| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Arts and Politics
|
Zolberg, Vera L.
|
|
2010
|
|
2-3 |
p. 57-62
|
artikel
|
| 2 |
Arts and Politics: A French–American Perspective
|
Roussel, Violaine
|
|
2010
|
|
2-3 |
p. 63-68
|
artikel
|
| 3 |
Can Museums Help Build a European Memory? The Example of the Musée de l’Europe in Brussels in the Light of “New World” Museums’ Experience
|
Cadot, Christine
|
|
2010
|
|
2-3 |
p. 127-136
|
artikel
|
| 4 |
“Commitment Through the Work of Art,” “Commitment Through the Name”: The Case of French Directors of “Social Films” in the 1990s–2000s
|
Mariette, Audrey
|
|
2010
|
|
2-3 |
p. 157-173
|
artikel
|
| 5 |
How Social Movements Do Culture
|
Roy, William G.
|
|
2010
|
|
2-3 |
p. 85-98
|
artikel
|
| 6 |
Making “A Political Movie That Does Not Take a Political Stand:” Specialization and Depoliticization in American Cinema
|
Roussel, Violaine
|
|
2010
|
|
2-3 |
p. 137-155
|
artikel
|
| 7 |
Marginality Triumphant? On the Asymmetry of Conflict in the Art World
|
Zolberg, Vera L.
|
|
2010
|
|
2-3 |
p. 99-112
|
artikel
|
| 8 |
Mobilization of Artists and Understanding of the Political Field: Struggles Around the Contract Work System
|
Proust, Serge
|
|
2010
|
|
2-3 |
p. 113-126
|
artikel
|
| 9 |
Non-Preaching Activism in New York. The Theatrical Militancy of Billionaires for Bush and Reverend Billy
|
Lechaux, Bleuwenn
|
|
2010
|
|
2-3 |
p. 175-190
|
artikel
|
| 10 |
The Debate on the Writer’s Responsibility in France and the United States from the 1920s to the 1950s
|
Sapiro, Gisèle
|
|
2010
|
|
2-3 |
p. 69-83
|
artikel
|
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