| no |
title |
author |
magazine |
year |
volume |
issue |
page(s) |
type |
| 1 |
Advertising Visual Images: Gendered Ways of Seeing and Looking
|
Shields, Vickie Rutledge
|
|
1990
|
14 |
2 |
p. 25-39
|
article
|
| 2 |
Dante's Inferno and Caesar's Ghost: Intertextuality and Conditions of Reception in Early American Cinema
|
Uricchio, William
|
|
1990
|
14 |
2 |
p. 71-85
|
article
|
| 3 |
Extending the Law of Intellectual Property: Hollywood's International Anti-Videocassette Piracy Campaign
|
Bettig, Ronald V.
|
|
1990
|
14 |
2 |
p. 55-70
|
article
|
| 4 |
Photography and the Industrialization of the Body
|
Lalvani, Suren
|
|
1990
|
14 |
2 |
p. 86-105
|
article
|
| 5 |
Photography in American History, Culture and Society: A Review Esssay Stange, Maren. Symbols of Ideal Life, Social Documentary Photography in America, 1890-1950. Cambridge University Press, Cambridge, 1989, 190.pp. Trachtenberg, Alan. Reading American Photographs, Images as History, Mathew Brady to Walker Evans. Hill and Wang. 1989, 326 pp
|
Craig, Robert L.
|
|
1990
|
14 |
2 |
p. 106-115
|
article
|
| 6 |
Representation Systems of Photographic Critics
|
Lockridge, Rebecca Bryant
|
|
1990
|
14 |
2 |
p. 5-24
|
article
|
| 7 |
The Hay-Wain: Cluster Analysis in Visual Communication
|
Reid, Kathaleen
|
|
1990
|
14 |
2 |
p. 40-54
|
article
|
Journal description