| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
ABSTRACTS AND AUTHORS
|
|
|
2007
|
|
4 |
p. 658-663
|
artikel
|
| 2 |
ABSTRACTS AND AUTHORS
|
|
|
2006
|
|
4 |
p. 756-759
|
artikel
|
| 3 |
A FACELESS SOCIETY? PORTRAITURE AND THE POLITICS OF DISPLAY IN EIGHTEENTH-CENTURY ROME
|
ELIASSON, SABRINA NORLANDER
|
|
2007
|
|
4 |
p. 503-520
|
artikel
|
| 4 |
COLOUR PLATE SECTION
|
|
|
2006
|
|
4 |
p. 0
|
artikel
|
| 5 |
DISPLAY AT THE NATIONAL PORTRAIT GALLERY, LONDON, 1968–1975
|
FUNNELL, PETER
|
|
2007
|
|
4 |
p. 590-610
|
artikel
|
| 6 |
EMPATHETIC VISION: LOOKING AT AND WITH A PERFORMATIVE BYZANTINE MINIATURE
|
NELSON, ROBERT S.
|
|
2007
|
|
4 |
p. 489-502
|
artikel
|
| 7 |
GEORGIANISM AND THE TENEMENTS, DUBLIN 1908–1926
|
CRINSON, MARK
|
|
2006
|
|
4 |
p. 625-659
|
artikel
|
| 8 |
LAYING SIEGE TO THE ROYAL ACADEMY: WRIGHT OF DERBY'S VIEW OF GIBRALTAR AT ROBINS'S ROOMS, COVENT GARDEN, APRIL 1785
|
BONEHILL, JOHN
|
|
2007
|
|
4 |
p. 521-544
|
artikel
|
| 9 |
LOCATING ‘CHINA’ IN THE ARTS OF SIXTEENTH-CENTURY JAPAN
|
WATSKY, ANDREW M.
|
|
2006
|
|
4 |
p. 600-624
|
artikel
|
| 10 |
MUSEUM STUDIES NOW
|
McCLELLAN, ANDREW
|
|
2007
|
|
4 |
p. 566-570
|
artikel
|
| 11 |
NARRATIVES OF DISPLAY AT THE NATIONAL GALLERY, LONDON
|
SMITH, CHARLES SAUMAREZ
|
|
2007
|
|
4 |
p. 611-627
|
artikel
|
| 12 |
ON LOCATION
|
CHERRY, DEBORAH
|
|
2006
|
|
4 |
p. 533-539
|
artikel
|
| 13 |
‘OUR GODS, THEIR MUSEUMS’: 1 THE CONTRARY CAREERS OF INDIA'S ART OBJECTS
|
GUHA-THAKURTA, TAPATI
|
|
2007
|
|
4 |
p. 628-657
|
artikel
|
| 14 |
REBECCA BELMORE AND JAMES LUNA ON LOCATION AT VENICE: THE ALLEGORICAL INDIAN REDUX
|
TOWNSEND-GAULT, CHARLOTTE
|
|
2006
|
|
4 |
p. 721-755
|
artikel
|
| 15 |
SIGNPOSTS OF INVENTION: ARTISTS' SIGNATURES IN ITALIAN RENAISSANCE ART
|
RUBIN, PATRICIA
|
|
2006
|
|
4 |
p. 563-599
|
artikel
|
| 16 |
SPECTACLE AND DISPLAY: SETTING THE TERMS
|
CHERRY, DEBORAH
|
|
2007
|
|
4 |
p. 475-480
|
artikel
|
| 17 |
SPECTACLE & DISPLAY
|
CUMMINGS, NEIL
|
|
2007
|
|
4 |
p. 481-488
|
artikel
|
| 18 |
STATUES IN THE SQUARE: HAUNTINGS AT THE HEART OF EMPIRE
|
CHERRY, DEBORAH
|
|
2006
|
|
4 |
p. 660-697
|
artikel
|
| 19 |
THE BUDDHA GOES GLOBAL: SOME THOUGHTS TOWARDS A TRANSNATIONAL ART HISTORY
|
HARRIS, CLARE
|
|
2006
|
|
4 |
p. 698-720
|
artikel
|
| 20 |
THE ERRANT IMAGE: ROGIER VAN DER WEYDEN'S DEPOSITION FROM THE CROSS AND ITS COPIES
|
POWELL, AMY
|
|
2006
|
|
4 |
p. 540-562
|
artikel
|
| 21 |
THE LOGIC OF SPECTACLE c. 1970
|
LOCKYER, ANGUS
|
|
2007
|
|
4 |
p. 571-589
|
artikel
|
| 22 |
‘WALKING FOR PLEASURE’? BODIES OF DISPLAY AT THE MANCHESTER ART-TREASURES EXHIBITION IN 1857
|
LEAHY, HELEN REES
|
|
2007
|
|
4 |
p. 545-565
|
artikel
|
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