| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Book Review: European Studies
|
Fuchs, Anne
|
|
2010
|
40 |
3 |
p. 284-285
|
artikel
|
| 2 |
Book Review: French Studies
|
Gilby, Emma
|
|
2010
|
40 |
3 |
p. 285-287
|
artikel
|
| 3 |
Book Review: German Studies
|
Skrine, Peter
|
|
2010
|
40 |
3 |
p. 289-290
|
artikel
|
| 4 |
Book Review: Goethe Yearbook, Volume 17. Edited by Daniel Purdy with Catriona MacLeod, Book Review Editor. Rochester, NY: Camden House, 2010. Pp. x + 414. £40.00
|
Bishop, Paul
|
|
2010
|
40 |
3 |
p. 290-291
|
artikel
|
| 5 |
Book Review: How to Be French: Nationality in the Making since 1789. By Patrick Weil. Translated by Catherine Porter. Durham, NC and London: Duke University Press, 2008. Pp. xii + 440. £24.95. Reproducing the French Race: Immigration, Intimacy, and Embodiment in the Early Twentieth Century. By Elisa Camiscioli. Durham, NC and London: Duke University Press, 2009. Pp. xii + 228. £17.99
|
Fletcher, John
|
|
2010
|
40 |
3 |
p. 287-288
|
artikel
|
| 6 |
Book Review: Mythology, Madness, and Laughter: Subjectivity in German Idealism. By Markus Gabriel and Slavoj Žižek. London and New York: Continuum, 2009. Pp. vi + 202. £16.99
|
Bishop, Paul
|
|
2010
|
40 |
3 |
p. 291-292
|
artikel
|
| 7 |
Book Review: Performing Femininity: Dance and Literature in German Modernism. By Alexandra Kolb. Berlin: Peter Lang, 2009. Pp. viii + 316. £40.00
|
Adley, Melanie
|
|
2010
|
40 |
3 |
p. 294-295
|
artikel
|
| 8 |
Book Review: Perspectives on Gender in Post-1945 German Literature. By Georgina Paul. Rochester: Camden House, 2009. Pp. 245. £40.00
|
Bland, Caroline
|
|
2010
|
40 |
3 |
p. 295-297
|
artikel
|
| 9 |
Book Review: W G Sebald: Schreiben ex patria / Expatriate Writing. Edited by Gerhard Fischer. (Amsterdamer Beiträge zur neueren Germanistik 72.) Amsterdam and New York: Rodopi, 2009. Pp. 527. £99.75
|
Sheppard, Richard
|
|
2010
|
40 |
3 |
p. 297-300
|
artikel
|
| 10 |
Book Review: Women in the Works of Lou Andreas-Salomé: Negotiating Identity. By Muriel Cormican. Rochester, NY: Camden House, 2009. Pp. x + 183. £40.00
|
Bishop, Paul
|
|
2010
|
40 |
3 |
p. 292-294
|
artikel
|
| 11 |
‘C’est le petit livre rouge / Qui fait que tout enfin bouge’: The case for revolutionary agency and terrorism in Jean-Luc Godard’s La Chinoise
|
Williams, James S
|
|
2010
|
40 |
3 |
p. 206-218
|
artikel
|
| 12 |
Domestic terror: 1970s radicalism in Philip Roth’s An American Pastoral and Susan Choi’s An American Woman
|
Scanlan, Margaret
|
|
2010
|
40 |
3 |
p. 258-271
|
artikel
|
| 13 |
Introduction
|
Preece, Julian
|
|
2010
|
40 |
3 |
p. 203-205
|
artikel
|
| 14 |
Italian cinema and the ‘anni di piombo’
|
O'Leary, Alan
|
|
2010
|
40 |
3 |
p. 243-257
|
artikel
|
| 15 |
RAF revivalism in German fiction of the 2000s
|
Preece, Julian
|
|
2010
|
40 |
3 |
p. 272-283
|
artikel
|
| 16 |
The coding of aesthetic and thematic discourse in a cinematic mnemonic: The case of Ama Lur (1968)
|
Stone, Rob
|
|
2010
|
40 |
3 |
p. 230-242
|
artikel
|
| 17 |
Writing radical protest: The Angry Brigade and two English novels
|
Crews, Brian
|
|
2010
|
40 |
3 |
p. 219-229
|
artikel
|
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