| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
A commentary on the special issue Performance and Citizenship: Challenging populist political performances through citizenship as performance?
|
Rovisco, Maria
|
|
2019
|
|
5 |
p. 706-715
|
artikel
|
| 2 |
A cybergeography of public art encounter: The case of Rubber Duck
|
Zebracki, Martin
|
|
2017
|
|
5 |
p. 526-544
|
artikel
|
| 3 |
A life course perspective on fandom
|
Lee Harrington, C.
|
|
2010
|
|
5 |
p. 429-450
|
artikel
|
| 4 |
All for love: The Corn fandom, prosumers, and the Chinese way of creating a superstar
|
Yang, Ling
|
|
2009
|
|
5 |
p. 527-543
|
artikel
|
| 5 |
Amateur experts
|
Baym, Nancy K.
|
|
2009
|
|
5 |
p. 433-449
|
artikel
|
| 6 |
America Online volunteers
|
Postigo, Hector
|
|
2009
|
|
5 |
p. 451-469
|
artikel
|
| 7 |
A trickster as a quest for Self in B. Hrabal’s I Served the King of England
|
Weaver, Simon
|
|
2016
|
|
5 |
p. 563-575
|
artikel
|
| 8 |
Australia’s ‘child-abuse material’ legislation, internet regulation and the juridification of the imagination
|
McLelland, Mark
|
|
2012
|
|
5 |
p. 467-483
|
artikel
|
| 9 |
Belligerent broadcasting and makeover television: Professional incivility in Ramsay’s Kitchen Nightmares
|
Higgins, Michael
|
|
2012
|
|
5 |
p. 501-518
|
artikel
|
| 10 |
C’mon girlfriend
|
Frith, Hannah
|
|
2010
|
|
5 |
p. 471-489
|
artikel
|
| 11 |
Co-creative labour
|
Banks, John
|
|
2009
|
|
5 |
p. 419-431
|
artikel
|
| 12 |
Competition and collaboration: Chinese video websites, subtitle groups, state regulation and market
|
Hu, Kelly
|
|
2014
|
|
5 |
p. 437-451
|
artikel
|
| 13 |
Constructing a digital storycircle: Digital infrastructure and mutual recognition
|
Couldry, Nick
|
|
2015
|
|
5 |
p. 501-517
|
artikel
|
| 14 |
Critical literacy lessons for the intellectual properties of learning from Bede and Alcuin of York
|
Willinsky, John
|
|
2013
|
|
5 |
p. 475-489
|
artikel
|
| 15 |
Cultural studies and critical literacies
|
Rutten, Kris
|
|
2013
|
|
5 |
p. 443-456
|
artikel
|
| 16 |
Cultures of (dis)trust: Shame and solidarity from recipient NGO perspectives
|
Paragi, Beata
|
|
2018
|
|
5 |
p. 486-504
|
artikel
|
| 17 |
Defining transcomedy: Humor, tricksterism, and postcolonial affect from Gerald Vizenor to Sacha Baron Cohen
|
Weaver, Simon
|
|
2016
|
|
5 |
p. 487-500
|
artikel
|
| 18 |
Doing cultural studies: What is literacy in the age of the post?
|
Tomaselli, Keyan G.
|
|
2013
|
|
5 |
p. 521-537
|
artikel
|
| 19 |
‘Dude … stop the spread’: antagonism, agonism, and #manspreading on social media
|
Jane, Emma A
|
|
2017
|
|
5 |
p. 459-475
|
artikel
|
| 20 |
Emotion and secrecy in Australian asylum-seeker comics: The politics of visual style
|
Humphrey, Aaron
|
|
2018
|
|
5 |
p. 457-485
|
artikel
|
| 21 |
Expressing the self through greeting card sentiment
|
West, Emily
|
|
2010
|
|
5 |
p. 451-469
|
artikel
|
| 22 |
Fan activists and the politics of race in The Last Airbender
|
Lopez, Lori Kido
|
|
2012
|
|
5 |
p. 431-445
|
artikel
|
| 23 |
Game playing as transnational cultural practice: A case study of Chinese gamers and Korean MMORPGs
|
Yoon, Tae-Jin
|
|
2014
|
|
5 |
p. 469-483
|
artikel
|
| 24 |
Global media cultures among the stars: Formations of celebrity in outer space
|
Damjanov, Katarina
|
|
2018
|
|
5 |
p. 553-568
|
artikel
|
| 25 |
Happy birthday Mama Winnie! The cultural politics of nostalgic portraits on the Twitter feed of @WinnieMandela
|
Iqani, Mehita
|
|
2018
|
|
5 |
p. 520-538
|
artikel
|
| 26 |
Hidden sights
|
Tegelberg, Matthew
|
|
2010
|
|
5 |
p. 491-509
|
artikel
|
| 27 |
If You Are the One: Dating shows and feminist politics in contemporary China
|
Li, Luzhou
|
|
2015
|
|
5 |
p. 519-535
|
artikel
|
| 28 |
Internet dating sites as heterotopias of gender performance: A case study of Taiwanese heterosexual male daters
|
Wang, Yow-Juin
|
|
2012
|
|
5 |
p. 485-500
|
artikel
|
| 29 |
Introduction: Performance and Citizenship
|
Rovisco, Maria
|
|
2019
|
|
5 |
p. 615-629
|
artikel
|
| 30 |
Introduction: Tricksters, humour and activism
|
Weaver, Simon
|
|
2016
|
|
5 |
p. 479-485
|
artikel
|
| 31 |
Jaime Garzón’s trickster discourse: His messages, social commentary, and legacy in Colombian comedy
|
Weaver, Simon
|
|
2016
|
|
5 |
p. 519-534
|
artikel
|
| 32 |
Lampedusa, 3 October 2013: Anatomy of a social representation1
|
Nicolosi, Guido
|
|
2018
|
|
5 |
p. 539-552
|
artikel
|
| 33 |
Misfortunes, memories and sunsets
|
Pantti, Mervi
|
|
2009
|
|
5 |
p. 471-489
|
artikel
|
| 34 |
Narrative dissidence, spoof videos and alternative memory in China
|
Weaver, Simon
|
|
2016
|
|
5 |
p. 501-517
|
artikel
|
| 35 |
Natives and tourists of prosumer capitalism: On the varied pro-prosumer activities of producers exemplified in the Polish pop culture industry
|
Siuda, Piotr
|
|
2017
|
|
5 |
p. 545-563
|
artikel
|
| 36 |
Navigating the boys’ club: Debra DiGiovanni and the performative strategy of comic self-deprecation
|
Weaver, Simon
|
|
2016
|
|
5 |
p. 535-547
|
artikel
|
| 37 |
New European tricksters: Polish jokes in the context of European Union labour migration
|
Weaver, Simon
|
|
2016
|
|
5 |
p. 577-591
|
artikel
|
| 38 |
Othering, racial hierarchies and identity construction in Japanese television advertising
|
Prieler, Michael
|
|
2010
|
|
5 |
p. 511-529
|
artikel
|
| 39 |
Performance and social activism in Morocco: The legacy of Fatima Chebchoub
|
Weaver, Simon
|
|
2016
|
|
5 |
p. 549-562
|
artikel
|
| 40 |
Performing civic cultures: Participatory public art and its publics
|
Rovisco, Maria
|
|
2019
|
|
5 |
p. 630-646
|
artikel
|
| 41 |
Popular music heritage, community archives and the challenge of sustainability
|
Baker, Sarah
|
|
2017
|
|
5 |
p. 476-491
|
artikel
|
| 42 |
Practise what you preach: Engaging in humanities research through critical praxis
|
Adema, Janneke
|
|
2013
|
|
5 |
p. 491-505
|
artikel
|
| 43 |
Production and governance in hackerspaces: A manifestation of Commons-based peer production in the physical realm?
|
Kostakis, Vasilis
|
|
2015
|
|
5 |
p. 555-573
|
artikel
|
| 44 |
Provocative engagement: Documentary audiences and performances in The Act of Killing and The Look of Silence
|
Rovisco, Maria
|
|
2019
|
|
5 |
p. 662-677
|
artikel
|
| 45 |
Raymond Williams and the politics of the commons: The performative quality of the intellectual
|
Rovisco, Maria
|
|
2019
|
|
5 |
p. 691-705
|
artikel
|
| 46 |
Re-imaging: Mural painting and the state in Northern Ireland
|
Rolston, Bill
|
|
2012
|
|
5 |
p. 447-466
|
artikel
|
| 47 |
Review: Andrew Ross
|
Banks, John
|
|
2009
|
|
5 |
p. 545-547
|
artikel
|
| 48 |
Rewind and recollect: Activating dormant memories and politics in Teresa Teng’s music videos uploaded on YouTube
|
Khiun, Liew Kai
|
|
2014
|
|
5 |
p. 503-515
|
artikel
|
| 49 |
Rhizomatic behaviours in social media: V-logging and the independent film industry in Malaysia
|
Lim, Joanne B.Y.
|
|
2014
|
|
5 |
p. 517-535
|
artikel
|
| 50 |
Sleeping with the enemy: Audience studies and critical literacy
|
Hermes, Joke
|
|
2013
|
|
5 |
p. 457-473
|
artikel
|
| 51 |
Social distribution: K-pop fan practices in Indonesia and the ‘Gangnam Style’ phenomenon
|
Jung, Sun
|
|
2014
|
|
5 |
p. 485-501
|
artikel
|
| 52 |
Social identity dynamics and emotional labour: The multiple roles of the tuina masseuse in the Shenzhen spa
|
Chan, Michael
|
|
2012
|
|
5 |
p. 519-534
|
artikel
|
| 53 |
Social media and cross-border cultural transmissions in Asia: States, industries, audiences
|
Huat, Chua Beng
|
|
2014
|
|
5 |
p. 417-422
|
artikel
|
| 54 |
Staging citizenship: Artistic performance as a site of contestation of citizenship
|
Rovisco, Maria
|
|
2019
|
|
5 |
p. 647-661
|
artikel
|
| 55 |
Stardom from the perspective of media power: Reproducing media power in the reception of Li Yuchun’s stardom
|
Cui, Li
|
|
2017
|
|
5 |
p. 509-525
|
artikel
|
| 56 |
The cyberlocker gold rush: Tracking the rise of file-hosting sites as media distribution platforms
|
Lobato, Ramon
|
|
2014
|
|
5 |
p. 423-435
|
artikel
|
| 57 |
The epidemiological factor: A genealogy of the link between medicine and politics
|
Maureira, Marco
|
|
2018
|
|
5 |
p. 505-519
|
artikel
|
| 58 |
The mediation is the message
|
Barra, Luca
|
|
2009
|
|
5 |
p. 509-525
|
artikel
|
| 59 |
The micro-movie wave in a globalising China: Adaptation, formalisation and commercialisation
|
Zhao, Elaine Jing
|
|
2014
|
|
5 |
p. 453-467
|
artikel
|
| 60 |
The pain and pleasure of roller derby: Thinking through affect and subjectification
|
Pavlidis, Adele
|
|
2015
|
|
5 |
p. 483-499
|
artikel
|
| 61 |
The performance of power and citizenship: David Cameron meets the people
|
Rovisco, Maria
|
|
2019
|
|
5 |
p. 678-690
|
artikel
|
| 62 |
The Quiapo cinémathèque
|
Trice, Jasmine Nadua
|
|
2010
|
|
5 |
p. 531-550
|
artikel
|
| 63 |
‘What is the meaning of a safety-pin?’ Critical literacies and the ethnographic turn in contemporary art
|
Rutten, Kris
|
|
2013
|
|
5 |
p. 507-520
|
artikel
|
| 64 |
When passion isn’t enough: gender, affect and credibility in digital games design
|
Harvey, Alison
|
|
2017
|
|
5 |
p. 492-508
|
artikel
|
| 65 |
Witnesses of a cultural crisis: Representations of media-related metaprocesses as professional metacriticism of arts and cultural journalism
|
Jaakkola, Maarit
|
|
2015
|
|
5 |
p. 537-554
|
artikel
|
| 66 |
Working for the text
|
Milner, R.M.
|
|
2009
|
|
5 |
p. 491-508
|
artikel
|
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