| no |
title |
author |
magazine |
year |
volume |
issue |
page(s) |
type |
| 1 |
`After the End' Baudrillard's Future
|
Merrin, William
|
|
2008
|
|
3 |
p. 255-271
|
article
|
| 2 |
AndreÔ Makine's France
|
McCall, Ian
|
|
2005
|
|
3 |
p. 305-320
|
article
|
| 3 |
Andrée Viollis: A ‘Grand Reporter’ in the Intellectual Resistance, 1942−1944
|
Brunazzi, Elizabeth
|
|
2011
|
|
3 |
p. 229-237
|
article
|
| 4 |
An Old School Primer
|
Woollen, Geoff
|
|
2005
|
|
3 |
p. 227-239
|
article
|
| 5 |
Another Side to the Story: Confessions of Guilt in Occupation Narratives
|
Kitchen, Ruth
|
|
2011
|
|
3 |
p. 207-217
|
article
|
| 6 |
Au-delà d’une esthétique : Le rôle des arts (peinture, musique, littérature) au sein de la philosophie symboliste
|
Hernández Barbosa, Sonsoles
|
|
2015
|
|
3 |
p. 247-259
|
article
|
| 7 |
Autisme, j’accuse! Life-writing, autism and politics in the work of Hugo Horiot
|
Orchard, Vivienne
|
|
2019
|
|
3 |
p. 256-265
|
article
|
| 8 |
Autofiction littéraire, pornographie queer et culture trash : politique du corps et du sexe dans l’œuvre de Guillaume Dustan
|
Bremner, Natalia
|
|
2017
|
|
3 |
p. 282-290
|
article
|
| 9 |
Baudrillard's Gallic Shrug
|
Taylor, Paul
|
|
2008
|
|
3 |
p. 273-285
|
article
|
| 10 |
Baudrillard's Illusions
|
Grace, Victoria
|
|
2008
|
|
3 |
p. 347-361
|
article
|
| 11 |
Caillera, blanc et pédé : une figure trash dans trois films de Lionel Soukaz
|
Bremner, Natalia
|
|
2017
|
|
3 |
p. 268-281
|
article
|
| 12 |
Camara Laye et J. M. G Le Clézio dans la quête épistémologique de la nature par le mythe d’origine
|
Simpore, Karim
|
|
2019
|
|
3 |
p. 248-255
|
article
|
| 13 |
Comment peut-on être française et musulmane ? Lallab face à l’identité nationale
|
Mballo, Ramatoulaye
|
|
2018
|
|
3 |
p. 254-264
|
article
|
| 14 |
Comparing French and British Intellectuals: Towards a Cross-Channel Perspective
|
Kelly, Michael
|
|
2003
|
|
3 |
p. 336-348
|
article
|
| 15 |
Comparing French and British Intellectuals: Towards a Cross-Channel Perspective
|
Kelly, Michael
|
|
2003
|
|
3 |
p. 336-348
|
article
|
| 16 |
Constructing (in) the `Real' World
|
Hegarty, Paul
|
|
2008
|
|
3 |
p. 317-331
|
article
|
| 17 |
Cool Memories
|
Gane, Mike
|
|
2008
|
|
3 |
p. 305-315
|
article
|
| 18 |
Cross-undressing in Colette: Performance, gender and music-hall labour practice
|
Gray, Margaret E.
|
|
2012
|
|
3 |
p. 202-214
|
article
|
| 19 |
Culture and Information Technology in France
|
Melot, Michel
|
|
1990
|
|
3 |
p. 173-182
|
article
|
| 20 |
Daft Punk, la Toile et le disco: Revival culturel à l’heure du numérique
|
Poirrier, Philippe
|
|
2015
|
|
3 |
p. 368-381
|
article
|
| 21 |
Departures and Homecomings
|
Hewitt, Nicholas
|
|
2006
|
|
3 |
p. 257-268
|
article
|
| 22 |
Derrida, Autobiography and Postcoloniality
|
Hiddleston, Jane
|
|
2005
|
|
3 |
p. 291-304
|
article
|
| 23 |
Diasporic Subjectivities
|
Davis, Colin
|
|
2006
|
|
3 |
p. 335-348
|
article
|
| 24 |
Digitamorphosis of Music Consumption Practices
|
Granjon, Fabien
|
|
2009
|
|
3 |
p. 287-314
|
article
|
| 25 |
Digitizing Frenchness in 2001: On a ‘Historic’ Moment in the French Cinema
|
Austin, James F.
|
|
2004
|
|
3 |
p. 281-299
|
article
|
| 26 |
Disappearing bodies: The workplace and documentary film in an era of pure money
|
Waters, Sarah
|
|
2015
|
|
3 |
p. 289-301
|
article
|
| 27 |
Dogs and females: Vivisection, feminists and the novelist Rachilde
|
Finn, Michael R.
|
|
2012
|
|
3 |
p. 190-201
|
article
|
| 28 |
Dubuffet, Fautrier and Ponge: Recognition of the ‘Other’ as Intellectual Resistance in Art and Poetry in the War against Fascist Oppression
|
Perret, Caroline
|
|
2011
|
|
3 |
p. 197-206
|
article
|
| 29 |
‘Elle est où, ta place?’ The Social-Realist Melodramas of Laurent Cantet:
|
Higbee, Will
|
|
2004
|
|
3 |
p. 235-250
|
article
|
| 30 |
En marge du discours « néo-réactionnaire » : Le rap identitaire
|
Achille, Étienne
|
|
2018
|
|
3 |
p. 218-227
|
article
|
| 31 |
Erratum
|
|
|
2003
|
|
3 |
p. 335-335
|
article
|
| 32 |
Erratum
|
|
|
2003
|
|
3 |
p. 335
|
article
|
| 33 |
EssayReview : Denis Hollier (ed.). New History of French Literature. A panorama of literature in its cultural context - music, painting, politics, and monuments public and private. Cambridge, MA. & London: Harvard University Press. Pp.xxi + 1150. ISBN 0-674-61565-4
|
Thody, Philip
|
|
1990
|
|
3 |
p. 257-261
|
article
|
| 34 |
Fais de cela un monument
|
Kimyongür, Angela
|
|
2005
|
|
3 |
p. 259-272
|
article
|
| 35 |
Freedom of thought in the aftermath of the Charlie Hebdo attacks
|
Hollis-Touré, Isabel
|
|
2016
|
|
3 |
p. 233-244
|
article
|
| 36 |
French Cinema’s New ‘Sexual Revolution’: Postmodern Porn and Troubled Genre
|
Downing, Lisa
|
|
2004
|
|
3 |
p. 265-280
|
article
|
| 37 |
From Text to Screen: Portraits of Collaboration in Uranus
|
Merfeld-Langston, Audra L.
|
|
2010
|
|
3 |
p. 178-191
|
article
|
| 38 |
Genre, gender and the Republic: Televising the annual charity concert Les Enfoirés
|
Tinker, Chris
|
|
2015
|
|
3 |
p. 343-353
|
article
|
| 39 |
Georges Bataille’s Laughter: A Poetics of glissement
|
Boisseron, Bénédicte
|
|
2010
|
|
3 |
p. 167-177
|
article
|
| 40 |
Gerontocracy, propaganda and Youth: Youth propaganda in France 1940-1942
|
Kingston, Paul J.
|
|
1990
|
|
3 |
p. 183-212
|
article
|
| 41 |
Âge tendre et têtes de bois: Nostalgia, television and popular music in contemporary France
|
Tinker, Chris
|
|
2012
|
|
3 |
p. 239-255
|
article
|
| 42 |
Insults, humour and freedom of speech
|
Hollis-Touré, Isabel
|
|
2016
|
|
3 |
p. 245-255
|
article
|
| 43 |
In the heat of the moment: Bringing ‘Je suis Charlie’ into focus
|
Hollis-Touré, Isabel
|
|
2016
|
|
3 |
p. 223-232
|
article
|
| 44 |
In the limelight: French women from the banlieues on stage in Ahmed Madani’s F(l)ammes (2017)
|
Levasseur, Bruno
|
|
2018
|
|
3 |
p. 265-278
|
article
|
| 45 |
In the Service of the Enemy: The Traitor in French Occupation Narratives
|
Lloyd, Christopher
|
|
2011
|
|
3 |
p. 239-249
|
article
|
| 46 |
Introduction
|
Atack, Margaret
|
|
2011
|
|
3 |
p. 183-185
|
article
|
| 47 |
Introduction
|
Harris, Sue
|
|
2004
|
|
3 |
p. 211-217
|
article
|
| 48 |
Introduction
|
Bremner, Natalia
|
|
2017
|
|
3 |
p. 241-247
|
article
|
| 49 |
Introduction
|
Astbury, Katherine
|
|
2006
|
|
3 |
p. 251-256
|
article
|
| 50 |
Introduction
|
Harris, Sue
|
|
2013
|
|
3 |
p. 245-248
|
article
|
| 51 |
Introduction
|
Cooper, Nicola
|
|
2008
|
|
3 |
p. 251-254
|
article
|
| 52 |
Introduction: Risk assessing Charlie Hebdo
|
Hollis-Touré, Isabel
|
|
2016
|
|
3 |
p. 219-222
|
article
|
| 53 |
Jacques Bouveresse: Being UnFrench, Metaphorically
|
Baldwin, Thomas
|
|
2007
|
|
3 |
p. 321-333
|
article
|
| 54 |
Jill Forbes 1947-2001
|
Marshall, Bill
|
|
2003
|
|
3 |
p. 247-248
|
article
|
| 55 |
Jill Forbes 1947-2001
|
Marshall, Bill
|
|
2003
|
|
3 |
p. 247-248
|
article
|
| 56 |
Jill Forbes, Ou La Conversation Interrompue (Notes Sur Le Réalisme Dans Le Cinéma Français, 1895-1939)
|
Jeancolas, Jean-Pierre
|
|
2003
|
|
3 |
p. 257-263
|
article
|
| 57 |
Jill Forbes, Ou La Conversation Interrompue (Notes Sur Le Réalisme Dans Le Cinéma Français, 1895-1939)
|
Jeancolas, Jean-Pierre
|
|
2003
|
|
3 |
p. 257-263
|
article
|
| 58 |
Jill Forbes's Les Enfants Du Paradis
|
Mulvey, Laura
|
|
2003
|
|
3 |
p. 278-287
|
article
|
| 59 |
Jill Forbes's Les Enfants Du Paradis
|
Mulvey, Laura
|
|
2003
|
|
3 |
p. 278-287
|
article
|
| 60 |
J. M. G. Le Clézio and Gérard Gouesbet’s cosmic, ecocentric framework for understanding the nature of human violence
|
Moser, Keith
|
|
2019
|
|
3 |
p. 232-247
|
article
|
| 61 |
Kechiche and the French Classics
|
Nettelbeck, Colin
|
|
2007
|
|
3 |
p. 307-319
|
article
|
| 62 |
L’affaire Galmot: Colonialism on trial in 1931
|
Marsh, Kate
|
|
2015
|
|
3 |
p. 260-276
|
article
|
| 63 |
‘La Fèminitè Salvatrice’
|
Jones, Anwen
|
|
2005
|
|
3 |
p. 321-335
|
article
|
| 64 |
La littérature en archipel ou le retour de l’Insulaire
|
Lestringant, Frank
|
|
2006
|
|
3 |
p. 303-317
|
article
|
| 65 |
La Tentation d'Orphée
|
Lindeperg, Sylvie
|
|
2003
|
|
3 |
p. 264-277
|
article
|
| 66 |
La Tentation d'Orphée
|
Lindeperg, Sylvie
|
|
2003
|
|
3 |
p. 264-277
|
article
|
| 67 |
Le Club Med: L’idéalisme d’une époque
|
De Raedt, Thérèse
|
|
2010
|
|
3 |
p. 216-235
|
article
|
| 68 |
Le « corps républicain » et ses représentations dans les manuels scolaires de Paul Bert à la fin du XIXe siècle
|
Profillet, Lucas
|
|
2019
|
|
3 |
p. 179-195
|
article
|
| 69 |
Le Roman historique contemporain ou la voix/ voie marginale du passé
|
El Nossery, Névine
|
|
2009
|
|
3 |
p. 273-285
|
article
|
| 70 |
Lessons from Witchetty Grubs and Eskimos
|
Baldwin, Jon
|
|
2008
|
|
3 |
p. 333-346
|
article
|
| 71 |
`Lives Out of Sequence': Maternal Identity in François Truffaut's Les 400 Coups (1959) and Claude Miller's La Petite Voleuse (1988)
|
Harris, Sue
|
|
2003
|
|
3 |
p. 299-309
|
article
|
| 72 |
`Lives Out of Sequence': Maternal Identity in François Truffaut's Les 400 Coups (1959) and Claude Miller's La Petite Voleuse (1988)
|
Harris, Sue
|
|
2003
|
|
3 |
p. 299-309
|
article
|
| 73 |
Louis-Ferdinand Céline, literary genius or national pariah? Defining moral parameters for influential cultural figures, post-Charlie Hebdo
|
Hollis-Touré, Isabel
|
|
2016
|
|
3 |
p. 268-278
|
article
|
| 74 |
Ludovic-Mohamed Zahed’s performance of universal French citizenship and good Muslim brotherhood
|
Provencher, Denis M.
|
|
2013
|
|
3 |
p. 279-292
|
article
|
| 75 |
Marseille, European Capital of Culture 2013 Ins and Offs: A case for rethinking the effects of large-scale cultural initiatives
|
Giovanangeli, Angela
|
|
2015
|
|
3 |
p. 302-316
|
article
|
| 76 |
‘Mirror, mirror …’: Performance and presidential politics in contemporary France
|
Kuhn, Raymond
|
|
2013
|
|
3 |
p. 293-305
|
article
|
| 77 |
Monomania and Perpetual Motion: Insanity and Amateur Scientific Enthusiasm in Nineteenth-Century Medical, Scientific and Literary Discourse
|
Duffy, W.L.
|
|
2010
|
|
3 |
p. 155-166
|
article
|
| 78 |
Narratives of disruption 1940-1944
|
Atack, Margaret
|
|
1990
|
|
3 |
p. 233-246
|
article
|
| 79 |
Neo-Liberalism as `Imposition' and `Invasion': Problems in Bourdieu's Politics
|
Lane, Jeremy F.
|
|
2003
|
|
3 |
p. 323-335
|
article
|
| 80 |
Neo-Liberalism as `Imposition' and `Invasion': Problems in Bourdieu's Politics
|
Lane, Jeremy F.
|
|
2003
|
|
3 |
p. 323-335
|
article
|
| 81 |
Next year in Jerusalem? ‘La nouvelle judéophobie’, neo-crypto-Judaism and the future of French Jews in Éliette Abécassis’s Alyah
|
Bharat, Adi S.
|
|
2018
|
|
3 |
p. 228-243
|
article
|
| 82 |
Notice Board
|
Looseley, David
|
|
2011
|
|
3 |
p. 263-267
|
article
|
| 83 |
Notice Board
|
Looseley, David
|
|
2010
|
|
3 |
p. 236-240
|
article
|
| 84 |
Notice Board
|
Looseley, David
|
|
2004
|
|
3 |
p. 319-322
|
article
|
| 85 |
Notice Board
|
Looseley, David
|
|
2003
|
|
3 |
p. 349-351
|
article
|
| 86 |
Notice Board
|
Looseley, David
|
|
2003
|
|
3 |
p. 349-351
|
article
|
| 87 |
Notice Board
|
Looseley, David
|
|
2007
|
|
3 |
p. 335-339
|
article
|
| 88 |
Notice Board
|
Looseley, David
|
|
2006
|
|
3 |
p. 349-353
|
article
|
| 89 |
Notice Board
|
Looseley, David
|
|
2005
|
|
3 |
p. 337-340
|
article
|
| 90 |
Notice-board
|
Kelly, Michael
|
|
1990
|
|
3 |
p. 263-265
|
article
|
| 91 |
Notice Board
|
Looseley, David
|
|
2009
|
|
3 |
p. 315-321
|
article
|
| 92 |
Notice Board
|
Looseley, David
|
|
2008
|
|
3 |
p. 363-368
|
article
|
| 93 |
Obituary: Lawrence R. Schehr
|
|
|
2012
|
|
3 |
p. 174-174
|
article
|
| 94 |
Objectification and resistance: Dance performances in Abdellatif Kechiche’s La Graine et le mulet (2007) and Vénus noire (2010)
|
Morrissey, Jim
|
|
2013
|
|
3 |
p. 306-318
|
article
|
| 95 |
‘On n’est pas condamné à l’échec’: Hip-hop and the banlieue narrative
|
Dotson-Renta, Lara
|
|
2015
|
|
3 |
p. 354-367
|
article
|
| 96 |
Parisienne femininity and the politics of embodiment
|
Humphrey, Claire
|
|
2012
|
|
3 |
p. 256-265
|
article
|
| 97 |
`Paris isn't for Changing `Planes; it's for Changing your Outlook': Audrey Hepburn as European Star in 1950s France
|
Handyside, Fiona
|
|
2003
|
|
3 |
p. 288-298
|
article
|
| 98 |
`Paris isn't for Changing `Planes; it's for Changing your Outlook': Audrey Hepburn as European Star in 1950s France
|
Handyside, Fiona
|
|
2003
|
|
3 |
p. 288-298
|
article
|
| 99 |
Performance in Sophie Calle’s Prenez soin de vous
|
Jordan, Shirley
|
|
2013
|
|
3 |
p. 249-263
|
article
|
| 100 |
Phenomenology in Diaspora
|
James, Ian
|
|
2006
|
|
3 |
p. 319-333
|
article
|
| 101 |
Pourquoi y a-t-il Baudrillard Plutôt Que Rien? The Reception and Perception of Jean Baudrillard in France
|
Gonzalez, Madelena
|
|
2008
|
|
3 |
p. 287-303
|
article
|
| 102 |
Praising twerk: Why aren’t we all shaking our butt?
|
Bremner, Natalia
|
|
2017
|
|
3 |
p. 291-302
|
article
|
| 103 |
Professionalising motherhood: Cora Millet-Robinet and the maternal as profession
|
Lastinger, Valérie
|
|
2012
|
|
3 |
p. 175-189
|
article
|
| 104 |
Psychoanalysis as Narrative in Films by Jean Eustache
|
Forbes, Jill
|
|
2003
|
|
3 |
p. 249-256
|
article
|
| 105 |
Psychoanalysis as Narrative in Films by Jean Eustache
|
Forbes, Jill
|
|
2003
|
|
3 |
p. 249-256
|
article
|
| 106 |
Punks, racailles, et contestation : une réflexion sur les cultures trash des zones périurbaines françaises dans Le Grand Soir
|
Bremner, Natalia
|
|
2017
|
|
3 |
p. 259-267
|
article
|
| 107 |
Realising Identity: the Process and the Product
|
Duffy, Pat
|
|
2007
|
|
3 |
p. 293-305
|
article
|
| 108 |
Reclaiming `Paradise Lost' in the Writings of Patrick Chamoiseau and Edouard Glissant
|
Cunningham, Catriona
|
|
2007
|
|
3 |
p. 277-291
|
article
|
| 109 |
(Re)cycling in Sylvain Chomet’s Les Triplettes de Belleville (2003): Spokes in the wheels of French exceptionalism and global exploitation?
|
Cruickshank, Ruth
|
|
2012
|
|
3 |
p. 266-276
|
article
|
| 110 |
Refiguring Baudelaire’s ‘poète-chiffonnier’ in contemporary French poetry
|
Bremner, Natalia
|
|
2017
|
|
3 |
p. 303-313
|
article
|
| 111 |
Representations of the French Language in the Detective Novel Sous les vents de Neptune by Fred Vargas
|
Shields, Kathleen
|
|
2010
|
|
3 |
p. 202-215
|
article
|
| 112 |
Sacha Guitry, National Portraiture and the Artist's Hand
|
Margulies, Ivone
|
|
2005
|
|
3 |
p. 241-258
|
article
|
| 113 |
Sartre and the audiovisual media: 1968-1975
|
Scriven, Michael
|
|
1990
|
|
3 |
p. 213-231
|
article
|
| 114 |
Screening America
|
Higgins, Lynn A.
|
|
2003
|
|
3 |
p. 310-322
|
article
|
| 115 |
Screening America
|
Higgins, Lynn A.
|
|
2003
|
|
3 |
p. 310-322
|
article
|
| 116 |
Sexuality in Swann in Love
|
Powrie, Phil
|
|
1990
|
|
3 |
p. 247-256
|
article
|
| 117 |
Silence and anguish: Muting the feminine voice in Éliette Abécassis’s La Répudiée
|
Arenberg, Nancy
|
|
2018
|
|
3 |
p. 244-253
|
article
|
| 118 |
Social Gastronomy
|
Sipe, Daniel
|
|
2009
|
|
3 |
p. 219-236
|
article
|
| 119 |
Solidarism in the City Streets
|
Jackson, Jeffrey H.
|
|
2009
|
|
3 |
p. 237-256
|
article
|
| 120 |
Song ‘adaptations’ and the globalisation of French pop, 1960–1970
|
Anderson, Kirk
|
|
2015
|
|
3 |
p. 330-342
|
article
|
| 121 |
Sporting memory and its heritagisation: The example of Roland-Garros
|
Violette, Louis
|
|
2018
|
|
3 |
p. 279-289
|
article
|
| 122 |
Suffering in Silence: Bodily Politics in Post-1995 French Film
|
O’Shaughnessy, Martin
|
|
2004
|
|
3 |
p. 219-233
|
article
|
| 123 |
Terrain de lutte
|
Michallat, Wendy
|
|
2007
|
|
3 |
p. 259-276
|
article
|
| 124 |
Textes sous une occupation (1940−1944): Henry de Montherlant témoigne de la condition des enfants victimes de la guerre
|
Couturier-Garcia, Clarisse
|
|
2011
|
|
3 |
p. 219-227
|
article
|
| 125 |
The Amateur Actors of Cannes 1999: A Shock to the (Star) System
|
Austin, Guy
|
|
2004
|
|
3 |
p. 251-263
|
article
|
| 126 |
The cinematic destiny of the French beauf: National shame or hero?
|
Bremner, Natalia
|
|
2017
|
|
3 |
p. 248-258
|
article
|
| 127 |
The Death of an Icon: Le Fabuleux Destin d’Amélie Poulain
|
Ezra, Elizabeth
|
|
2004
|
|
3 |
p. 301-310
|
article
|
| 128 |
The ecology of the image: The environmental politics of Philippe Quesne and Vivarium Studio
|
Lavery, Carl
|
|
2013
|
|
3 |
p. 264-278
|
article
|
| 129 |
The French Foreign Legion
|
Cooper, Nicola J.
|
|
2006
|
|
3 |
p. 269-284
|
article
|
| 130 |
The multidirectional memory of Charlie Hebdo
|
Hollis-Touré, Isabel
|
|
2016
|
|
3 |
p. 293-302
|
article
|
| 131 |
‘The only safe haven of refuge in all the world’: Paris, Indian ‘revolutionaries’ and imperial rivalry, c. 1905–40
|
Marsh, Kate
|
|
2019
|
|
3 |
p. 196-219
|
article
|
| 132 |
Theorising performance, performing theory: Jacques Derrida and Ornette Coleman at the Parc de la Villette
|
Lane, Jeremy F.
|
|
2013
|
|
3 |
p. 319-330
|
article
|
| 133 |
The place of the Republic: Space, territory and identity around and after Charlie Hebdo
|
Hollis-Touré, Isabel
|
|
2016
|
|
3 |
p. 279-292
|
article
|
| 134 |
The Reception of French Catholic Intellectuals in Britain after the Second World War
|
Kelly, Michael
|
|
2006
|
|
3 |
p. 285-302
|
article
|
| 135 |
The red and the black: Marie-Noëlle Thibault and the novels of Dominique Manotti
|
Reid, Donald
|
|
2015
|
|
3 |
p. 277-288
|
article
|
| 136 |
The Return of Faith and Reason to Laïcité
|
McCaffrey, Enda
|
|
2005
|
|
3 |
p. 273-290
|
article
|
| 137 |
The terrorist Earth? Some thoughts on Sade and Baudrillard
|
McCallam, David
|
|
2012
|
|
3 |
p. 215-224
|
article
|
| 138 |
The weight of a portrait: Caricatura and industrial violence after the Charlie Hebdo attack
|
Hollis-Touré, Isabel
|
|
2016
|
|
3 |
p. 256-267
|
article
|
| 139 |
‘Tout de noir vêtu’: Skin and surface in the rap of Abd al Malik
|
Shuman, Emily Q.
|
|
2018
|
|
3 |
p. 209-217
|
article
|
| 140 |
Transports privés: Claire Denis’s Vendredi soir and the Mobile Urban Woman in French Cinema
|
Hardwick, Joe
|
|
2010
|
|
3 |
p. 192-201
|
article
|
| 141 |
Trash in fashion: Stylising rags and refuse in nineteenth- and twentieth-century French culture
|
Bremner, Natalia
|
|
2017
|
|
3 |
p. 314-325
|
article
|
| 142 |
Trois continents, une guerre, un empire: Francophone Narratives of War and Occupation in the French Empire
|
Sutherland, Nina
|
|
2011
|
|
3 |
p. 187-196
|
article
|
| 143 |
Une certaine idée du cinéma français: Contemporary French Cinema Criticism
|
Handyside, Fiona
|
|
2004
|
|
3 |
p. 311-318
|
article
|
| 144 |
Une France passéiste ? La nostalgie comme leitmotiv thématique et esthétique chez Georges Brassens
|
Marc, Isabelle
|
|
2012
|
|
3 |
p. 225-238
|
article
|
| 145 |
Unnatural Bedfellows: Sexuality and Otherness in Representations of Germans
|
Atack, Margaret
|
|
2011
|
|
3 |
p. 251-261
|
article
|
| 146 |
Un village français: Imagining lives in occupied France
|
Reid, Donald
|
|
2019
|
|
3 |
p. 220-231
|
article
|
| 147 |
Volume 15 Index
|
|
|
2004
|
|
3 |
p. 323-324
|
article
|
| 148 |
Volume 17 Index
|
|
|
2006
|
|
3 |
p. 355-356
|
article
|
| 149 |
Volume 16 Index
|
|
|
2005
|
|
3 |
p. 341-342
|
article
|
| 150 |
Who is a legitimate French speaker? The Senegalese in Paris and the crossing of linguistic and social borders
|
Smith, Maya Angela
|
|
2015
|
|
3 |
p. 317-329
|
article
|
Journal description