| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
|
Grauby, Françoise
|
|
2009
|
|
4 |
p. 351-367
|
artikel
|
| 2 |
At the boundary of action and dream: Surrealism and the battle for post-Liberation France
|
Adams, Ellen E.
|
|
2016
|
|
4 |
p. 319-334
|
artikel
|
| 3 |
Biribi: Disciplining and punishing in the French empire
|
Hewitt, Nicholas
|
|
2018
|
|
4 |
p. 321-329
|
artikel
|
| 4 |
Changing perspectives: France’s post-war laureates and the Nobel Prize for Literature
|
Weston-Evans, Phoebe
|
|
2017
|
|
4 |
p. 399-414
|
artikel
|
| 5 |
Chanson as Oral Poetry? Paul Zumthor and the Analysis of Performance
|
Cordier, Adeline
|
|
2009
|
|
4 |
p. 403-418
|
artikel
|
| 6 |
Cioran–Eliade, la correspondance de jeunesse
|
Brad, Rodica Maria
|
|
2019
|
|
4 |
p. 281-293
|
artikel
|
| 7 |
Colonial ‘gimmicks’ of French cultural education
|
Fatih, Zakaria
|
|
2013
|
|
4 |
p. 332-345
|
artikel
|
| 8 |
Écriture, mémoire et structure d’horizon chez Patrick Modiano
|
Carriedo, Lourdes
|
|
2012
|
|
4 |
p. 341-349
|
artikel
|
| 9 |
Cross-generational companionship: Representations of ageing in contemporary French cinema
|
Günther, Renate
|
|
2015
|
|
4 |
p. 439-447
|
artikel
|
| 10 |
Culture and the popular: Introduction to essays in memory of Brian Rigby
|
Hewitt, Nicholas
|
|
2018
|
|
4 |
p. 293-299
|
artikel
|
| 11 |
Dark modernism: Champroux’s nocturnal vision of Brussels
|
Hommelen, Ruth
|
|
2015
|
|
4 |
p. 385-403
|
artikel
|
| 12 |
Domesticating enchantment: Mediating feminine magic in the interwar French fashion magazine
|
Parkins, Ilya
|
|
2017
|
|
4 |
p. 344-359
|
artikel
|
| 13 |
Entre chien et loup : Incertitude de l’apparence et écriture du silence dans les œuvres illustrées et les images textuelles de Patrick Modiano
|
Donadille, Christian
|
|
2012
|
|
4 |
p. 329-340
|
artikel
|
| 14 |
EssayReview : Cahiers Henry Poulaille, 1. Bassac: Éditions Plein Chant, 1989. Pp. 126. 90F. Karl-Anders Arvidsson. Henry Poulaille et la littérature prolétarienne des années 1930. Paris: Romanica Gothoburgensia XXV, Touzot, 1988. Pp. 288. 200 S.Kr. ISBN 91-7346-189-X
|
Chapman, Rosemary
|
|
1991
|
|
4 |
p. 97-100
|
artikel
|
| 15 |
Fashion and the femmes tondues: Lee Miller, Vogue and representing Liberation France
|
Hewitt, Nicholas
|
|
2018
|
|
4 |
p. 330-344
|
artikel
|
| 16 |
Figuring art in Philippe Lacoue-Labarthe’s Écrits sur l’art
|
Poiana, Peter
|
|
2013
|
|
4 |
p. 430-440
|
artikel
|
| 17 |
Fixation du sens et force critique : rhétorique et stéréotypes dans la performance comique francophone
|
Rousseau, Sandra
|
|
2017
|
|
4 |
p. 387-398
|
artikel
|
| 18 |
French free radio
|
Bradley, Paul
|
|
1991
|
|
4 |
p. 35-50
|
artikel
|
| 19 |
Frenchmen in the AIF: French–Australian identities during the First World War
|
Georgelin, Pauline
|
|
2019
|
|
4 |
p. 294-306
|
artikel
|
| 20 |
Frigidity, Gender and Power in French Cultural History
|
Moore, Alison
|
|
2009
|
|
4 |
p. 331-349
|
artikel
|
| 21 |
From life writing to thing writing: François Bon’s Autobiographie des objets
|
Blackhurst, Alice
|
|
2015
|
|
4 |
p. 426-438
|
artikel
|
| 22 |
Game of hypocrites: Beurs break silence in Faïza Guène’s Kiffe kiffe demain
|
Seblini, Nour
|
|
2019
|
|
4 |
p. 335-346
|
artikel
|
| 23 |
Giono and Melville: A ‘voyage imaginaire’ through nineteenth-century England
|
Hewitt, Nicholas
|
|
2018
|
|
4 |
p. 308-320
|
artikel
|
| 24 |
Henri Barbusse, official biographer of Joseph Stalin
|
Sobanet, Andrew
|
|
2013
|
|
4 |
p. 359-375
|
artikel
|
| 25 |
Instruction, distraction, réflexion: lecture de Persepolis
|
Place-Verghnes, Floriane
|
|
2010
|
|
4 |
p. 257-265
|
artikel
|
| 26 |
Introduction
|
Holmes, Diana
|
|
2010
|
|
4 |
p. 243-246
|
artikel
|
| 27 |
Introduction
|
Cooke, Dervila
|
|
2012
|
|
4 |
p. 279-289
|
artikel
|
| 28 |
Jacques Prévert met en scène la crise de février 1934
|
Dalmas, Franck
|
|
2016
|
|
4 |
p. 305-318
|
artikel
|
| 29 |
Jean Eustache’s La Maman et la putain: A film maudit twice over?
|
Hewitt, Nicholas
|
|
2018
|
|
4 |
p. 360-366
|
artikel
|
| 30 |
Jean-Louis Comolli and La Cecilia: theory into practice
|
Smith, Alison
|
|
1991
|
|
4 |
p. 13-33
|
artikel
|
| 31 |
Joseph Epstein (1911–1944): The case of the forgotten Resistance hero rescued by the artist Pascal Convert
|
Saint, Nigel
|
|
2013
|
|
4 |
p. 398-416
|
artikel
|
| 32 |
La Côte d’Azur
|
Woloshyn, Tania Anne
|
|
2009
|
|
4 |
p. 383-402
|
artikel
|
| 33 |
La place de l’écran : Cinéma et intériorité dans la pratique narrative de Modiano
|
Nettelbeck, Colin
|
|
2012
|
|
4 |
p. 309-318
|
artikel
|
| 34 |
Le « climat Modiano » dans Des gens qui passent : Entretien avec Alain Nahum
|
Cooke, Dervila
|
|
2012
|
|
4 |
p. 304-308
|
artikel
|
| 35 |
Le roman d’entreprise: Breaking the silence
|
Marks, John
|
|
2017
|
|
4 |
p. 371-386
|
artikel
|
| 36 |
Mallarmé and Hegel: speculation and the poetics of reflection
|
Reynolds, Deirdre A.
|
|
1991
|
|
4 |
p. 71-89
|
artikel
|
| 37 |
Matters of principle for Jérôme Ferrari: Science and conscience, ethics and aesthetics in the life of Werner Heisenberg
|
Bracher, Nathan
|
|
2019
|
|
4 |
p. 269-280
|
artikel
|
| 38 |
Monumental Misdeeds: Rewriting French History and Identity with Claude Izner and Alix de Saint-André
|
Milne, Lorna
|
|
2010
|
|
4 |
p. 277-285
|
artikel
|
| 39 |
(N)ostalgie? Communism in French literature since 1989
|
Bowd, Gavin
|
|
2016
|
|
4 |
p. 361-371
|
artikel
|
| 40 |
Notice Board
|
Looseley, David
|
|
2010
|
|
4 |
p. 297-301
|
artikel
|
| 41 |
Notice-board
|
Kelly, Michael
|
|
1991
|
|
4 |
p. 101-105
|
artikel
|
| 42 |
Notice Board
|
Looseley, David
|
|
2009
|
|
4 |
p. 419-426
|
artikel
|
| 43 |
Occupation housewife: the domestic ideal in 1950s France
|
Duchen, Claire
|
|
1991
|
|
4 |
p. 01-11
|
artikel
|
| 44 |
Parody of political correctness or allegory of ‘immaterial labour’? A second look at Francis Veber’s Le Placard (2001)
|
Lane, Jeremy F.
|
|
2015
|
|
4 |
p. 404-414
|
artikel
|
| 45 |
Poetry into painting: Mallarmé, Picasso and punning
|
Shingler, Katherine
|
|
2013
|
|
4 |
p. 346-358
|
artikel
|
| 46 |
Présence urbaine et images maritimes chez Patrick Modiano
|
Zelinsky, Zeno
|
|
2012
|
|
4 |
p. 358-365
|
artikel
|
| 47 |
Recasting the heroic resistance ideal: Robert Bresson’s Un condamné à mort s’est échappé
|
Drapac, Vesna
|
|
2013
|
|
4 |
p. 376-397
|
artikel
|
| 48 |
(Re)-discovering the sacred in the material universe: An exploration of cosmic spirituality in the works of Malcolm de Chazal and Michel Serres
|
Moser, Keith
|
|
2016
|
|
4 |
p. 372-384
|
artikel
|
| 49 |
ReviewEssay : The latest on the Occupation
|
Flower, John
|
|
1991
|
|
4 |
p. 91-96
|
artikel
|
| 50 |
Revisiting Plozévet
|
Hewitt, Nicholas
|
|
2018
|
|
4 |
p. 345-359
|
artikel
|
| 51 |
Rupturing otherness, fashioning the self: The aesthetics and politics of self-transformation in Sakinna Boukhedenna’s Journal ‘Nationalité: immigré(e)’
|
Boutouba, Jimia
|
|
2013
|
|
4 |
p. 441-448
|
artikel
|
| 52 |
Storytelling: opium du peuple et / ou plaisirs du texte?
|
Migozzi, Jacques
|
|
2010
|
|
4 |
p. 247-255
|
artikel
|
| 53 |
Surrealist academicism Paul Delvaux's Éloge de la mélancolie
|
Scott, David
|
|
1991
|
|
4 |
p. 51-69
|
artikel
|
| 54 |
Texte à images, images de textes : Dieu prend-il soin des bœufs ? de Patrick Modiano et Gérard Garouste
|
Morris, Alan
|
|
2012
|
|
4 |
p. 319-328
|
artikel
|
| 55 |
The body politic: Gender, the right wing and ‘identity category violations’
|
Hewitt, Nicholas
|
|
2018
|
|
4 |
p. 367-377
|
artikel
|
| 56 |
The Comfortable Reader: Romantic Bestsellers and Critical Disdain
|
Holmes, Diana
|
|
2010
|
|
4 |
p. 287-296
|
artikel
|
| 57 |
The forgotten Spinozist: Romain Rolland, Gilles Deleuze, and the figure of Christ
|
Collins, Ashok
|
|
2017
|
|
4 |
p. 329-343
|
artikel
|
| 58 |
The inadequate archive: Ethical remaking in Silvia Kolbowski’s After Hiroshima mon amour
|
Jones, David Houston
|
|
2013
|
|
4 |
p. 417-429
|
artikel
|
| 59 |
The reconstruction of culture: Peuple et Culture and the popular education movement
|
Hewitt, Nicholas
|
|
2018
|
|
4 |
p. 300-307
|
artikel
|
| 60 |
The screen student-prostitute, a twenty-first-century discourse: Mes chères études (2010), Elles (2011), Jeune et jolie (2013)
|
Wallenbrock, Nicole Beth
|
|
2015
|
|
4 |
p. 415-425
|
artikel
|
| 61 |
The urban renovation of Marseille in Luc Besson’s Taxi series
|
Celik Rappas, Ipek A.
|
|
2016
|
|
4 |
p. 385-397
|
artikel
|
| 62 |
The work of collecting: Objects, sociality and self in Leïla Sebbar’s Lettres parisiennes and Mes Algéries en France
|
Wilson, Sonia
|
|
2016
|
|
4 |
p. 398-411
|
artikel
|
| 63 |
Traces, tracés et figures : Dans le café de la jeunesse perdue de Patrick Modiano
|
Kaminskas, Jurate
|
|
2012
|
|
4 |
p. 350-357
|
artikel
|
| 64 |
Transnational conundrums around trips by young people to Holocaust death camps: Ethical potentialities of incongruous memories in Thomas Duranteau’s travelogue Des miettes et des étoiles
|
Mihăilescu, Dana
|
|
2016
|
|
4 |
p. 348-360
|
artikel
|
| 65 |
Troubling Memories
|
Kilduff, Hannah
|
|
2009
|
|
4 |
p. 369-382
|
artikel
|
| 66 |
‘Une passion française’: The mourning of Johnny Hallyday
|
Hewitt, Nicholas
|
|
2018
|
|
4 |
p. 378-388
|
artikel
|
| 67 |
« Une représentation une fois pour toutes et pour toujours » ? Un cirque passe de Modiano et Des gens qui passent de Nahum
|
Cooke, Dervila
|
|
2012
|
|
4 |
p. 290-303
|
artikel
|
| 68 |
Vernon Sullivan’s alter ego interpretation
|
Rolls, Alistair
|
|
2016
|
|
4 |
p. 335-347
|
artikel
|
| 69 |
Visibility graphs and blindspots: Wajdi Mouawad’s Incendies and its mathematical poetics
|
Khordoc, Catherine
|
|
2019
|
|
4 |
p. 307-316
|
artikel
|
| 70 |
Visibility, speech and disembodiment in Jacques Panijel’s Octobre à Paris
|
Sharpe, Mani
|
|
2017
|
|
4 |
p. 360-370
|
artikel
|
| 71 |
Wired to the Word: On Reading Thrillers
|
Platten, David
|
|
2010
|
|
4 |
p. 267-275
|
artikel
|
| 72 |
Writing on the wall: Mathieu Tremblin’s ‘Tag Clouds’ and the politics of cultural assimilation
|
Matheron, Aurelie
|
|
2019
|
|
4 |
p. 317-334
|
artikel
|
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