. 263-271
|
artikel
|
| 74 |
Eisenstein and Horror
|
Benson-Allott, Caetlin
|
|
2015
|
|
3 |
p. 317-331
|
artikel
|
| 75 |
(Even Radical) Illustration Requires (Normalizing) Convention: The Case of ‘Genre Art’ in Early Modern Japan
|
Berry, Mary Elizabeth
|
|
2010
|
|
3 |
p. 347-359
|
artikel
|
| 76 |
Events
|
Tang, Jeannine
|
|
2009
|
|
3 |
p. 359-367
|
artikel
|
| 77 |
Events
|
Henriques, Julian
|
|
2002
|
|
3 |
p. 369-379
|
artikel
|
| 78 |
Forgetting Lessons: Jean Painlevé’s Cinematic Gay Science
|
Cahill, James Leo
|
|
2012
|
|
3 |
p. 258-287
|
artikel
|
| 79 |
From Structure to Enigma and Back, Perhaps
|
Rifkin, Adrian
|
|
2005
|
|
3 |
p. 365-381
|
artikel
|
| 80 |
From the Construction of Community to Play as a Mechanism for Social Interaction
|
Emerling, Jae
|
|
2016
|
|
3 |
p. 377-383
|
artikel
|
| 81 |
Futures, Cities
|
Ulrich Obrist, Hans
|
|
2007
|
|
3 |
p. 359-364
|
artikel
|
| 82 |
Gaming Horror’s Horror: Representation, Regulation, and Affect in Survival Horror Videogames
|
Benson-Allott, Caetlin
|
|
2015
|
|
3 |
p. 293-297
|
artikel
|
| 83 |
Giving an Account of Oneself: Architecturally
|
Emerling, Jae
|
|
2016
|
|
3 |
p. 334-348
|
artikel
|
| 84 |
Globalization, cosmopolitanism, politics, and the citizen
|
Buck-Morss, Susan
|
|
2002
|
|
3 |
p. 325-340
|
artikel
|
| 85 |
Gordon Matta-Clark: ‘Somewhere Outside the Law’
|
Emerling, Jae
|
|
2016
|
|
3 |
p. 317-333
|
artikel
|
| 86 |
Hannibal: A Disturbing Feast for the Senses
|
Benson-Allott, Caetlin
|
|
2015
|
|
3 |
p. 279-284
|
artikel
|
| 87 |
Havana: Memoirs of Material Culture
|
Bruno, Giuliana
|
|
2003
|
|
3 |
p. 303-324
|
artikel
|
| 88 |
Historical Pyrrhonism and Architectural Truth
|
Naginski, Erika
|
|
2010
|
|
3 |
p. 329-343
|
artikel
|
| 89 |
Hold your Gun Arm Steady to Keep the Color of the Flower: The Propeller Group and Le Brothers
|
Hatton, Brynn
|
|
2018
|
|
3 |
p. 286-298
|
artikel
|
| 90 |
Horror and Exploitation on VHS: The History of Home Video Comes to Yale
|
Benson-Allott, Caetlin
|
|
2015
|
|
3 |
p. 332-335
|
artikel
|
| 91 |
Illuminating Façades: Looking at Post-Colonial Macau
|
Clarke, David
|
|
2007
|
|
3 |
p. 395-418
|
artikel
|
| 92 |
Images without Words: The Construction of Prehistoric Imaginaries for Definitions of ‘Us’
|
Conkey, Margaret W.
|
|
2010
|
|
3 |
p. 272-283
|
artikel
|
| 93 |
In Conversation
|
Stallabrass, Julian
|
|
2009
|
|
3 |
p. 349-357
|
artikel
|
| 94 |
Index to volume 1
|
|
|
2002
|
|
3 |
p. 391-392
|
artikel
|
| 95 |
Index to volume 3
|
|
|
2004
|
|
3 |
p. 383-384
|
artikel
|
| 96 |
Index to volume 4
|
|
|
2005
|
|
3 |
p. 383-384
|
artikel
|
| 97 |
Index to Volume 5 2006
|
|
|
2006
|
|
3 |
p. 431-432
|
artikel
|
| 98 |
Introduction: A Genreless Horror
|
Benson-Allott, Caetlin
|
|
2015
|
|
3 |
p. 263-266
|
artikel
|
| 99 |
Introduction: Architecture! (To be said excitedly but with real frustration)
|
Emerling, Jae
|
|
2016
|
|
3 |
p. 295-300
|
artikel
|
| 100 |
Italy Is Taking a Position
|
Emerling, Jae
|
|
2016
|
|
3 |
p. 367-371
|
artikel
|
| 101 |
It’s Supposed to Look Like Shit: The Internet Ugly Aesthetic
|
Douglas, Nick
|
|
2014
|
|
3 |
p. 314-339
|
artikel
|
| 102 |
‘I WILL DO EVERYthing That Am Asked’: Scambaiting, Digital Show-Space, and the Racial Violence of Social Media
|
Nakamura, Lisa
|
|
2014
|
|
3 |
p. 257-274
|
artikel
|
| 103 |
John Tagg, The Disciplinary Frame: Photographic Truths and the Capture of Meaning. Minneapolis: University of Minnesota Press, 2009. 392 pp. ISBN 978—0816642885
|
Emerling, Jae
|
|
2010
|
|
3 |
p. 449-455
|
artikel
|
| 104 |
Kafka Calling on the Camera Phone
|
Koepnick, Lutz
|
|
2003
|
|
3 |
p. 353-356
|
artikel
|
| 105 |
Land Art and the Moon Landing
|
Sleeman, Joy
|
|
2009
|
|
3 |
p. 299-328
|
artikel
|
| 106 |
Language Wants To Be Overlooked: On Software and Ideology
|
Galloway, Alexander R.
|
|
2006
|
|
3 |
p. 315-331
|
artikel
|
| 107 |
Look the Other Way - but First Order more Chairs: Field Works, Victoria Miro Gallery Annexe, London 16-17 May 2003
|
Kaplan, Janet A.
|
|
2003
|
|
3 |
p. 361-364
|
artikel
|
| 108 |
Losing It: Politics of the Other (Medium)
|
Bal, Mieke
|
|
2011
|
|
3 |
p. 372-396
|
artikel
|
| 109 |
‘Lurk More’: An Interview with the Founders of ROFLCon
|
Hwang, Tim
|
|
2014
|
|
3 |
p. 376-387
|
artikel
|
| 110 |
Miami Miautre
|
Ulmer, Gregory L.
|
|
2002
|
|
3 |
p. 341-357
|
artikel
|
| 111 |
Mid-Century Visions, Programmed Affinities: The Enduring Challenges of Image Classification
|
Kamin, Diana
|
|
2017
|
|
3 |
p. 310-336
|
artikel
|
| 112 |
Miniatures
|
Richter, Gerhard
|
|
2004
|
|
3 |
p. 367-371
|
artikel
|
| 113 |
Movement before Cinematography: The High-Speed Qualities of Sentiment
|
Canales, Jimena
|
|
2006
|
|
3 |
p. 275-294
|
artikel
|
| 114 |
Moving bodies: captured life in the late works of Harun Farocki
|
Balsom, Erika
|
|
|
|
3 |
p. 358-377
|
artikel
|
| 115 |
Moving Pictures: Cinema and Its Obsolescence in Contemporary Art
|
Nardelli, Matilde
|
|
2009
|
|
3 |
p. 243-264
|
artikel
|
| 116 |
Numbers/Data: A Roundtable
|
Connor, Steven
|
|
2017
|
|
3 |
p. 355-385
|
artikel
|
| 117 |
Occupation by Absence, Preoccupation with Presence: A Worm's-Eye View of Art Biennials
|
Wu, Chin-Tao
|
|
2007
|
|
3 |
p. 379-386
|
artikel
|
| 118 |
Ocean Paradise
|
Su-Ling Welland, Sasha
|
|
2007
|
|
3 |
p. 419-435
|
artikel
|
| 119 |
On (Being) Fear: Utah v. Strieff and the Ontology of Affect
|
Douglass, Patrice D
|
|
2018
|
|
3 |
p. 332-342
|
artikel
|
| 120 |
One Does Not Simply: An Introduction to the Special Issue on Internet Memes
|
Nooney, Laine
|
|
2014
|
|
3 |
p. 248-252
|
artikel
|
| 121 |
Operative Bodies: Live Action and Animation in Medical Films of the 1920s
|
Ostherr, Kirsten
|
|
2012
|
|
3 |
p. 352-377
|
artikel
|
| 122 |
Optic/Haptic/Abject: Revisioning Indigenous Media in Victor Masayesva, Jr and Leslie Marmon Silko
|
Jacobs, Karen
|
|
2004
|
|
3 |
p. 291-316
|
artikel
|
| 123 |
Ordering, Searching, Finding
|
Vestberg, Nina Lager
|
|
2013
|
|
3 |
p. 472-489
|
artikel
|
| 124 |
Outside of Place and Other than Optical: Walter Benjamin and the Geography of Critical Thought
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Dubow, Jessica
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2004
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3 |
p. 259-274
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artikel
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| 125 |
Paradoxes of the Heart: The Philosophy of Horror Twenty-Five Years Later : An Interview by Caetlin Benson-Allott
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Benson-Allott, Caetlin
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2015
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3 |
p. 336-343
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artikel
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| 126 |
Perceptual Machines: Communication, Archiving, and Vision in Post-War American Design
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Halpern, Orit
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2012
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3 |
p. 328-351
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artikel
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| 127 |
Performance, Live Culture and Things of the Heart
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Phelan, Peggy
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2003
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3 |
p. 291-302
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artikel
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| 128 |
Piercing Brightness as an Exploration of the An-archic Imaginary (in conversation with Mark Bartlett)
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Dawood, Shezad
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2013
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3 |
p. 431-449
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artikel
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| 129 |
Playing the Race Card with Lacan
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Mitchell, W.J.T.
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2011
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3 |
p. 405-409
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artikel
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| 130 |
Poetry Makes Nothing Happen and Architecture Is When Theory Is the Residue of a Journey
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Emerling, Jae
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2016
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3 |
p. 301-310
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artikel
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| 131 |
Polemics, Postmodernism, Immersion, Militarized Space
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Foster, Hal
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2004
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3 |
p. 320-335
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artikel
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| 132 |
Pop-up theory: distraction and consumption in the age of meta-information
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Rutsky, R. L.
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2002
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3 |
p. 279-294
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artikel
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| 133 |
Portfolio of Artworks
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Gleisser, Faye
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2018
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3 |
p. 357-373
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artikel
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| 134 |
Reflections on Internet Culture
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Zittrain, Jonathan L
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2014
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3 |
p. 388-394
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artikel
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| 135 |
Response to Mark B.N. Hansen’s ‘Affect as Medium, or the “Digital-Facial-Image”’
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Rushton, Richard
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2004
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3 |
p. 353-357
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artikel
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| 136 |
Reviews Section: Provocation
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Emerling, Jae
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3 |
p. 412-413
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artikel
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| 137 |
Re-visions: Remarks on the Love of Cinema: An Interview by Oliver Davis
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Rancière, Jacques
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2011
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3 |
p. 294-304
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artikel
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| 138 |
RoCH Fans and Legends (Entries)
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lok, susan pui san
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2013
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3 |
p. 364-374
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artikel
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| 139 |
Roundtable: The Politics, Ethics, and Aesthetics of Exhibitions about Guns. Contributions by Atteqa Ali, Jonathan Ferrara, Kathy O’Dell, and Susanne Slavick (Compiled by Faye Gleisser and Delia Solomons)
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2018
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3 |
p. 374-386
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artikel
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| 140 |
Ruining the President’s spectacle: theatricality and telepolitics in the Buenos Aires public sphere
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Guano, Emanuela
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2002
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3 |
p. 303-323
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artikel
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| 141 |
Science and Documentary: Unity, Indexicality, Reality
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Malitsky, Joshua
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2012
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3 |
p. 237-257
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artikel
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| 142 |
Shifting in the Ruins
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Melville, Stephen
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2005
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3 |
p. 275-286
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artikel
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| 143 |
Snakes, Skins and the Sphinx: Nietzsche's Ecdysis
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Tyler, Tom
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2006
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3 |
p. 365-385
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artikel
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| 144 |
Some Fallacies and Truths Concerning the Image in Old and New Media
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Lechte, John
|
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2011
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3 |
p. 354-371
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artikel
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| 145 |
Spectacle's Politics and the Singapore Biennale
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Tang, Jeannine
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2007
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3 |
p. 365-377
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artikel
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| 146 |
Spooks/Postmortem TV
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Marriott, David
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2005
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3 |
p. 307-327
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artikel
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| 147 |
Starting with the Square: Parallels in Practice in the Works of Josef Albers and Louis Kahn
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Emerling, Jae
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2016
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3 |
p. 357-366
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artikel
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| 148 |
Stilling the Punch: Boxing, Violence and the Photographic Image
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Nead, Lynda
|
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2011
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3 |
p. 305-323
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artikel
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| 149 |
Superficies: la pintura de Antoni Tàpies
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Düttmann, Alexander García
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2002
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3 |
p. 295-301
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artikel
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| 150 |
Superpower vs Supernatural: Black Superheroes and the Quest for a Mutant Reality
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Scott, Anna Beatrice
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2006
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3 |
p. 295-314
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artikel
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| 151 |
The Archival Multitude
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Abbas, Basel
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2013
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3 |
p. 345-363
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artikel
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| 152 |
The Burning Mirror: Photography in an Ambivalent Light
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Miles, Melissa
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2005
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3 |
p. 329-349
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artikel
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| 153 |
The Childhood of Human Rights: The Kodak on the Congo
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Sliwinski, Sharon
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2006
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3 |
p. 333-363
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artikel
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| 154 |
The Cultural Logic of Photo-Based Meme Genres
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Shifman, Limor
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2014
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3 |
p. 340-358
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artikel
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| 155 |
‘The Direct Medium of the Vision’: Visual Education, Virtual Witnessing and the Prehistoric Past at the American Museum of Natural History, 1890-1923
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Cain, Victoria E.M.
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2010
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3 |
p. 284-303
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artikel
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| 156 |
The Future Was When: Art Criticism and the Comparative Tenses of Hong Kong and Singapore
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Lee Weng Choy,
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2007
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p. 343-348
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artikel
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| 157 |
The Gesture of Photographing
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Flusser (Translation and Introduction by Nancy Ann Roth), Vilém
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2011
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3 |
p. 279-293
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artikel
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| 158 |
The Hundreds, observation, encounter, atmosphere, and world-making
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Berlant, Lauren
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3 |
p. 289-304
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artikel
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| 159 |
The Imaginary Breeze: Remarks on the Air of the Quattrocento
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Didi-Huberman, Georges
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2003
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3 |
p. 275-289
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artikel
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| 160 |
The Last Pictures
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Paglen, Trevor
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2013
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3 |
p. 508-514
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artikel
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| 161 |
The Life of Movement: From Microcinematography to Live-Cell Imaging
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Landecker, Hannah
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2012
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p. 378-399
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artikel
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| 162 |
The Martin Luther King Jr. Memorial: A Flawed Concept
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Margolin, Victor
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2012
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3 |
p. 400-408
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artikel
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| 163 |
The Material Evidence of Ancient Maya Sculpture
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O'Neil, Megan E.
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2010
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3 |
p. 316-328
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artikel
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| 164 |
‘The Most Fascinating and Well-Designed Artifacts of Our Time’: Collecting and Exhibiting Contemporary Guns in the Art Museum
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Fisher, Michelle Millar
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2018
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p. 272-285
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| 165 |
Theoretical Consoles: Concepts for Gadget Analysis
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Verhoeff, Nanna
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2009
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p. 279-298
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artikel
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| 166 |
Theses on the Philosophy of History: The Work of Research in the Age of Digital Searchability and Distributability
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Smith, Marquard
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2013
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p. 375-403
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| 167 |
The Sky is (not) the Limit: Envisioning the Ultimate Public Media Display
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Huhtamo, Erkki
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2009
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p. 329-348
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| 168 |
The Unbound Book: Academic Publishing in the Age of the Infinite Archive
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Hall, Gary
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2013
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p. 490-507
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| 169 |
Thoughts on the Meaning of Return: HKG><YVR
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Ming Wai Jim, Alice
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2007
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p. 333-341
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artikel
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| 170 |
To make what is vertical horizontal: picturing social domination
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Triantafillou, Eric
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p. 265-288
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| 171 |
(un)Housing Aboriginal Possessions in the Virtual Museum: Cultural Practices and Decolonization in civilization.ca and Reservation X
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Emberley, Julia
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2006
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p. 387-410
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| 172 |
Up Close and From Afar: Curating Hong Kong from Dual Perspectives
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Lai, Sally
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2007
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p. 355-358
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artikel
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| 173 |
Visual and audiovisual: from image to moving image
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Cubitt, Sean
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2002
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p. 359-368
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artikel
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| 174 |
Visual Culture, Transvestiture and Political Catastrophe(Or, So Is Art Queer, Then?)
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Preziosi, Donald
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2004
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p. 275-290
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artikel
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| 175 |
Visualizing a Black Future: Emory Douglas and the Black Panther Party
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Gaiter, Colette
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2018
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p. 299-311
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artikel
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| 176 |
Visual Testimonies of Atrocity: Archives of Political Violence in Chile and Guatemala
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Gómez-Barris, Macarena
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2010
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p. 409-419
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artikel
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| 177 |
Visual Testimony: Lee Miller’s Dachau
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Sliwinski, Sharon
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2010
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p. 389-408
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artikel
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| 178 |
Waiting and Seeing
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Rifkin, Adrian
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2003
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p. 325-339
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artikel
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| 179 |
Wait, then Give Up: Lethargy and the Reticence of Digital Art
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Hu, Tung-Hui
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2017
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p. 337-354
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artikel
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| 180 |
What Does Seeing an Image Mean?
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Mondzain, Marie-José
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2010
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3 |
p. 307-315
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artikel
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| 181 |
What’s the Matter: Race as Res
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Loren, Scott
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2011
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3 |
p. 397-405
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artikel
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| 182 |
Witnessing famine: the testimonial work of famine photographs and anti-colonial spectatorship
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Ghosh, Tanushree
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3 |
p. 327-357
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artikel
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| 183 |
Witness to War: The Uses of Photography in the Illustrated Press, 1855-1904
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Gervais, Thierry
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2010
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p. 370-384
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