nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
Activities
|
|
|
1976 |
4 |
1 |
p. 101-113 |
artikel |
2 |
AN 18th-century view of the harpsichord
|
LIBIN, LAURENCE |
|
1976 |
4 |
1 |
p. 16-18 |
artikel |
3 |
A Postscript to ‘Two More Dufay Songs Reconstructed’
|
FALLOWS, DAVID |
|
1976 |
4 |
1 |
p. 99-100 |
artikel |
4 |
Architecture and music in Zadar, Yugoslavia
|
|
|
1976 |
4 |
1 |
p. 89-90 |
artikel |
5 |
Authenticity
|
BROWN, HOWARD MAYER |
|
1976 |
4 |
1 |
p. 79-a-79 |
artikel |
6 |
Authenticity
|
SEGERMAN, EPH |
|
1976 |
4 |
1 |
p. 77-79 |
artikel |
7 |
Authenticity
|
PARKINSON, ANDREW |
|
1976 |
4 |
1 |
p. 75-b-77 |
artikel |
8 |
Authenticity
|
SOHL, NORM |
|
1976 |
4 |
1 |
p. 79-b-81 |
artikel |
9 |
Authenticity
|
BEASLEY, J. D. |
|
1976 |
4 |
1 |
p. 81-81 |
artikel |
10 |
Belgian folk instruments
|
WARREN, G. C. |
|
1976 |
4 |
1 |
p. 87-b-87 |
artikel |
11 |
Book reviews
|
BATE, PHILIP |
|
1976 |
4 |
1 |
p. 61-63 |
artikel |
12 |
Book reviews
|
SCHOTT, HOWARD |
|
1976 |
4 |
1 |
p. 63-67 |
artikel |
13 |
Book reviews
|
BROWN, HOWARD MAYER |
|
1976 |
4 |
1 |
p. 67-67 |
artikel |
14 |
Book reviews
|
THOMAS, BERNARD |
|
1976 |
4 |
1 |
p. 59-61 |
artikel |
15 |
Book reviews
|
SCHOTT, HOWARD |
|
1976 |
4 |
1 |
p. 55-59 |
artikel |
16 |
Buzzers on lutes and fiddles
|
MONTAGU, JEREMY |
|
1976 |
4 |
1 |
p. 85-a-85 |
artikel |
17 |
Cavalli's Eritrea at Wexford
|
PLEASANTS, HENRY |
|
1976 |
4 |
1 |
p. 120-122 |
artikel |
18 |
Choosing brass instruments
|
MONTAGU, JEREMY |
|
1976 |
4 |
1 |
p. 35-38 |
artikel |
19 |
Crumhorns
|
STROTHER, DAVID H. |
|
1976 |
4 |
1 |
p. 87-a-87 |
artikel |
20 |
Domenico Scarlatti and Spanish folk music
|
CLARK, JANE |
|
1976 |
4 |
1 |
p. 19-21 |
artikel |
21 |
Early music for harpsichord—1
|
SCHOTT, HOWARD |
|
1976 |
4 |
1 |
p. 27-30 |
artikel |
22 |
EARLY MUSIC THROUGHOUT EUROPE ‘The present state of music in Northern Europe, in particular the Netherlands’
|
LEONHARDT, MARIE |
|
1976 |
4 |
1 |
p. 50-52 |
artikel |
23 |
Exhibition at Bruges and RCM—summer 1975
|
RAWSON, JOHN |
|
1976 |
4 |
1 |
p. 95-97 |
artikel |
24 |
French harpsichord playing in the 17th century: after Le Gallois
|
FULLER, DAVID |
|
1976 |
4 |
1 |
p. 22-26 |
artikel |
25 |
Geneviève Thibault, Madame H. de Chambure an appreciation
|
JENKINS, JEAN |
|
1976 |
4 |
1 |
p. 39-40 |
artikel |
26 |
Instrument restoration
|
ZADRO, MICHAEL |
|
1976 |
4 |
1 |
p. 83-85 |
artikel |
27 |
London salerooms
|
WELLS, GRAHAM |
|
1976 |
4 |
1 |
p. 53-54 |
artikel |
28 |
Lute dehydration
|
SCHOTT, HOWARD |
|
1976 |
4 |
1 |
p. 87-d-87 |
artikel |
29 |
Making reeds for the baroque oboe—1
|
HAYNES, BRUCE |
|
1976 |
4 |
1 |
p. 31-34 |
artikel |
30 |
Musick of Sundrie Kindes
|
Brown, Howard Mayer |
|
1976 |
4 |
1 |
p. 41-43 |
artikel |
31 |
Music reviews
|
DONINGTON, ROBERT |
|
1976 |
4 |
1 |
p. 73-b-73 |
artikel |
32 |
Music reviews
|
DOBBINS, FRANK |
|
1976 |
4 |
1 |
p. 69-71 |
artikel |
33 |
Music reviews
|
TIMMS, COLIN |
|
1976 |
4 |
1 |
p. 71-73 |
artikel |
34 |
Music reviews
|
PINNOCK, TREVOR |
|
1976 |
4 |
1 |
p. 73-a-73 |
artikel |
35 |
Nuremberg training course for musical instrument restorers
|
|
|
1976 |
4 |
1 |
p. 97-99 |
artikel |
36 |
On re-reading Couperin's L'Art de Toucher le Clavecin
|
KIRKPATRICK, RALPH |
|
1976 |
4 |
1 |
p. 3-11 |
artikel |
37 |
Paris: a survey
|
McALPINE, FIONA |
|
1976 |
4 |
1 |
p. 91-94 |
artikel |
38 |
Reading Ligatures from their ground state
|
GODT, IRVING |
|
1976 |
4 |
1 |
p. 44-46 |
artikel |
39 |
Recordings–quarterly check list 15
|
SMITH, JUDY |
|
1976 |
4 |
1 |
p. 113-119 |
artikel |
40 |
Renaissance and baroque guitar
|
GODWIN, SHELAGH |
|
1976 |
4 |
1 |
p. 85-b-85 |
artikel |
41 |
Russian proverbs
|
SCHOTT, HOWARD |
|
1976 |
4 |
1 |
p. 87-c-87 |
artikel |
42 |
SINGING EARLY MUSIC
|
RAMM, ANDREA VON |
|
1976 |
4 |
1 |
p. 12-15 |
artikel |
43 |
When is a cornett not a cornett?
|
de WAAL, Ph. |
|
1976 |
4 |
1 |
p. 85-c-87 |
artikel |
44 |
Where the wind blows
|
MONK, CHRISTOPHER |
|
1976 |
4 |
1 |
p. 47-49 |
artikel |