nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
`After the End' Baudrillard's Future
|
Merrin, William |
|
2008 |
|
3 |
p. 255-271 |
artikel |
2 |
AndreÔ Makine's France
|
McCall, Ian |
|
2005 |
|
3 |
p. 305-320 |
artikel |
3 |
Andrée Viollis: A ‘Grand Reporter’ in the Intellectual Resistance, 1942−1944
|
Brunazzi, Elizabeth |
|
2011 |
|
3 |
p. 229-237 |
artikel |
4 |
An Old School Primer
|
Woollen, Geoff |
|
2005 |
|
3 |
p. 227-239 |
artikel |
5 |
Another Side to the Story: Confessions of Guilt in Occupation Narratives
|
Kitchen, Ruth |
|
2011 |
|
3 |
p. 207-217 |
artikel |
6 |
Au-delà d’une esthétique : Le rôle des arts (peinture, musique, littérature) au sein de la philosophie symboliste
|
Hernández Barbosa, Sonsoles |
|
2015 |
|
3 |
p. 247-259 |
artikel |
7 |
Autisme, j’accuse! Life-writing, autism and politics in the work of Hugo Horiot
|
Orchard, Vivienne |
|
2019 |
|
3 |
p. 256-265 |
artikel |
8 |
Autofiction littéraire, pornographie queer et culture trash : politique du corps et du sexe dans l’œuvre de Guillaume Dustan
|
Bremner, Natalia |
|
2017 |
|
3 |
p. 282-290 |
artikel |
9 |
Baudrillard's Gallic Shrug
|
Taylor, Paul |
|
2008 |
|
3 |
p. 273-285 |
artikel |
10 |
Baudrillard's Illusions
|
Grace, Victoria |
|
2008 |
|
3 |
p. 347-361 |
artikel |
11 |
Caillera, blanc et pédé : une figure trash dans trois films de Lionel Soukaz
|
Bremner, Natalia |
|
2017 |
|
3 |
p. 268-281 |
artikel |
12 |
Camara Laye et J. M. G Le Clézio dans la quête épistémologique de la nature par le mythe d’origine
|
Simpore, Karim |
|
2019 |
|
3 |
p. 248-255 |
artikel |
13 |
Comment peut-on être française et musulmane ? Lallab face à l’identité nationale
|
Mballo, Ramatoulaye |
|
2018 |
|
3 |
p. 254-264 |
artikel |
14 |
Comparing French and British Intellectuals: Towards a Cross-Channel Perspective
|
Kelly, Michael |
|
2003 |
|
3 |
p. 336-348 |
artikel |
15 |
Comparing French and British Intellectuals: Towards a Cross-Channel Perspective
|
Kelly, Michael |
|
2003 |
|
3 |
p. 336-348 |
artikel |
16 |
Constructing (in) the `Real' World
|
Hegarty, Paul |
|
2008 |
|
3 |
p. 317-331 |
artikel |
17 |
Cool Memories
|
Gane, Mike |
|
2008 |
|
3 |
p. 305-315 |
artikel |
18 |
Cross-undressing in Colette: Performance, gender and music-hall labour practice
|
Gray, Margaret E. |
|
2012 |
|
3 |
p. 202-214 |
artikel |
19 |
Culture and Information Technology in France
|
Melot, Michel |
|
1990 |
|
3 |
p. 173-182 |
artikel |
20 |
Daft Punk, la Toile et le disco: Revival culturel à l’heure du numérique
|
Poirrier, Philippe |
|
2015 |
|
3 |
p. 368-381 |
artikel |
21 |
Departures and Homecomings
|
Hewitt, Nicholas |
|
2006 |
|
3 |
p. 257-268 |
artikel |
22 |
Derrida, Autobiography and Postcoloniality
|
Hiddleston, Jane |
|
2005 |
|
3 |
p. 291-304 |
artikel |
23 |
Diasporic Subjectivities
|
Davis, Colin |
|
2006 |
|
3 |
p. 335-348 |
artikel |
24 |
Digitamorphosis of Music Consumption Practices
|
Granjon, Fabien |
|
2009 |
|
3 |
p. 287-314 |
artikel |
25 |
Digitizing Frenchness in 2001: On a ‘Historic’ Moment in the French Cinema
|
Austin, James F. |
|
2004 |
|
3 |
p. 281-299 |
artikel |
26 |
Disappearing bodies: The workplace and documentary film in an era of pure money
|
Waters, Sarah |
|
2015 |
|
3 |
p. 289-301 |
artikel |
27 |
Dogs and females: Vivisection, feminists and the novelist Rachilde
|
Finn, Michael R. |
|
2012 |
|
3 |
p. 190-201 |
artikel |
28 |
Dubuffet, Fautrier and Ponge: Recognition of the ‘Other’ as Intellectual Resistance in Art and Poetry in the War against Fascist Oppression
|
Perret, Caroline |
|
2011 |
|
3 |
p. 197-206 |
artikel |
29 |
‘Elle est où, ta place?’ The Social-Realist Melodramas of Laurent Cantet:
|
Higbee, Will |
|
2004 |
|
3 |
p. 235-250 |
artikel |
30 |
En marge du discours « néo-réactionnaire » : Le rap identitaire
|
Achille, Étienne |
|
2018 |
|
3 |
p. 218-227 |
artikel |
31 |
Erratum
|
|
|
2003 |
|
3 |
p. 335-335 |
artikel |
32 |
Erratum
|
|
|
2003 |
|
3 |
p. 335 |
artikel |
33 |
EssayReview : Denis Hollier (ed.). New History of French Literature. A panorama of literature in its cultural context - music, painting, politics, and monuments public and private. Cambridge, MA. & London: Harvard University Press. Pp.xxi + 1150. ISBN 0-674-61565-4
|
Thody, Philip |
|
1990 |
|
3 |
p. 257-261 |
artikel |
34 |
Fais de cela un monument
|
Kimyongür, Angela |
|
2005 |
|
3 |
p. 259-272 |
artikel |
35 |
Freedom of thought in the aftermath of the Charlie Hebdo attacks
|
Hollis-Touré, Isabel |
|
2016 |
|
3 |
p. 233-244 |
artikel |
36 |
French Cinema’s New ‘Sexual Revolution’: Postmodern Porn and Troubled Genre
|
Downing, Lisa |
|
2004 |
|
3 |
p. 265-280 |
artikel |
37 |
From Text to Screen: Portraits of Collaboration in Uranus
|
Merfeld-Langston, Audra L. |
|
2010 |
|
3 |
p. 178-191 |
artikel |
38 |
Genre, gender and the Republic: Televising the annual charity concert Les Enfoirés
|
Tinker, Chris |
|
2015 |
|
3 |
p. 343-353 |
artikel |
39 |
Georges Bataille’s Laughter: A Poetics of glissement
|
Boisseron, Bénédicte |
|
2010 |
|
3 |
p. 167-177 |
artikel |
40 |
Gerontocracy, propaganda and Youth: Youth propaganda in France 1940-1942
|
Kingston, Paul J. |
|
1990 |
|
3 |
p. 183-212 |
artikel |
41 |
Âge tendre et têtes de bois: Nostalgia, television and popular music in contemporary France
|
Tinker, Chris |
|
2012 |
|
3 |
p. 239-255 |
artikel |
42 |
Insults, humour and freedom of speech
|
Hollis-Touré, Isabel |
|
2016 |
|
3 |
p. 245-255 |
artikel |
43 |
In the heat of the moment: Bringing ‘Je suis Charlie’ into focus
|
Hollis-Touré, Isabel |
|
2016 |
|
3 |
p. 223-232 |
artikel |
44 |
In the limelight: French women from the banlieues on stage in Ahmed Madani’s F(l)ammes (2017)
|
Levasseur, Bruno |
|
2018 |
|
3 |
p. 265-278 |
artikel |
45 |
In the Service of the Enemy: The Traitor in French Occupation Narratives
|
Lloyd, Christopher |
|
2011 |
|
3 |
p. 239-249 |
artikel |
46 |
Introduction
|
Atack, Margaret |
|
2011 |
|
3 |
p. 183-185 |
artikel |
47 |
Introduction
|
Harris, Sue |
|
2004 |
|
3 |
p. 211-217 |
artikel |
48 |
Introduction
|
Bremner, Natalia |
|
2017 |
|
3 |
p. 241-247 |
artikel |
49 |
Introduction
|
Astbury, Katherine |
|
2006 |
|
3 |
p. 251-256 |
artikel |
50 |
Introduction
|
Harris, Sue |
|
2013 |
|
3 |
p. 245-248 |
artikel |
51 |
Introduction
|
Cooper, Nicola |
|
2008 |
|
3 |
p. 251-254 |
artikel |
52 |
Introduction: Risk assessing Charlie Hebdo
|
Hollis-Touré, Isabel |
|
2016 |
|
3 |
p. 219-222 |
artikel |
53 |
Jacques Bouveresse: Being UnFrench, Metaphorically
|
Baldwin, Thomas |
|
2007 |
|
3 |
p. 321-333 |
artikel |
54 |
Jill Forbes 1947-2001
|
Marshall, Bill |
|
2003 |
|
3 |
p. 247-248 |
artikel |
55 |
Jill Forbes 1947-2001
|
Marshall, Bill |
|
2003 |
|
3 |
p. 247-248 |
artikel |
56 |
Jill Forbes, Ou La Conversation Interrompue (Notes Sur Le Réalisme Dans Le Cinéma Français, 1895-1939)
|
Jeancolas, Jean-Pierre |
|
2003 |
|
3 |
p. 257-263 |
artikel |
57 |
Jill Forbes, Ou La Conversation Interrompue (Notes Sur Le Réalisme Dans Le Cinéma Français, 1895-1939)
|
Jeancolas, Jean-Pierre |
|
2003 |
|
3 |
p. 257-263 |
artikel |
58 |
Jill Forbes's Les Enfants Du Paradis
|
Mulvey, Laura |
|
2003 |
|
3 |
p. 278-287 |
artikel |
59 |
Jill Forbes's Les Enfants Du Paradis
|
Mulvey, Laura |
|
2003 |
|
3 |
p. 278-287 |
artikel |
60 |
J. M. G. Le Clézio and Gérard Gouesbet’s cosmic, ecocentric framework for understanding the nature of human violence
|
Moser, Keith |
|
2019 |
|
3 |
p. 232-247 |
artikel |
61 |
Kechiche and the French Classics
|
Nettelbeck, Colin |
|
2007 |
|
3 |
p. 307-319 |
artikel |
62 |
L’affaire Galmot: Colonialism on trial in 1931
|
Marsh, Kate |
|
2015 |
|
3 |
p. 260-276 |
artikel |
63 |
‘La Fèminitè Salvatrice’
|
Jones, Anwen |
|
2005 |
|
3 |
p. 321-335 |
artikel |
64 |
La littérature en archipel ou le retour de l’Insulaire
|
Lestringant, Frank |
|
2006 |
|
3 |
p. 303-317 |
artikel |
65 |
La Tentation d'Orphée
|
Lindeperg, Sylvie |
|
2003 |
|
3 |
p. 264-277 |
artikel |
66 |
La Tentation d'Orphée
|
Lindeperg, Sylvie |
|
2003 |
|
3 |
p. 264-277 |
artikel |
67 |
Le Club Med: L’idéalisme d’une époque
|
De Raedt, Thérèse |
|
2010 |
|
3 |
p. 216-235 |
artikel |
68 |
Le « corps républicain » et ses représentations dans les manuels scolaires de Paul Bert à la fin du XIXe siècle
|
Profillet, Lucas |
|
2019 |
|
3 |
p. 179-195 |
artikel |
69 |
Le Roman historique contemporain ou la voix/ voie marginale du passé
|
El Nossery, Névine |
|
2009 |
|
3 |
p. 273-285 |
artikel |
70 |
Lessons from Witchetty Grubs and Eskimos
|
Baldwin, Jon |
|
2008 |
|
3 |
p. 333-346 |
artikel |
71 |
`Lives Out of Sequence': Maternal Identity in François Truffaut's Les 400 Coups (1959) and Claude Miller's La Petite Voleuse (1988)
|
Harris, Sue |
|
2003 |
|
3 |
p. 299-309 |
artikel |
72 |
`Lives Out of Sequence': Maternal Identity in François Truffaut's Les 400 Coups (1959) and Claude Miller's La Petite Voleuse (1988)
|
Harris, Sue |
|
2003 |
|
3 |
p. 299-309 |
artikel |
73 |
Louis-Ferdinand Céline, literary genius or national pariah? Defining moral parameters for influential cultural figures, post-Charlie Hebdo
|
Hollis-Touré, Isabel |
|
2016 |
|
3 |
p. 268-278 |
artikel |
74 |
Ludovic-Mohamed Zahed’s performance of universal French citizenship and good Muslim brotherhood
|
Provencher, Denis M. |
|
2013 |
|
3 |
p. 279-292 |
artikel |
75 |
Marseille, European Capital of Culture 2013 Ins and Offs: A case for rethinking the effects of large-scale cultural initiatives
|
Giovanangeli, Angela |
|
2015 |
|
3 |
p. 302-316 |
artikel |
76 |
‘Mirror, mirror …’: Performance and presidential politics in contemporary France
|
Kuhn, Raymond |
|
2013 |
|
3 |
p. 293-305 |
artikel |
77 |
Monomania and Perpetual Motion: Insanity and Amateur Scientific Enthusiasm in Nineteenth-Century Medical, Scientific and Literary Discourse
|
Duffy, W.L. |
|
2010 |
|
3 |
p. 155-166 |
artikel |
78 |
Narratives of disruption 1940-1944
|
Atack, Margaret |
|
1990 |
|
3 |
p. 233-246 |
artikel |
79 |
Neo-Liberalism as `Imposition' and `Invasion': Problems in Bourdieu's Politics
|
Lane, Jeremy F. |
|
2003 |
|
3 |
p. 323-335 |
artikel |
80 |
Neo-Liberalism as `Imposition' and `Invasion': Problems in Bourdieu's Politics
|
Lane, Jeremy F. |
|
2003 |
|
3 |
p. 323-335 |
artikel |
81 |
Next year in Jerusalem? ‘La nouvelle judéophobie’, neo-crypto-Judaism and the future of French Jews in Éliette Abécassis’s Alyah
|
Bharat, Adi S. |
|
2018 |
|
3 |
p. 228-243 |
artikel |
82 |
Notice Board
|
Looseley, David |
|
2011 |
|
3 |
p. 263-267 |
artikel |
83 |
Notice Board
|
Looseley, David |
|
2010 |
|
3 |
p. 236-240 |
artikel |
84 |
Notice Board
|
Looseley, David |
|
2004 |
|
3 |
p. 319-322 |
artikel |
85 |
Notice Board
|
Looseley, David |
|
2003 |
|
3 |
p. 349-351 |
artikel |
86 |
Notice Board
|
Looseley, David |
|
2003 |
|
3 |
p. 349-351 |
artikel |
87 |
Notice Board
|
Looseley, David |
|
2007 |
|
3 |
p. 335-339 |
artikel |
88 |
Notice Board
|
Looseley, David |
|
2006 |
|
3 |
p. 349-353 |
artikel |
89 |
Notice Board
|
Looseley, David |
|
2005 |
|
3 |
p. 337-340 |
artikel |
90 |
Notice-board
|
Kelly, Michael |
|
1990 |
|
3 |
p. 263-265 |
artikel |
91 |
Notice Board
|
Looseley, David |
|
2009 |
|
3 |
p. 315-321 |
artikel |
92 |
Notice Board
|
Looseley, David |
|
2008 |
|
3 |
p. 363-368 |
artikel |
93 |
Obituary: Lawrence R. Schehr
|
|
|
2012 |
|
3 |
p. 174-174 |
artikel |
94 |
Objectification and resistance: Dance performances in Abdellatif Kechiche’s La Graine et le mulet (2007) and Vénus noire (2010)
|
Morrissey, Jim |
|
2013 |
|
3 |
p. 306-318 |
artikel |
95 |
‘On n’est pas condamné à l’échec’: Hip-hop and the banlieue narrative
|
Dotson-Renta, Lara |
|
2015 |
|
3 |
p. 354-367 |
artikel |
96 |
Parisienne femininity and the politics of embodiment
|
Humphrey, Claire |
|
2012 |
|
3 |
p. 256-265 |
artikel |
97 |
`Paris isn't for Changing `Planes; it's for Changing your Outlook': Audrey Hepburn as European Star in 1950s France
|
Handyside, Fiona |
|
2003 |
|
3 |
p. 288-298 |
artikel |
98 |
`Paris isn't for Changing `Planes; it's for Changing your Outlook': Audrey Hepburn as European Star in 1950s France
|
Handyside, Fiona |
|
2003 |
|
3 |
p. 288-298 |
artikel |
99 |
Performance in Sophie Calle’s Prenez soin de vous
|
Jordan, Shirley |
|
2013 |
|
3 |
p. 249-263 |
artikel |
100 |
Phenomenology in Diaspora
|
James, Ian |
|
2006 |
|
3 |
p. 319-333 |
artikel |
101 |
Pourquoi y a-t-il Baudrillard Plutôt Que Rien? The Reception and Perception of Jean Baudrillard in France
|
Gonzalez, Madelena |
|
2008 |
|
3 |
p. 287-303 |
artikel |
102 |
Praising twerk: Why aren’t we all shaking our butt?
|
Bremner, Natalia |
|
2017 |
|
3 |
p. 291-302 |
artikel |
103 |
Professionalising motherhood: Cora Millet-Robinet and the maternal as profession
|
Lastinger, Valérie |
|
2012 |
|
3 |
p. 175-189 |
artikel |
104 |
Psychoanalysis as Narrative in Films by Jean Eustache
|
Forbes, Jill |
|
2003 |
|
3 |
p. 249-256 |
artikel |
105 |
Psychoanalysis as Narrative in Films by Jean Eustache
|
Forbes, Jill |
|
2003 |
|
3 |
p. 249-256 |
artikel |
106 |
Punks, racailles, et contestation : une réflexion sur les cultures trash des zones périurbaines françaises dans Le Grand Soir
|
Bremner, Natalia |
|
2017 |
|
3 |
p. 259-267 |
artikel |
107 |
Realising Identity: the Process and the Product
|
Duffy, Pat |
|
2007 |
|
3 |
p. 293-305 |
artikel |
108 |
Reclaiming `Paradise Lost' in the Writings of Patrick Chamoiseau and Edouard Glissant
|
Cunningham, Catriona |
|
2007 |
|
3 |
p. 277-291 |
artikel |
109 |
(Re)cycling in Sylvain Chomet’s Les Triplettes de Belleville (2003): Spokes in the wheels of French exceptionalism and global exploitation?
|
Cruickshank, Ruth |
|
2012 |
|
3 |
p. 266-276 |
artikel |
110 |
Refiguring Baudelaire’s ‘poète-chiffonnier’ in contemporary French poetry
|
Bremner, Natalia |
|
2017 |
|
3 |
p. 303-313 |
artikel |
111 |
Representations of the French Language in the Detective Novel Sous les vents de Neptune by Fred Vargas
|
Shields, Kathleen |
|
2010 |
|
3 |
p. 202-215 |
artikel |
112 |
Sacha Guitry, National Portraiture and the Artist's Hand
|
Margulies, Ivone |
|
2005 |
|
3 |
p. 241-258 |
artikel |
113 |
Sartre and the audiovisual media: 1968-1975
|
Scriven, Michael |
|
1990 |
|
3 |
p. 213-231 |
artikel |
114 |
Screening America
|
Higgins, Lynn A. |
|
2003 |
|
3 |
p. 310-322 |
artikel |
115 |
Screening America
|
Higgins, Lynn A. |
|
2003 |
|
3 |
p. 310-322 |
artikel |
116 |
Sexuality in Swann in Love
|
Powrie, Phil |
|
1990 |
|
3 |
p. 247-256 |
artikel |
117 |
Silence and anguish: Muting the feminine voice in Éliette Abécassis’s La Répudiée
|
Arenberg, Nancy |
|
2018 |
|
3 |
p. 244-253 |
artikel |
118 |
Social Gastronomy
|
Sipe, Daniel |
|
2009 |
|
3 |
p. 219-236 |
artikel |
119 |
Solidarism in the City Streets
|
Jackson, Jeffrey H. |
|
2009 |
|
3 |
p. 237-256 |
artikel |
120 |
Song ‘adaptations’ and the globalisation of French pop, 1960–1970
|
Anderson, Kirk |
|
2015 |
|
3 |
p. 330-342 |
artikel |
121 |
Sporting memory and its heritagisation: The example of Roland-Garros
|
Violette, Louis |
|
2018 |
|
3 |
p. 279-289 |
artikel |
122 |
Suffering in Silence: Bodily Politics in Post-1995 French Film
|
O’Shaughnessy, Martin |
|
2004 |
|
3 |
p. 219-233 |
artikel |
123 |
Terrain de lutte
|
Michallat, Wendy |
|
2007 |
|
3 |
p. 259-276 |
artikel |
124 |
Textes sous une occupation (1940−1944): Henry de Montherlant témoigne de la condition des enfants victimes de la guerre
|
Couturier-Garcia, Clarisse |
|
2011 |
|
3 |
p. 219-227 |
artikel |
125 |
The Amateur Actors of Cannes 1999: A Shock to the (Star) System
|
Austin, Guy |
|
2004 |
|
3 |
p. 251-263 |
artikel |
126 |
The cinematic destiny of the French beauf: National shame or hero?
|
Bremner, Natalia |
|
2017 |
|
3 |
p. 248-258 |
artikel |
127 |
The Death of an Icon: Le Fabuleux Destin d’Amélie Poulain
|
Ezra, Elizabeth |
|
2004 |
|
3 |
p. 301-310 |
artikel |
128 |
The ecology of the image: The environmental politics of Philippe Quesne and Vivarium Studio
|
Lavery, Carl |
|
2013 |
|
3 |
p. 264-278 |
artikel |
129 |
The French Foreign Legion
|
Cooper, Nicola J. |
|
2006 |
|
3 |
p. 269-284 |
artikel |
130 |
The multidirectional memory of Charlie Hebdo
|
Hollis-Touré, Isabel |
|
2016 |
|
3 |
p. 293-302 |
artikel |
131 |
‘The only safe haven of refuge in all the world’: Paris, Indian ‘revolutionaries’ and imperial rivalry, c. 1905–40
|
Marsh, Kate |
|
2019 |
|
3 |
p. 196-219 |
artikel |
132 |
Theorising performance, performing theory: Jacques Derrida and Ornette Coleman at the Parc de la Villette
|
Lane, Jeremy F. |
|
2013 |
|
3 |
p. 319-330 |
artikel |
133 |
The place of the Republic: Space, territory and identity around and after Charlie Hebdo
|
Hollis-Touré, Isabel |
|
2016 |
|
3 |
p. 279-292 |
artikel |
134 |
The Reception of French Catholic Intellectuals in Britain after the Second World War
|
Kelly, Michael |
|
2006 |
|
3 |
p. 285-302 |
artikel |
135 |
The red and the black: Marie-Noëlle Thibault and the novels of Dominique Manotti
|
Reid, Donald |
|
2015 |
|
3 |
p. 277-288 |
artikel |
136 |
The Return of Faith and Reason to Laïcité
|
McCaffrey, Enda |
|
2005 |
|
3 |
p. 273-290 |
artikel |
137 |
The terrorist Earth? Some thoughts on Sade and Baudrillard
|
McCallam, David |
|
2012 |
|
3 |
p. 215-224 |
artikel |
138 |
The weight of a portrait: Caricatura and industrial violence after the Charlie Hebdo attack
|
Hollis-Touré, Isabel |
|
2016 |
|
3 |
p. 256-267 |
artikel |
139 |
‘Tout de noir vêtu’: Skin and surface in the rap of Abd al Malik
|
Shuman, Emily Q. |
|
2018 |
|
3 |
p. 209-217 |
artikel |
140 |
Transports privés: Claire Denis’s Vendredi soir and the Mobile Urban Woman in French Cinema
|
Hardwick, Joe |
|
2010 |
|
3 |
p. 192-201 |
artikel |
141 |
Trash in fashion: Stylising rags and refuse in nineteenth- and twentieth-century French culture
|
Bremner, Natalia |
|
2017 |
|
3 |
p. 314-325 |
artikel |
142 |
Trois continents, une guerre, un empire: Francophone Narratives of War and Occupation in the French Empire
|
Sutherland, Nina |
|
2011 |
|
3 |
p. 187-196 |
artikel |
143 |
Une certaine idée du cinéma français: Contemporary French Cinema Criticism
|
Handyside, Fiona |
|
2004 |
|
3 |
p. 311-318 |
artikel |
144 |
Une France passéiste ? La nostalgie comme leitmotiv thématique et esthétique chez Georges Brassens
|
Marc, Isabelle |
|
2012 |
|
3 |
p. 225-238 |
artikel |
145 |
Unnatural Bedfellows: Sexuality and Otherness in Representations of Germans
|
Atack, Margaret |
|
2011 |
|
3 |
p. 251-261 |
artikel |
146 |
Un village français: Imagining lives in occupied France
|
Reid, Donald |
|
2019 |
|
3 |
p. 220-231 |
artikel |
147 |
Volume 15 Index
|
|
|
2004 |
|
3 |
p. 323-324 |
artikel |
148 |
Volume 17 Index
|
|
|
2006 |
|
3 |
p. 355-356 |
artikel |
149 |
Volume 16 Index
|
|
|
2005 |
|
3 |
p. 341-342 |
artikel |
150 |
Who is a legitimate French speaker? The Senegalese in Paris and the crossing of linguistic and social borders
|
Smith, Maya Angela |
|
2015 |
|
3 |
p. 317-329 |
artikel |